Musical “Covers” And The Culture Industry: From Antiquity To The Age Of Digital Reproducibility, 2018 Fordham University
Musical “Covers” And The Culture Industry: From Antiquity To The Age Of Digital Reproducibility, Babette Babich
Articles and Chapters in Academic Book Collections
This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addition to Nietzsche’s interest in composition, together with his rhythmic analysis of Ancient Greek as the basis of what he called the “spirit of music” with respect to tragedy. The language of “sonic branding” allows a discussion of what Günther Anders described as the self-creation of the mass consumer but also a reflection on the ghostly time-space of music in the broadcast world. A brief allusion to Rilke complements a similarly brief reference to Jankelevitch’s “ineffable.”
Thematic Fields, Transgressive Religion: Disembodiment And The Will To Nothingness In “Safe Haven”, 2018 Eötvös Lóránd University, Budapest
Thematic Fields, Transgressive Religion: Disembodiment And The Will To Nothingness In “Safe Haven”, Adam Lovasz
Iowa Journal of Cultural Studies
In my article, I examine a segment of the 2013 horror anthology, V/H/S/ 2. Entitled „Safe Haven” and directed by young directors Timo Tjahjanto and Gareth Huw Evans, this segment stands out for its religious and metaphysical subject matter. Examining broader media theory concerns relating to the „found-footage horror” subgenre, I consider how, during the course of „Safe Haven”, the screen as frame is gradually supplanted by the increasingly unreal events portrayed in the segment. I seek to simultaneously engage with the question of realism in found footage films, while also utilizing Evan Calder-Williams’ notion of „horrible form ...
Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender
Student Theses 2015-Present
This paper aims to shed light on the dissonance caused by the superimposition of Dominant Human Systems on Natural Systems. I highlight the synthetic nature of Dominant Human Systems as egoic and linguistic phenomenon manufactured by a mere portion of the human population, which renders them inherently oppressive unto peoples and landscapes whose wisdom were barred from the design process. In pursuing a radical pragmatic approach to mending the simultaneous oppression and destruction of the human being and the earth, I highlight the necessity of minimizing entropic chaos caused by excess energy expenditure, an essential feature of systems that aim ...
Critical Theory And Social Media: Alternatives And The New Sensibility, 2018 University of Pennsylvania
Critical Theory And Social Media: Alternatives And The New Sensibility, Philippe E. Becker Marcano
Honors Theses (PPE)
Social media platforms are technological communication tools that dominate our social relationships. As we increasingly notice how little control we have over these platforms and how much influence they have on our behavior, the search for alternatives becomes even more pressing. Critical theory is a practical and theoretical framework we can use to develop a qualitative critique of social media platforms, in extension to the large body of work that addresses the quantitatively measurable effects of the platforms. The internet was originally conceived as a space that would open a more communitarian future, but now it has been reduced to ...
Ernst Blochs Utopischer Nietzsche: Von Der Tragödien- Zur Marxismustheorie, 2018 Washington University in St. Louis
Ernst Blochs Utopischer Nietzsche: Von Der Tragödien- Zur Marxismustheorie, Ursula Beata Baur
Arts & Sciences Electronic Theses and Dissertations
Ernst Bloch, bekannt als neomarxistischer Querdenker, sieht das utopische und lebensbejahende Potenzial seiner Philosophie bereits in Friedrich Nietzsches Denken angelegt. Dessen widerstreitende, aber sich dennoch komplementär ergänzende Konzepte des „Apollinischen“ und „Dionysischen“ interpretiert und erweitert Bloch für seine Hoffnungslehren. Die Thesis widmet sich der Fragestellung, inwiefern Nietzsches Begriffspaar bei Bloch verstanden und politisiert wird und welcher Mehrwert durch diese Analyse entsteht. Bloch entlehnt von Nietzsche vor allem seine Dionysos-Figur, die er als das rebellierende Subjekt gegen das geschlossene Objektivsystem des Staatsmarxismus seiner Zeit setzt. Dabei vernachlässigt er den anti-individuellen und allvereinenden Aspekt des Dionysischen, eröffnet aber so eine Perspektive auf ...
Theater As A Civic Practice, 2018 University of Rhode Island
Theater As A Civic Practice, Charlie Santos
Senior Honors Projects
Contemporary artists are working within a cultural moment saturated with political fervor. The ideologies of social and political movements such as Black Lives Matter, Queer Rights, and Gun Control weigh heavily on the minds of young artists. More and more, I see actors, writers, and creators struggling to reconcile their identities as artists and identities as political beings. How do artists resolve the internal dissonance between their artistic and political spheres? Is activist art an opportunity to synthesize these two spheres? Or might creating art for political ends pose ethical and/or aesthetic hazards? On the one hand, creating political ...
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, 2018 Cedarville University
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Research and Scholarship Symposium
In every age, musicians and philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Musical formalism and Gestalt theory—two theories in musical aesthetics—demonstrate that aspects of musical perception and experience are enduring and comprehensive. Musical formalism is the theory that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical experience relies on cognition, and music is less a matter of sense than of mind. Gestalt Theory holds that music is a unified totality ...
For The Sake Of The Intellect, Let Them Have Art: A Possible Reconciliation For The Value Of Mimetic Arts In The 'Republic', 2018 University of Missouri, St. Louis
For The Sake Of The Intellect, Let Them Have Art: A Possible Reconciliation For The Value Of Mimetic Arts In The 'Republic', Breanna Liddell
This paper explores the possibility of a cohesive philosophy that recognizes both Plato’s concern about art as a moral danger in the Republic and the aesthete’s—a worthy adversary—position of art as something worth preserving. Plato understood the arts as mimêsis, or imitative and representational. Additionally, this paper suggests that Plato’s take on art extends beyond the limited realm of the performative arts that depict the misguided actions of Greek heroes and gods and how those arts positively or negatively impact the educational development of a citizen of the Republic. Rather, I assert that what he ...
Inventing An Ethics: Existentialism And Engagement Through Literature, 2018 Louisiana State University and Agricultural and Mechanical College
Inventing An Ethics: Existentialism And Engagement Through Literature, Michael Foster Wickham
LSU Master's Theses
The existentialist ethics of Jean-Paul Sartre and Simone De Beauvoir offers a unique perspective that challenges a traditional, normative picture that has been dominant throughout the history of ethical thinking and continues to dominate in contemporary discourse. The perspective in question refuses to rely on essence to ground its positions, opting instead to focus on the contingency of the subject and the interpersonal as being fundamental in the invention of moral values and ethical practices. This thesis looks to – in the first chapter – explore the relationship between the subjective and the interpersonal through a discussion of Heidegger’s Mitsein and ...
Curating Illustrations Of Lewis Carroll’S Alice’S Adventures In Wonderland, 2018 University of South Florida
Curating Illustrations Of Lewis Carroll’S Alice’S Adventures In Wonderland, Lindsay Persohn
Graduate Theses and Dissertations
In the 150 years since Lewis Carroll and John Tenniel (1865/1866) first published Alice's Adventures in Wonderland, various illustrators have found inspiration in this story to recreate its images again and again. Since Carroll and Tenniel, Wonderland has concerned itself with sociocultural ideas and the work of artists who re-illustrated this story provide ways to trace history of these ideas.
Accordingly, the purpose of this project was to examine connections and breaks with tradition in illustration that contribute to an evolution of meaning in the Wonderland story. Additionally, through this project, I worked to interpret ideas from different ...
The Unifying Strands: Formalism And Gestalt Theory In The Musical Philosophies Of Aristoxenus, Descartes, And Meyer, Amanda N. Staufer
In every age, philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Instead of answering the formidable question of musical meaning, this essay demonstrates the parallel aspects of three musical theories from ancient, Enlightenment, and modern times. Using the two criteria of musical formalism and Gestalt Theory, this essay systematically connects the philosophies of Aristoxenus of Tarentum, René Descartes, and Leonard Meyer. Musical formalism holds that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical ...
Art, Pleasure, Value: Reframing The Questions, 2018 University of Toronto
Art, Pleasure, Value: Reframing The Questions, Mohan Matthen
In this essay, I’ll argue, first, that an art object's aesthetic value (or merit) depends not just on its intrinsic properties, but on the response it evokes from a consumer who shares the producer's cultural background. My question is: what is the role of culture in relation to this response? I offer a new account of aesthetic pleasure that answers this question. On this account, aesthetic pleasure is not just a “feeling” or “sensation” that results from engaging with a work of art. It is rather a mental state that facilitates engagement with an artwork, and (in ...
With Regard To Aesthetics: An Analysis Of Aesthetic Qualities In Contemporary Food Systems And Their Contribution Toward Environmental Effect, 2018 University of Colorado, Boulder
With Regard To Aesthetics: An Analysis Of Aesthetic Qualities In Contemporary Food Systems And Their Contribution Toward Environmental Effect, Isaac Singer
Undergraduate Honors Theses
This thesis aims to explore aesthetic qualities in contemporary food systems and how they may contribute to environmental change. By focusing on three areas of food consumption that are thought to be environmentally damaging (Meat, The Notion of Local, and Advertisement and Presentation) I discover that aesthetics seem to have a prominent role in shaping our dietary interests and motivating our behavior within these realms. Meat potentially serves as a cognitive aesthetic symbol and causes for conflicting senses of desire, the environmental positivity of local is more supported by aesthetic notions than environmental ones, and advertisement and presentation can cleverly ...
Laminated Paint, 2018 Virginia Commonwealth University
Laminated Paint, Travis R. Austin
Theses and Dissertations
Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.
Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, 2018 James Madison University
Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger
Senior Honors Projects, 2010-current
J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes ...
Michaud Varieties Of Spiritual Sense Cusanus And John Smith, 2017 University of Maine - Main
Michaud Varieties Of Spiritual Sense Cusanus And John Smith, Derek A. Michaud
No abstract provided.
The Horse's Ass: A Survey Of Comediology, 2017 University of New Orleans
The Horse's Ass: A Survey Of Comediology, William M. Fisk
University of New Orleans Theses and Dissertations
What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper, which outlines an investigation of successful comedians and the production of a short film, determines to aggregate as many of the relevant prerequisites of inducing giggles as possible, especially as they relate to the audiovisual medium of cinema.
Arts-Based Education For Enchanting, Embodied And Embedded Sustainability, 2017 Autonomous University of Mexico City
Arts-Based Education For Enchanting, Embodied And Embedded Sustainability, Hans Dieleman
Artizein: Arts and Teaching Journal
This article sketches two contrasting ideal-typical narratives of sustainability, a disenchanting and an enchanting one, and argues that current thinking in sustainability is mainly situated in the narrative of disenchantment. This narrative is based on various obsolete philosophical assumptions, and hampers the transformation process, as it distances the population from being part of this. It then sketches the narrative of enchanting sustainability and shows how this has the capacity to engage, intrigue and motivate people to be involved. It is rooted in an arts-based approach of connecting aesthetics, associative thinking, reflective practice, emotion-based working, aspiration and intentionality. The article moves ...
Meaning Through Things, 2017 The Graduate Center, City University of New York
Meaning Through Things, Marilynn Johnson
All Dissertations, Theses, and Capstone Projects
Interpretation is the process by which we find meaning in the things in the world around us: clouds on the horizon, bones, street signs, hairbrushes, uniforms, paintings, letters, and utterances. But where does that meaning come from and on what basis are we justified in saying a particular meaning is the right meaning? Drawing from debates in the philosophy of language, I argue that a complete theory of meaning and interpretation must be grounded in intentions. My argument employs research in the philosophy of language, aesthetics, linguistics, and cognitive science to develop a general framework of interpretation. This framework is ...
Laughing Doubles: The Duality Of Humour, 2017 The University of Western Ontario
Laughing Doubles: The Duality Of Humour, Evan A. Pebesma
Electronic Thesis and Dissertation Repository
This thesis examines humour as a theoretical problem, taking humour as both an object to be defined and as a mode of thinking in its own right. In the first chapter, I position humour between good sense and nonsense within a Deleuzian and psychoanalytic framework, culminating in a discussion of humour’s relationship to perversion. In the second chapter, I further develop this connection to perversion through an analysis of Christian humour, exploring the incongruity between the transcendent heights and corporeal depths, with special attention paid to the comedic works of Erasmus and Rabelais. In the third chapter, I examine ...