Esthetics Commons^™

The Aesthetic Unconscious, Roland K. Végső

Faculty Publications -- Department of English

Within the context of recent European history, examines the phrase "aesthetic ideology" and attendant conceptual considerations. Discusses Jacques Rancière’s work and his unequivocal rejection of what he calls “this great anti-aesthetic consensus,” and the central category of the “distribution of the sensible” (le partage du sensible). Rancière calls some level of political engagement “primary aesthetics” and opposes it to actual “aesthetic practices.”

Further, considers Alain Badiou’s critique of Rancière’s Disagreement. Badiou summarizes Rancière’s argument by calling it “a democratic anti-philosophy that identifies the axiom of equality, and is founded on a negative ontology of the collective ...

Frank Lloyd Wright: Influences And Worldview, Brock Stafford

M.A. in Philosophy of History Theses

Wright was uniquely qualified to see the changing face of America. Born two years after the assassination of Abraham Lincoln and the end of the Civil War, Wright lived to nearly ninety-two years of age. During his lifetime, he lived through the American Industrial Revolution, both World Wars, the Wright Brothers flight, the invention of television.... Architecturally, he straddles the gap between the neoclassical period of the 19th century, marked by the admiration of Greek and Roman architecture, and the modernism of the 20th. Philosophically, he was a product of the early 19th century Romanticism, but followed his own, often ...

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Working Papers

No abstract provided.

Philosophische Figuren, Frauen Und Liebe: Zu Nietzsche Und Lou, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

In The Fullness Of Time: M. M. Bakhtin, In Discourse And In Life, James C. Hall

Electronic Thesis and Dissertation Repository

The phrase “the fullness of time” touches upon one of M. M. Bakhtin’s most consistently upheld tenets; for Bakhtin, philosophical and everyday utterances rely on their historical embeddedness for the material and concrete reality from which they draw their meaning and through which they are conditioned, inflected, and re-evaluated. In his very last work Bakhtin stated that all meanings are in continuous evolution. In this thesis the attempt will be made to interpret Bakhtin’s corpus by concentrating particularly on the movement of historical and philosophical becoming, the art of responding to philosophy and the events of everyday life ...