Other Music Commons^™

Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer

Honors Projects

Isabelle Bauer’s Honors Project, “Researching and Designing Marketing Materials for Rachel Messer and Connor Dale” is split into two components. First, the research paper titled "The American West as a Cultural Phenomenon" explores the fascination with the American West and its integration into various aspects of American culture, particularly in music, film, and art. The essay discusses the historical significance of the West and its transformation into a cultural obsession. Focusing on the resurgence of Western aesthetics in modern country music, the project’s second component involves the creation of marketing materials for country artists Rachel Messer and Connor Dale.

The …

Adaptation Production Plan For “Cardigan, Betty, And August” From Taylor Swift's Folklore, Carlie Hillhouse

FUSION

This multimodal project creates a production plan for a fictional movie adaptation of Taylor Swift's popular songs "cardigan, betty, and august" from her 8th studio album, folklore. The production plan consists of details and descriptions for each cast member, filming locations, soundtrack, and key scenes to film for the movie.

The project was created in response to an assignment prompt that asked students to analyze how adaptation affects the way stories are told in different genres. Students had to consider audience reception, the portrayal of heroism, how mode affects a story's point-of-view, and how elements like key scenes and …

The Effect Of Study Music Tempo On Short Term Memory Retention In Reading And Verbal Comprehension, Payton Ballinger

Seaver College Research And Scholarly Achievement Symposium

This study experimentally investigated the effect of background music on retention as it relates to short term memory. Eighty undergraduate participants from various fields of study at Pepperdine University were randomly assigned to either listen to or read a preselected passage while listening to preselected excerpts of fast or slow tempo music. All participants were then asked to complete a 10 question test covering the material presented. There was a main effect specifically for music tempo in that participants who were exposed to background music at a slower speed while either reading or listening to a passage scored higher on …

Terry Riley's "In C" For Mobile Ensemble, David B. Wetzel, Griffin Moe, George K. Thiruvathukal

Computer Science: Faculty Publications and Other Works

This workshop presents a mobile-friendly Web Audio application for a “technology ensemble play-along” of Terry Riley’s 1964 composition In C. Attendees will join in a reading of In C using available web-enabled devices as musical instruments. We hope to demonstrate an accessible music-technology experience that relies on face-to-face interaction within a shared space. In this all-electronic implementation, no special musical or technical expertise is required.

Accepted for presentation and publication at WAC 2024.

Make It Funky For Me: Black British Women’S Explorations Of Britishness, Womanhood, And Artistry Through 2000s Music, Monique Charles

Sociology Faculty Articles and Research

2000s Britain was an interesting and expansive time musically for Black Britain (Bradley 2013), as underground music gained traction in mainstream spaces. This article examines the context in which Black British women were able to cross over into the British mainstream and explores how U.K. garage and U.K. funky artists expressed their creativity, autonomy, womanhood, Blackness, and Britishness. Female U.K. garage artists set a precedent in the creation of “new” diverse identities for Black British women artists, but artists in both underground and mainstream music scenes were also forced to contend with restrictive and harmful misogynoir.

Alumni Faculty & Staff Showcase Recital

Printed Performance Programs (PDF Format)

No abstract provided.

Keyboard Collaborative Arts Faculty Recital, Clara Cheng, Janet Kao, Esther Kim, Hye Young Kim, Mikhail Korzhev, Louise Thomas, Hannah Yi, Marc Callahan, Jenny Kim, Kyla Mccarrel, Emily Dyer Reed, Phillip Triggs

Printed Performance Programs (PDF Format)

No abstract provided.

Lyris Quartet, Lyris Quartet

Printed Performance Programs (PDF Format)

No abstract provided.

Speed-Testing In Audio Engineering Education: An Imperative Assessment Tool, Barry G. Atticks

Journal of the Association for Technology in Music Instruction

Multiple choice tests, fill-in the blanks, and essay question assessments do have their place in academia, but for students preparing for careers as studio engineers, live engineers, and producers, other assessments that test readiness for troubleshooting “real-world” problems in audio technology are needed. Being able to quickly solve signal flow issues is crucial whether it is for a high paying client in the studio or a rock band during a live show for 10,000 fans. It is well-documented that experiential learning is key in audio education, but I argue that it is not just the ability to complete hands-on tasks …

Singing Common Ground: Inshallah Offers An Embodied Response To Polarization To An Interfaith Audience, Debbie Lou Ludolph, Héctor A. Acero Ferrer

Consensus

No abstract provided.

Music Density: A Novel Measurement Of Music Perception, Tyler Ussery

All Master's Theses

Empirical research in fields such as music perception, cognition, and therapy has developed considerably in recent decades. While many studies implement musical stimuli, there are few expeditious metrics for identifying the objective characteristics of music itself. The current study proposed and developed a tool for measuring perception of the theoretical concept of music density. Music density can be defined as the compactness of auditory information that comprises a piece of music. For this study, five musical factors were explored (tempo, texture, timbre, dynamics, and predictability) via a 5-point Likert scale. It is well established that personality is an important …

An Examination Of Maria Schneider’S Big Band Artistry Through The Lens Of Wind Band Arranging, Amy Birdsong

Dissertations, 2020-current

Within the world of instrumental music there tends to be strict adherence to styles and genres that have historically been connected to a standard collection of instruments. Wind ensembles are expected to perform contemporary art music, orchestral transcriptions, or military marches, with little expectation of individual creative interpretation. Jazz ensembles, or “big bands,” are expected to perform styles of music such as “swing,” which cannot be properly notated using western notation, while also being rigidly glued to reduced instrument choices, repetitive chord cycles and standard song forms. While wind ensemble performers are confined to read and perform all aspects of …

The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther

Dissertations, 2020-current

The purpose of this study is to identify the most current and successful advances in audience engagement that champion connection and result in sustainability through purposeful educational experiences.

The Symphony Orchestra currently serves an audience which represents a multiplicity of perspectives, background, and understanding. In an era of expanded canon and outreach to local communities, the orchestra must acknowledge that change is necessary if we are to truly create fulfilling experiences for our listeners. Unfortunately, many orchestras fail to connect their outreach to the concert hall, woefully categorizing their patrons into pre-determined subsets. What if all patrons were trusted with …

Pop And Indie: What Do They Mean And Why Does It Matter? Genre And Marketing From Within The Uk Music Scene, Maggie Malin

Faculty Curated Undergraduate Works

This paper aims to explore the evolution of “pop” and “indie” as words and as genres from within the London music scene, and to suggest the most appropriate or effective marketing techniques based on a standard understanding of each genre and its implications. For each of these genres, I establish two definitions: a semantic definition, based on the etymology of the word and the cultural implications of the genre’s origins and history, and a sonic definition, based on any overarching standards of how the genre’s music sounds. In defining each genre’s sound, its history and evolution are considered, as well …

Holiday Wassail Concert, Chapman Orchestra, Chapman University Treble Choir, Chapman University Choir, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.

A Survey Of The Comparative Performance Demands Of Performing Mozart’S Fourth Horn Concerto On The Natural Horn And Modern Horn, Brandon Garrison

Doctoral Projects

The four horn concertos by Wolfgang Amadeus Mozart are fundamental standards of horn repertoire. Since the production of Dennis Brain’s early recordings in 1953, many virtuoso horn players have recorded these concerti on the modern horn. However, there are few professional recordings made on the natural horn. Though Mozart’s four horn concertos are prominent in horn study across the world, they are rarely executed with correct performance practice techniques. In my presentation, I will demonstrate passages from Mozart’s Horn Concerto No. 4 to survey the challenges when performed on natural horn versus the modern horn. It is important to understand …

Chapman Guitar Ensemble, Chapman Guitar Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Early Music Ensemble, Chapman Early Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Student Pianists Recital

Printed Performance Programs (PDF Format)

No abstract provided.

Crossing The Pond: The Influence Of Southern Appalachian Old-Time On Contemporary Irish Music, Amanda Morgan

Electronic Theses and Dissertations

Numerous studies examine Irish traditional music influencing old-time music, but few examine the influence of old-time on contemporary Irish. As our societies become more global, folk music travels faster and becomes more open to influence. Thes influences can be heard in the music of “Alfi” and “Lankum,” two ensembles steeped in Irish traditional music.

This study defines common musical elements of old-time and examines the use of those elements in two recordings: Alfi’s, “Jubilee” and Lankum’s, “The Old Man from Over the Sea.” Much of my data comes from interviews with Irish and American musicians and my own professional knowledge, …