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Faculty Artist Series Recital, Jeanne Belfy 2012 Boise State University

Faculty Artist Series Recital, Jeanne Belfy

Jeanne M. Belfy

Belfy will play with sophomore oboe major Taylor Vulgamore, graduate student cellist David Feldman and Boise State alumnus Jerry Jensen, pianist, in a performance of G.F. Handel’s Trio Sonata No. 5 in G, and Czech composer Pavel Haas’s poignant Suite for Oboe and Piano of 1939 follows. The remainder of the Boise State Faculty Wind Quintet, flutist Nicole Molumby, clarinetist Leslie Moreau, bassoonist Janelle Oberbillig, and hornist David Saunders, will join Belfy to perform Cuban composer Paquito d’Rivera’s Aires Tropicales, a multi-movement exploration of the Latin rhythms, jazz harmonies and ostinato-based forms of Cuban music.


Horses For Discourses?: The Transition From Oral To Broadside Narrative In “Skewball”, Seán Ó Cadhla 2012 Technological University Dublin

Horses For Discourses?: The Transition From Oral To Broadside Narrative In “Skewball”, Seán Ó Cadhla

Articles

The well-known horse-racing ballad ‘Skewball’ (hereafter, SB) has a well-established oral tradition in Ireland, with versions documented throughout the eighteenth-,nineteenth- and twentieth-centuries. The latest is a 1979 field-recording of Derry folksinger and storyteller, Eddie Butcher (Shields 2011:58-9). The ballad was also assimilated into African-American oral tradition, in which it was reconstructed and renamed ‘Stewball’ (Scarborough 1925:61-4; Lomax 1994:68-71), and was still being documented in American folk tradition as late as the 1930s (Flanders 1939:172-4). In common with countless other folk songs, SB was appropriated by broadside printers and subsequently enjoyed widespread public appeal throughout England in the early- to …


Proactive Punk: Music's Agency In The Knoxville Punk Community, Paula Danielle Propst 2012 University of California - Riverside

Proactive Punk: Music's Agency In The Knoxville Punk Community, Paula Danielle Propst

Masters Theses

This ethnography investigates the collective identity of the Knoxville punk community. I argue that punk rock culture in Knoxville exists as a proactive open community, and frame the discussion with the psychoanalytical work of collective identity by Jacques Lacan, notions of discourse described by James Gee, as well as definitions of community explored by Will Straw and David Hesmondhalgh. Knoxville punk musicians promote the sense of community with music through the value of cultural knowledge, providing physical areas for social space creation, and instructing young women musicians. Each factor provides a distinct element for the proactive movement in Knoxville punk. …


Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders 2012 Boise State University

Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders

David Saunders

Included Boise premier of Malcolm Arnold’s recently discovered “Wind Quintet of 1943".


Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders 2012 Boise State University

Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders

Leslie M. Moreau

Included Boise premier of Malcolm Arnold’s recently discovered “Wind Quintet of 1943".


Sexy Songs: A Study Of Gender Construction In Contemporary Music Genres, Lea Tessitore 2012 Union College - Schenectady, NY

Sexy Songs: A Study Of Gender Construction In Contemporary Music Genres, Lea Tessitore

Honors Theses

This study focuses on gender construction in contemporary music genres, including Rap/Hip-hop, Country, and Punk Rock. Although all these genres are vastly different, each genre creates unique masculinities and femininities which impact the way listeners view male/female relations in politics and their everyday lives. Rap/hip-hop creates a construct which results in the objectification of women through their “pornification” and “commodification” in the lyrics of popular songs. Country, on the other hand, has complex masculinities and femininities which create a complex network of gender characteristics which reinforce and complement each other. Lastly, this thesis looks ‘back’ to Punk Rock, whose prime …


Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter 2012 Lawrence University

Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter

Lawrence University Honors Projects

Die Werke von E.T.A. Hoffmann konzentrieren sich auf ein bestimmtes romantisches Konzept: auf die Sehnsucht nach dem Unendlichen und auf das Erlebnis dieses sublimen romantischen Reiches. Um Hoffmanns romantische Ästhetik besser zu begreifen, lohnt es sich seine Werke (Novellen, musikalische Schriften, Aufsätze und Kompositionen) heranzuziehen, um festzustellen, wie seine Figuren vor allem durch die Musik das romantische Reich erleben und wie und aus welcher Perspektive der Zuschauer auf dieses Reich reagieren kann. Diese Arbeit wird untersuchen, wie sich Hoffmanns romantische Ästhetik in den Erzählungen, den theoretischen Schriften und in der Oper Undine offenbart, wie seine Charaktere durch die Musik danach …


Remembering As A Source Of Creation In The Poetry Of Ezra Pound And H.D. And The Musical Representations Of The Holocaust By Arnold Schoenberg And Steve Reich, Ruth J. Jacobs 2012 Lawrence University

Remembering As A Source Of Creation In The Poetry Of Ezra Pound And H.D. And The Musical Representations Of The Holocaust By Arnold Schoenberg And Steve Reich, Ruth J. Jacobs

Lawrence University Honors Projects

This project explores the complex relationship between language and violence. Many theorists, such as Elaine Scarry, argue that language is silenced by violence and that extreme trauma inherently defies representation. Despite the impossibility of representing trauma, its preservation is a cultural and historical necessity. I am going to examine the different ways extreme violence is depicted in both poetry and music and the complex moral issues that are raised by these representations. Ezra Pound wrote The Pisan Cantos while imprisoned in a cage at the DTC in Pisa. I plan on exploring the role of personal and cultural memory in …


Towards An Understanding Of Pop Music: New Rhetorical Tools Employed In The Analysis Of Four Paul Simon Songs, Dan Haag 2012 Butler University

Towards An Understanding Of Pop Music: New Rhetorical Tools Employed In The Analysis Of Four Paul Simon Songs, Dan Haag

Undergraduate Honors Thesis Collection

Over the last quarter of a century, scholars from many disciplines have explored the realm of popular trends, music being no exception, including the music of Paul Simon. Simon has distinguished himself as an accomplished songwriter, performer, and he has chosen a path of perpetual self-improvement in these areas. Since his arrival on the music scene in the late 1950's, much has been written about Simon. Most of the literature is purely biographical, recounting his life's details and career accomplishments. The more analytical literature has been largely devoted to the study of his lyrics, which are rich in symbolism and …


The Form Of The Preludes To Bach's Unaccompanied Cello Suites, Daniel E. Prindle 2012 University of Massachusetts Amherst

The Form Of The Preludes To Bach's Unaccompanied Cello Suites, Daniel E. Prindle

Daniel E. Prindle

This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four musical dimensions, tonal structure, motive, texture, and the potential implications of a piece’s genre, parse the preludes in different ways. As the features of these musical dimensions undergo either an evolution or a dramatic change over the course of each prelude, they each suggest a different form. Points of change in each dimension delineate segments in the music. When aligned, these changes create significant formal junctures and suggest an overall form …


A Performer’S Guide To Six Song Cycles Composed Between 1959 And 2010 By Mississippi Composers, Sarah Hogrefe Mabary 2012 University of Southern Mississippi

A Performer’S Guide To Six Song Cycles Composed Between 1959 And 2010 By Mississippi Composers, Sarah Hogrefe Mabary

Dissertations

This dissertation offers a performer’s guide to six song cycles by Mississippi composers, including the structure and form of the songs, possible poetic interpretations, and performance practice techniques. The song cycles addressed are Samuel Jones’s Four Haiku, Howard Keever's Dreams, Raymond Liebau's Song Set I and Song Set II, and James Sclater's Three Songs on Texts of Emily Dickinson and Songs from “Telephone Poles.” For the purposes of this study, a Mississippi composer is defined as one who has a significant connection to Mississippi, either by birth or by having worked as a musician in the state for many years. …


Joseph Kreines: A Biographical Sketch, An Analysis Of American Song Set For Band And A Descriptive Catalogue Of His Original Compositions And Transcriptions For Wind Band, Paul Eugene Weikle Jr. 2012 University of Southern Mississippi

Joseph Kreines: A Biographical Sketch, An Analysis Of American Song Set For Band And A Descriptive Catalogue Of His Original Compositions And Transcriptions For Wind Band, Paul Eugene Weikle Jr.

Dissertations

Joseph Kreines is a well-respected composer, conductor and educator who has maintained an illustrious musical career in Florida and elsewhere. Originally from Chicago, Illinois, Kreines came to Florida in the 1960s as the Associate Conductor of the Florida Symphony Orchestra. Other professional conducting appointments with the Brevard Symphony Orchestra, The Gulf Coast Symphony Orchestra and appointments as the conductor of the Florida Symphony Orchestra Youth Symphony, Pinellas Youth Symphony Orchestra and Brevard Youth Symphony Orchestra proved to be the launching of a successful free-lance career as guest conductor for hundreds of Secondary programs in Florida and elsewhere including band, orchestra …


An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse 2012 University of Southern Mississippi

An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse

Dissertations

This document was constructed using a qualitative research approach to discuss and illuminate the various compositional techniques used by Frank Ticheli in his composition Cajun Folk Songs. The content will include a biographical background of Mr. Ticheli, documentation related to the Cajun Culture and Cajun Music, an analysis of Ticheli’s composition Cajun Folk Songs, and valuable information related to the rehearsal and performance of this work. The intent of the study is to shed light on the relevant aspects pertinent to the musical interpretation of the selected work for the conductor, the performer, and the listener.


Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos 2012 California Polytechnic State University - San Luis Obispo

Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos

Communication Studies

No abstract provided.


Pitch Perception In Changing Harmony, Cecilia Taher 2012 University of Arkansas, Fayetteville

Pitch Perception In Changing Harmony, Cecilia Taher

Graduate Theses and Dissertations

The role of harmony in the definition of tonality provides theoretical framework for the hypothesis that harmonic context affects pitch perception. In tonal music, the stability of individual notes depends on the harmonic setting. It seems then reasonable to expect harmonically guided variations in the cognitive representation of tones. With the purpose of enhancing current models of pitch perception, this thesis proposes an empirical investigation of the effects of harmony on pitch sensitivity. In two experiments, nonmusicians performed a same/different discrimination task on two pitches (a reference tone RT and a comparison tone CT) that were embedded in a melody …


Ravel And Roussel: Retrospectivism In Le Tombeau De Couperin And La Suite Pour Piano, Op.14, Qingfan Jiang 2012 Illinois Wesleyan University

Ravel And Roussel: Retrospectivism In Le Tombeau De Couperin And La Suite Pour Piano, Op.14, Qingfan Jiang

Papers

Urged by an increasingly pervading nationalism, many French composers at the beginning of the twentieth century sought to create unique French music by linking to their past musical traditions. This trend of the retrospective approach to musical composition is evident in the works of contemporary French composers such as Vincent d’Indy, Claude Debussy, Maurice Ravel and Albert Roussel. Of the latter two composers, however, personal stylistic traits differentiate their Retrospectivism on both the musical level and the aesthetic one.


Interview, Radio Nacional Clásica Fm 96.7, Buenos Aires, Argentina, Oscar Macchioni 2012 University of Texas at El Paso

Interview, Radio Nacional Clásica Fm 96.7, Buenos Aires, Argentina, Oscar Macchioni

Oscar Macchioni

Interviewed by Leandro Donoso for his program "La música de los libros de música" (The Music of the Music Books). Taked about my book "The Tango in American Piano Music" and listened to my recordings of tangos by Thomson, Copland, Barber, Biscardi and Bolcom.


Audio Mastering As Musical Practice, Matt Shelvock 2012 The University of Western Ontario

Audio Mastering As Musical Practice, Matt Shelvock

Electronic Thesis and Dissertation Repository

This thesis examines audio mastering as musical communication. Tasks including loudness management, harmonic balance, denoising, phase alignment, monitoring, effects application, and administrative responsibilities are of central importance to mastering engineers. With the exception of administrative responsibilities, each of these tasks significantly shapes a record’s aesthetic character and physical makeup. These contributions – the final creative steps before an album’s release – demonstrate the mastering engineer’s role as a collaborative auteur in recorded musical communications.


Neuromusicology And Combat-Induced Traumatic Brain Injury, Brittany L. Neuser 2012 Western Michigan University

Neuromusicology And Combat-Induced Traumatic Brain Injury, Brittany L. Neuser

Honors Theses

The number of reported cases of combat-induced traumatic brain injury (TBI) among American veterans is rapidly increasing. The results of TBI are often a combination of deficits in cognitive, physical, emotional, and behavioral functions. Each case poses unique challenges for all involved—soldiers, their families, and health care personnel. Though each case is unique, common symptoms include impaired gross and fine motor, speech and language, memory, attention, visual, auditory, and emotional functioning (Davis, Gfeller, Thaut, 2008).

Due to the holistic nature of TBI symptoms, finding an effective yet cost-efficient treatment modality proves to be a difficult task. Previous research has suggested …


Neuromusicology And Combat-Induced Traumatic Brain Injury, Elisabeth C. Spinniken 2012 Western Michigan University

Neuromusicology And Combat-Induced Traumatic Brain Injury, Elisabeth C. Spinniken

Honors Theses

The number of reported cases of combat-induced traumatic brain injury (TBI) among American veterans is rapidly increasing. The results of TBI are often a combination of deficits in cognitive, physical, emotional, and behavioral functions. Each case poses unique challenges for all involved—soldiers, their families, and health care personnel. Though each case is unique, common symptoms include impaired gross and fine motor, speech and language, memory, attention, visual, auditory, and emotional functioning (Davis, Gfeller, Thaut, 2008).

Due to the holistic nature of TBI symptoms, finding an effective yet cost-efficient treatment modality proves to be a difficult task. Previous research has suggested …


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