Ginastera "Malambo." Live Performance, St. James's Piccadilly, London, July 30, 2010,
2010
University of Texas at El Paso
Ginastera "Malambo." Live Performance, St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni
Oscar Macchioni
Live performance. St. James's Piccadilly, London, UK. Organized by the Iberian and Latin America Music Society of London.
Astor Piazzolla "Adios Nonino." Live Performance At St. James's Piccadilly, London, July 30, 2010,
2010
University of Texas at El Paso
Astor Piazzolla "Adios Nonino." Live Performance At St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni
Oscar Macchioni
Live performance. St. James's Piccadilly, London, UK. Organized by the Iberian and Latin America Music Society of London.
London, St. James's Piccadilly Concert Series. July 30, 2010,
2010
University of Texas at El Paso
London, St. James's Piccadilly Concert Series. July 30, 2010, Oscar E. Macchioni
Oscar Macchioni
Poldowski Rediscovered,
2010
Technological University Dublin
Poldowski Rediscovered, David Mooney
Articles
This is a brief magazine article, commissioned to celebrate the 75th anniversary of the death of Poldowski. It contains a biographical sketch and a description of compositions.
Cd Review. Mostly Tangos: Piano Music From The Americas.,
2010
University of Texas at El Paso
Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni
Oscar Macchioni
"...fine pianist, his playing is strong, with clear and expressive phrasing. And the recorded sound is excellent... quite vigorously if this performance is anything to go by. Recommended"
International Steinway Artist. 2010,
2010
University of Texas at El Paso
International Steinway Artist. 2010, Oscar E. Macchioni
Oscar Macchioni
Named International Steinway Artist by the prestigious piano manufacturing company.
July 2010
The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique,
2010
California Polytechnic State University - San Luis Obispo
The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique, Laura Venezia
Communication Studies
This project explicates the nature of the rhetorical strategies, especially the call response, used by various African American artists and orators (Frederick Douglass, Martin Luther King Jr., Malcolm X, Grandmaster Flash and the Furious Five, and Public Enemy). The techniques include the interplay of repetition and heightening emotion provided especially through 1. using the “call response” directly, 2. announcing jeremiad warnings and rallying cries, and 3. using potent images to arouse emotions—the objective correlative.
Argentina. Teatro San Martín, Tucumán. May 20, 2010,
2010
University of Texas at El Paso
Argentina. Teatro San Martín, Tucumán. May 20, 2010, Oscar E. Macchioni
Oscar Macchioni
El Paso, Texas. Grace United Methodist Church. Solo Recital. May 9, 2010,
2010
University of Texas at El Paso
El Paso, Texas. Grace United Methodist Church. Solo Recital. May 9, 2010, Oscar E. Macchioni
Oscar Macchioni
No abstract provided.
Protest Music Of The Vietnam War: Description And Classification Of Various Protest Songs.,
2010
East Tennessee State University
Protest Music Of The Vietnam War: Description And Classification Of Various Protest Songs., Amanda Marie Carr-Wilcoxson
Electronic Theses and Dissertations
The Vietnam War and subsequent protest movement remains one of the most tumultuous times in U.S. history. This thesis is an attempt to define and describe the protest movement as well as the varied popular protest songs that came from this era. Building on a previous study written by Elizabeth Kizer, this thesis creates sub-categories in which the protest music falls into.
The first two chapters of this study help by giving historical context to the songs by describing the Vietnam War and then the protest movement in the U.S. The final chapter then deals with popular protest songs that …
El Paso, University Of Texas. Faculty Recital Series. April 25, 2010.,
2010
University of Texas at El Paso
El Paso, University Of Texas. Faculty Recital Series. April 25, 2010., Oscar E. Macchioni
Oscar Macchioni
Conservative Radical: Martin Luther’S Influence On Congregational Singing,
2010
Cedarville University
Conservative Radical: Martin Luther’S Influence On Congregational Singing, Jonathan Knight
B.A. in Music Senior Capstone Projects
Martin Luther played an influential role in the transition from the priest-dominated Catholic worship to congregationally accessible evangelical services. This study demonstrates that, though his musical reforms were not dramatic, they were intentional and effective. Luther’s understanding of music theologically, theoretically, and practically enabled him to effectively utilize available musical resources to make music increasingly accessible, for the purpose of teaching the Word of God. Through Luther’s hymns, people began proclaiming the Word of God musically. Through liturgical reform, Luther provided congregations with a framework through which to incorporate congregational song in the liturgy. Through music education, Luther increased musical …
Houston, Texas. Solo Recital. March 19, 2010. Benefit Concert.,
2010
University of Texas at El Paso
Houston, Texas. Solo Recital. March 19, 2010. Benefit Concert., Oscar E. Macchioni
Oscar Macchioni
Sul Ross University, Alpine, Texas. Guest Artist Series. March 5, 2010,
2010
University of Texas at El Paso
Sul Ross University, Alpine, Texas. Guest Artist Series. March 5, 2010, Oscar E. Macchioni
Oscar Macchioni
El Paso, University Of Texas. Collaborative Recital. February 21, 2010,
2010
University of Texas at El Paso
El Paso, University Of Texas. Collaborative Recital. February 21, 2010, Oscar E. Macchioni
Oscar Macchioni
From The Directors,
2010
University of Richmond
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
In Memoriam Mary Jane Phillips-Matz (1926-2013),
2010
University of Richmond
In Memoriam Mary Jane Phillips-Matz (1926-2013), Linda B. Fairtile
Verdi Forum
No abstract provided.
Remembering Martin Chusid (1925-2013),
2010
University of Richmond
A History Of Opera In Boston,
2010
University of Massachusetts Amherst
A History Of Opera In Boston, John R. Tedesco
Masters Theses 1911 - February 2014
This thesis examines the cultural context of opera in Boston between the years 1620 to 2010. Specifically, I look at how the Boston Opera Company was founded, its existence, and its ultimate demise. The rise of opera in colonial Boston is also explored and especially how the immigration in the late nineteenth and early twentieth centuries influenced the city. Around this time of changing demographics Eben D. Jordan, Jr., of Jordan Marsh Co. decided to build an opera house for the city of Boston.
The effects that Puritanism had on music and the culture of Boston during its early years …
The Affective Properties Of Keys In Instrumental Music From The Late Nineteenth And Early Twentieth Centuries,
2010
University of Massachusetts Amherst
The Affective Properties Of Keys In Instrumental Music From The Late Nineteenth And Early Twentieth Centuries, Maho A. Ishiguro
Masters Theses 1911 - February 2014
The concept of key characteristics deals with the particular moods which different tonalities are believed to provide to music. Discussions regarding their existence and the validity of the phenomena have always been controversial because of a lack of fundamental reasons and explanations for them. Nevertheless, references to key characteristics have appeared in various fields of study and over many centuries: the Greek doctrine of ethos, writings of Guido d’Arezzo, Jean-Philippe Rameau’s Traité de l’harmonie, scribbles in Beethoven’s sketches, and several passages in Hermann von Helmholtz’s On the Sensations of Tones.
The attitudes and opinions towards key characteristics have varied in …
