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1,903 full-text articles. Page 35 of 37.

Karol Szymanowski. Prelude Op. 1 No. 2., Oscar E. Macchioni 2010 University of Texas at El Paso

Karol Szymanowski. Prelude Op. 1 No. 2., Oscar E. Macchioni

Oscar Macchioni

Oscar Macchioni performs Karol Szymanowski's Prelude op. 1 No. 2


Las Cruces, New Mexico. St. Paul United Methodist Church Concert Series. November 14, 2010., Oscar E. Macchioni 2010 University of Texas at El Paso

Las Cruces, New Mexico. St. Paul United Methodist Church Concert Series. November 14, 2010., Oscar E. Macchioni

Oscar Macchioni

Performed selections from my CD "Mostly Tangos" and from my book "The Tango in American Piano Music."


Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni 2010 University of Texas at El Paso

Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni

Oscar Macchioni

"He plays these endlessly evocative works with understanding and seeming ease—bringing out their lovely melodies, finding tempos that seem quite right, and expertly balancing their wit, gravity, and passion."


Tucson, Arizona. Steinway Gallery. October 4, 2010, Oscar E. Macchioni 2010 University of Texas at El Paso

Tucson, Arizona. Steinway Gallery. October 4, 2010, Oscar E. Macchioni

Oscar Macchioni

Invited.
Performed works from my CD Mostly Tangos, Piano Music from the Americas


Online Searching And Collecting Resources In Music Research, Mahn-Hee Kang 2010 University of South Florida

Online Searching And Collecting Resources In Music Research, Mahn-Hee Kang

Mahn-Hee Kang

No abstract provided.


Faculty Artist Series Recital, Jeanne Belfy, David Saunders, Svetlana Maddox 2010 Boise State University

Faculty Artist Series Recital, Jeanne Belfy, David Saunders, Svetlana Maddox

Jeanne M. Belfy

A program of trios, including a 1998 Suite by Alexander Arutiunian and a big romantic work by Heinrich von Herzogenberg. Solo works for oboe by Vincent Persichetti and for horn and piano by Francis Poulenc were also featured.


Minneapolis, Minnesota. College Music Society National Conference. September 24, 2010., Oscar E. Macchioni 2010 University of Texas at El Paso

Minneapolis, Minnesota. College Music Society National Conference. September 24, 2010., Oscar E. Macchioni

Oscar Macchioni

Presented my book in a lecture-recital format.

The Tango in American Piano Music. Selected Tangos by: Thomson, Copland, Barber, Jaggard, Biscardi, and Bolcom.

College Music Society Press, June 2010


Studies In English Church Music, 1550-1900. (Variorum Collected Studies Series, Cs926) By Nicholas Temperley (Review), Julian Onderdonk 2010 West Chester University of Pennsylvania

Studies In English Church Music, 1550-1900. (Variorum Collected Studies Series, Cs926) By Nicholas Temperley (Review), Julian Onderdonk

Music Theory, History & Composition Faculty Publications

No abstract provided.


European Piano Teachers Association, World Piano Conference. Novi Sad, Serbia, August 28, 2010, Oscar E. Macchioni 2010 University of Texas at El Paso

European Piano Teachers Association, World Piano Conference. Novi Sad, Serbia, August 28, 2010, Oscar E. Macchioni

Oscar Macchioni

Invited.

Presented a lecture-recital on my book "The Tango in American Piano Music. Selected Tangos by Thomson, Copland, Barber, Jaggard, Biscardi, and Bolcom.


Diploma Of Excellence. World Piano Teachers Association, World Piano Conference. Serbia., Oscar Macchioni 2010 University of Texas at El Paso

Diploma Of Excellence. World Piano Teachers Association, World Piano Conference. Serbia., Oscar Macchioni

Oscar Macchioni

Dr. Dorian Leljak, World Piano Teachers Association (WPTA) President, has requested that we make a preliminary review of your 2010 WPC presentation. We have just completed the review and are extremely happy to report that your presentation merits the WPTA Diploma of Excellence (WPTA dip-E) Accreditation, our highest esteemed accolade. We congratulate you on this important professional achievement and wish you success in your future endeavors. Kind regards, WPTA Accreditation Board


Douçaine Vivant: The Life, Death, And Resurrection Of A Cylindrical Survivor, Aage Bent Nielsen 2010 Boise State University

Douçaine Vivant: The Life, Death, And Resurrection Of A Cylindrical Survivor, Aage Bent Nielsen

Boise State University Theses and Dissertations

Thirty years ago, ocean archaeologists excavating the sunken wreck of the Tudor flagship the Mary Rose uncovered a “mystery instrument,” later revealed as the only extant douçaine. This exciting discovery catalyzed this work and a new career direction for the author. The douçaine is a cylindrical bored early double reed instrument mentioned frequently in literature and chronicles from the thirteenth to early seventeenth centuries. Unfortunately, none of the known references included a definitive description or iconographical depiction. Despite the emergence of the extant douçaine, relatively little scholarship exists on the instrument. Furthermore, only one contemporary instrument maker uses the extant ...


William Walton's Belshazzar's Feast: Orientalism And The Continuation Of The English Oratorio, Elissa Hope Keck 2010 University of Tennessee, Knoxville

William Walton's Belshazzar's Feast: Orientalism And The Continuation Of The English Oratorio, Elissa Hope Keck

Masters Theses

This study investigates aspects of Orientalism found within the genre of the English oratorio, specifically William Walton’s Belshazzar’s Feast (1931). Building on Edward Said’s research on Orientalism, analyses of Orientalist representations in music exploded the field of musicology in the 1980s and 90s. However, the examination of Orientalism in sacred genres remains lacking. Bringing forth cultural, political, and musical conflicts between East and West, Walton’s oratorio encourages further investigation in previously unaddressed genres. I argue that, by combining dramatic operatic elements with sacred text, Walton’s Belshazzar’s Feast reflects a continuation of Orientalist ideologies through ...


Ginastera "Malambo." Live Performance, St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni 2010 University of Texas at El Paso

Ginastera "Malambo." Live Performance, St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni

Oscar Macchioni

Live performance. St. James's Piccadilly, London, UK. Organized by the Iberian and Latin America Music Society of London.


Astor Piazzolla "Adios Nonino." Live Performance At St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni 2010 University of Texas at El Paso

Astor Piazzolla "Adios Nonino." Live Performance At St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni

Oscar Macchioni

Live performance. St. James's Piccadilly, London, UK. Organized by the Iberian and Latin America Music Society of London.


London, St. James's Piccadilly Concert Series. July 30, 2010, Oscar E. Macchioni 2010 University of Texas at El Paso

London, St. James's Piccadilly Concert Series. July 30, 2010, Oscar E. Macchioni

Oscar Macchioni

invited by the Iberian and Latin American Music Society of London.
Performed works by Heitor Villa-Lobos, Juan José Castro, William Bolcom, Manuel Ponce, Astor Piazzolla and Alberto Ginastera


Poldowski Rediscovered, David Mooney 2010 Dublin Institute of Technology

Poldowski Rediscovered, David Mooney

Articles

This is a brief magazine article, commissioned to celebrate the 75th anniversary of the death of Poldowski. It contains a biographical sketch and a description of compositions.


Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni 2010 University of Texas at El Paso

Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni

Oscar Macchioni

"...fine pianist, his playing is strong, with clear and expressive phrasing. And the recorded sound is excellent... quite vigorously if this performance is anything to go by. Recommended"


International Steinway Artist. 2010, Oscar E. Macchioni 2010 University of Texas at El Paso

International Steinway Artist. 2010, Oscar E. Macchioni

Oscar Macchioni

Named International Steinway Artist by the prestigious piano manufacturing company.

July 2010


The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique, Laura Venezia 2010 California Polytechnic State University - San Luis Obispo

The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique, Laura Venezia

Communication Studies

This project explicates the nature of the rhetorical strategies, especially the call response, used by various African American artists and orators (Frederick Douglass, Martin Luther King Jr., Malcolm X, Grandmaster Flash and the Furious Five, and Public Enemy). The techniques include the interplay of repetition and heightening emotion provided especially through 1. using the “call response” directly, 2. announcing jeremiad warnings and rallying cries, and 3. using potent images to arouse emotions—the objective correlative.


Recording The Musical Past: The Harpsichord And The Phonograph, 1920-1930, Edmond Johnson 2010 Occidental College

Recording The Musical Past: The Harpsichord And The Phonograph, 1920-1930, Edmond Johnson

Edmond Johnson

On September 15, 1920, the Gramophone Company held a lavish reception in a London hotel to mark the release of four discs recorded by the British harpsichordist Violet Gordon Woodhouse. As the first significant commercial harpsichord recordings, these discs were widely hailed as a cultural milestone, though many contemporary reviewers also noted the difficulty presented in reproducing the instrument’s modest tone given the limitations of the acoustic recording process used at the time. While the following years saw a small number of additional releases, it was only with the introduction of electrical recording in 1925 that harpsichord recordings truly ...


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