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1371 full-text articles. Page 34 of 34.

A Study Of The Use Of Church Calendar And Instruments In Georg Philipp Telemann's (1681-1767) Der Hamonische Gottesdiest (1725-1726) And Fortsetzung Des Hamonische Gottesdiest (1731-1732), Mahn-Hee Kang 2009 University of South Florida

A Study Of The Use Of Church Calendar And Instruments In Georg Philipp Telemann's (1681-1767) Der Hamonische Gottesdiest (1725-1726) And Fortsetzung Des Hamonische Gottesdiest (1731-1732), Mahn-Hee Kang

Mahn-Hee Kang

No abstract provided.


Sheet Music Collections [At The Usf Libraries] (Podcast), Tomaro Taylor 2009 University of South Florida

Sheet Music Collections [At The Usf Libraries] (Podcast), Tomaro Taylor

Tomaro I. Taylor

Web feature highlighting the USF Special and Digital Collections' sheet music collections, including an overview of the Florida Sheet Music, African American Sheet Music and the Weingarten collections.


Bagajes Interpretativos En Torno A Ma Vïele De Gautier De Coinci, Arturo Tello Ruiz-Pérez 2009 Complutense University of Madrid

Bagajes Interpretativos En Torno A Ma Vïele De Gautier De Coinci, Arturo Tello Ruiz-Pérez

Arturo Tello Ruiz-Pérez

No abstract provided.


David Garrick's Masque Of King Arthur With Thomas Arne's Score (1770)., Todd Gilman 2009 Yale University

David Garrick's Masque Of King Arthur With Thomas Arne's Score (1770)., Todd Gilman

Todd Gilman

A thorough overview of significant revivals and adaptations of John Dryden and Henry Purcell's semi-opera King Arthur (1691) extending well into the nineteenth century. Concludes the the music of the preeminent English-born composer Thomas Augustine Arne contributed immeasurably to the success of several subsequent revivals of the opera.


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