Arvo Pärt: Sounding The Sacred [Toc], 2020 Fordham University
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on ...
Viola Fragments: Contextualizing And Interpreting Selections From György Kurtág's Signs, Games And Messages, 2020 Louisiana State University
Viola Fragments: Contextualizing And Interpreting Selections From György Kurtág's Signs, Games And Messages, Mounir Nessim
LSU Doctoral Dissertations
The viola came to prominence as a solo instrument relatively late compared to the violin and cello. As a result, the standard repertoire is more recent, consisting largely of twentieth century works. The standard repertoire continues to expand as new works are written and embraced by performers. One such work is the Hungarian composer György Kurtág's open ended collection of pieces for solo viola Signs, Games and Messages (1987-). Kurtág, born in 1926, is one of the most important composers of the twentieth and twenty-first centuries. His music is characterized by its brevity, fragmentation, ambiguity, and intertextuality. The painstaking ...
The Limits Of Indeterminacy: The Performance And Analysis Of Selected Indeterminate Compositions By John Cage And Earle Brown, 2020 The Graduate Center, City University of New York
The Limits Of Indeterminacy: The Performance And Analysis Of Selected Indeterminate Compositions By John Cage And Earle Brown, Drake R. Andersen
All Dissertations, Theses, and Capstone Projects
This study elucidates the relationship between notation, performance practice, and musical realization in several indeterminate compositions by John Cage and Earle Brown. While both Cage and Brown emphasized the multiplicity of possible outcomes in these works, the distinct configurations of fixed and unfixed elements in each ensure particular kinds of musical results to the exclusion of others. In tracing the musical limits and possibilities of each work, this research project also seeks to correct a longstanding belief that indeterminate music is not meaningfully responsive to the tools of music theory.
Chapter one historicizes the emergence, presentation, and reception of indeterminate ...
Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, 2020 The Graduate Center, City University of New York
Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, Eric Taxier
All Dissertations, Theses, and Capstone Projects
This dissertation brings the ideas of the philosopher Graham Harman (b. 1968) into a musicological context. His “object-oriented ontology” is widely known in continental philosophy, but it has not yet entered rigorous contact with musicology. Certain factors pose difficulties at first glance, such as Harman’s focus on metaphysical issues (originating in his critique of Martin Heidegger) and his rehabilitation of the widely criticized concept of aesthetic autonomy. But these are also sources of novelty that could make an object-oriented encounter with musicology fruitful. In the first chapter, I outline the main features of Harman’s thought. He critiques assumptions ...
Rolling In The Modern: The Mahler-Roller Productions Of The Vienna Court Opera House (Historical Essay And Syllabus), 2020 Southern Methodist University
Rolling In The Modern: The Mahler-Roller Productions Of The Vienna Court Opera House (Historical Essay And Syllabus), Gregory Eckhardt
Music Theses and Dissertations
This project takes the Mahler-Roller productions at the Vienna Court Opera House as a case study to examine the ways that contemporary artistic trends can influence operatic productions. By analyzing the sketches Roller created for their productions, I argue that Mahler and Roller expanded the Wagnerian Gesamtkunstwerk to both increase the production quality, the metaphorical content, and set a new standard for interpretive operatic productions.
This project is divided into two parts. Part I is a historical essay that provides context for the Mahler-Roller productions. I first outline the history of the Wagnerian Gesamtkunstwerk and discuss the ways that Wagner ...
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, 2020 Belmont University
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller
If we are to blame any composer for the puzzling question ‘What is Negative Harmony?’ that caused a worldwide itch on the creative minds of many young composers in this century, it would be Jacob Collier, who introduced the world with prodigious, colorful harmonies upon releasing his first album “In My Room” in 2016. Provided with brief answers during interviews with June Lee that explained the concept of tones and chords being mirrored on an axis center in the opposite direction, the surface of Negative Harmony was exposed but led to even more confusion. Prompted by even more questions, the ...
The Eye And The Ear: A Study Of The Connections Between Music And The Visual Arts In The Italian Baroque, Mckay Perry
The seventeenth centaury is one of the most widely studied periods in the arts. Music, drama, architecture, and the visual arts flourished around Europe. In Italy especially, the seventeenth century was a time of innovation and flourishing of the arts, thanks to patronage of the papacy in Rome, powerful families funding the arts in cities such as Florence, and increased economic activity in cities such as Venice. Music and the visual arts in particular flourished during this period: from seventeenth century Italy emerged the genre of opera, the sculptures of Bernini, and countless other timeless works of art. Though scholarship ...
Spectral Time: How Gérard Grisey’S Concept Of Musical Time Is Still Relevant Today, 2020 University of Northern Iowa
Spectral Time: How Gérard Grisey’S Concept Of Musical Time Is Still Relevant Today, Isaac Raymond Smith
Honors Program Theses
This paper analyzes and compares the music of two composers, Gérard Grisey and Magnus Lindberg, focusing on how each treats the passage of time in his music. These composers were deliberately selected because Grisey helped launch the spectral music movement in the 1970s and 80s, while Lindberg is still alive and writing music today. Though Grisey is not as well-known of a composer as others during that time, this paper strives to show how his ideas concerning the passage of time in music influenced the music of his students and other composers, even those who do not claim to be ...
Murder Music: Horror Film Soundtracks Throughout History, 2020 California State University, Monterey Bay
Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon
Capstone Projects and Master's Theses
Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular ...
The Strange Afterlife Of Vidyāpati Thākura (Ca. 1350–1450 Ce): Anthological Manuscripts, Linguistic Confusion, And Religious Appropriation, Christopher L. Diamond
This article examines the difficult aspects of working with anthological manuscripts and printed editions of lyrical vernacular poetry in South Asia by focusing on the textual reception of Vidyāpati Ṭhākura. In his own life, Vidyāpati wrote technical treatises in Sanskrit, historical narratives in Apabhraṃśa, and a corpus of lyrical poems (padas) and two dramas in the vernacular Maithili language. While his technical works remained relatively static and limited in their circulation, Vidyāpati’s lyrical poems had a more enduring and geographically widespread effect on the languages, literatures, and religions of Mithilā and Eastern India (Bengal, Orissa, and Assam). The anthologies ...
Gustav Mahler The Protomodernist, 2020 Cedarville University
Gustav Mahler The Protomodernist, Austin M. Doub
Steeped in a cultivated European tradition and burdened by several personal tragedies, Gustav Mahler undeniably shaped the course of classical music leading into the twentieth century. Holding fast to late Romantic stylistic conventions including complex rhythmic concepts, emotional and expansive melodies, and a strict adherence to form allowed the forward-thinking composer to seamlessly introduce modern elements into his symphonies. Through Mahler’s commanding symphonic output, the composer successfully maintained strong Austro-German stylistic principles while propelling the genre forward. In these symphonic writings, modern techniques of tonal decentralization, chromaticism, quotation, and paraphrasing are met with cohesive and compelling narratives to create ...
Nuper Rosarum Flores: The Cathedral Conundrum, 2020 Cedarville University
Nuper Rosarum Flores: The Cathedral Conundrum, Jacy A. Stahlhut
In 1436, Pope Eugenius IV consecrated the newly-completed Santa Maria del Fiore, more commonly known as Florence Cathedral. The completion of the cathedral’s dome was an incredible feat of great significance to the city of Florence, whose cathedral had remained unfinished for over one hundred years, and the splendor of the dedication ceremony reflected this reality. Franco-Flemish composer Guillaume Dufay was commissioned to write a motet for the occasion, and the resulting work, Nuper rosarum flores, has sparked a great deal of controversy in the musicological realm. In 1973, musicologist Charles Warren claimed that the isorhythmic proportions of the ...
Is La Bohѐme A Verismo Opera?, 2020 Cedarville University
Is La Bohѐme A Verismo Opera?, Leah P. Bartlam
Verismo is an Italian term that came to be used in reference to literature, theatre, and opera during the end of the nineteenth century. According to William Berger, “verismo is often translated as ‘realism’ but the word is closer to ‘truth’ in Italian.” The term was applied to literature beginning in the 1870s, and began to be applied to opera during the 1890s. However, it has never been particularly well understood. Evaluating it today is especially difficult because the modern perceptions of the term are not quite the same as the original meaning. La bohѐme was composed by Giacomo Puccini ...
Music Preferences Among College Students Through The Decades, 2020 Grand Valley State University
Music Preferences Among College Students Through The Decades, Janelle Potter
Music plays a part in every person's life, whether they realize it or not. From the radio to background music to ringtones, music influences most aspects of our lives. Radio took music from local clubs and concert halls to places that were thousands of miles away. Radio evolved to vinyl discs and then into cassettes and compact discs. These went further in MP3 recordings and on into streaming services that control the music of today’s industry. The 1960s brought soul, R&B, Motown, and rock to the world. The 1970s brought hard rock and pop and pushed the ...
A Mad Magical Poet: Essays On The Life And Art Of Warren Zevon, 2020 Grand Valley State University
A Mad Magical Poet: Essays On The Life And Art Of Warren Zevon, Zachary E. Tenney
"A Mad Magical Poet: Essays on the Life and Art of Warren Zevon" is a series of three essays on the titular subject. Warren Zevon was an American songwriter whose career spanned from the late 1960s to the early 2000s. Though known for his hit single "Werewolves of London," Zevon is a far more interesting figure than the "one hit wonder" label can possibly capture. Here, I explore his appeal as a literary and philosophical figure, examine his prophetic song of environmental crisis, "Run Straight Down," and consider the theme of violence as it appears throughout his music. The text ...
Nadia Boulanger’S Fantaisie Variée Pour Piano Et Orchestre A Study Of A Significant Unpublished Piece, 2020 The University of Southern Mississippi
Nadia Boulanger’S Fantaisie Variée Pour Piano Et Orchestre A Study Of A Significant Unpublished Piece, Sarah Elias
The research consists of a brief historical and biographical overview of Nadia Boulanger (1887-1979), a main focus of a thematic and motivic analysis of her work Fantaisie variée pour piano et orchestre, along with touching upon the influences of Fauré, Debussy, Widor, Reger, and Franck on its composition, and a mention of the process of obtaining the Fantaisie from the Centre international Nadia et Lili Boulanger. Boulanger produced works in a variety of genres, including: a fugue; more than thirty songs for voice and piano; two completed works for solo piano; three works for organ; several chamber works; three works ...
Theoretical Justification For Systematization Of Genres And Styles Of Contemporary Uzbek Variety Music, 2020 The State conservatory of Uzbekistan
Theoretical Justification For Systematization Of Genres And Styles Of Contemporary Uzbek Variety Music, Nodira Amanova
Eurasian music science journal
Genre-style research of contemporary variety music requires the development of new methodological approaches. The available classifications and methods, unfortunately, do not allow to fully analyze the genre-style structure of Uzbek variety music. Another problem in the analysis of genre-style affiliation is the notation of variety music composition. This is due, among other things, to the fact that note fixation cannot fully reflect the style affiliation expressed through rhythmic "pulls," special effects, sound distortion and other attributes of modern variety music. As part of our research, a new method of combined note-hearing analysis has been developed. Algorithm of analysis and isolation ...
Karakalpaks Songs Art, 2020 The State conservatory of Uzbekistan
Karakalpaks Songs Art, Arzu Azimova
Eurasian music science journal
Modern musical instruments of Karakalpaks are various enough and represented by string, wind and percussion instruments. The kobuz and dutar can be specially stand out as it is their sounding that first of all can be associated with timbre side of the Karakalpaks musical language.
Unknown Pages Of Felix Yan-Yanovsky's Creative Work: The Romantic Overture, 2020 PhD of the Fine Arts Institute of the Academy of Sciences of the Republic of Uzbekistan
Unknown Pages Of Felix Yan-Yanovsky's Creative Work: The Romantic Overture, Rimma Radman
Eurasian music science journal
The article deals with first attempt to analyze a previously unstudied work - "Romantic Overture" for a symphony orchestra by F. Yanov-Yanovsky. The author considers this composition in the context of the composer’s style and the history of the overture genre in Uzbekistan.
Dedication To Tagore» By Mustafo Bafoev (On The Problem Of Studying Composer's Creativity In The Context Of Monodial Thinking), 2020 The State conservatory of Uzbekistan
Dedication To Tagore» By Mustafo Bafoev (On The Problem Of Studying Composer's Creativity In The Context Of Monodial Thinking), Alina Kutluchurina
Eurasian music science journal
In given article in the spotlight there is an original composition of Uzbek composer М. Bafoyev - "Tagor's dedication" considering in the context of monodic thinking. In work they are formulated place and the value of the composer, leading the tendencies of his creativity, as well as by the example of elected opus specific features of musical language based on the principle of generality of two monodic musical cultures - Uzbek and Indian are revealed.