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Sonatas, Rondos, And Cupcakes: The Efficacy Of Collaborative Learning In Undergraduate Music Theory Courses, Kyle Gullings 2016 University of Texas at Tyler

Sonatas, Rondos, And Cupcakes: The Efficacy Of Collaborative Learning In Undergraduate Music Theory Courses, Kyle Gullings

Kyle Gullings

This paper examines the efficacy of collaborative and creative learning models in undergraduate music theory courses, using as comparative case studies group projects I assigned in three consecutive Form and Analysis classes from 2011 through 2014. I make the case that creative group projects, when executed correctly, have a net benefit for students, and that we as educators should make more effective use of them in our courses.


Charles Ives On The Nature Of Experience: The Compositional Designs And Aesthetic Programs Of Three Orchestral Works, Ashleé Michele Miller 2016 Graduate Center, City University of New York

Charles Ives On The Nature Of Experience: The Compositional Designs And Aesthetic Programs Of Three Orchestral Works, Ashleé Michele Miller

All Dissertations, Theses, and Capstone Projects

Charles Ives on the Nature of Experience: The Compositional Designs and Aesthetic Programs of Three Orchestral Works explores the hypothesis that Ives set in motion in many of his compositions a juxtaposition of temporal process (such as polyrhythm and polymeter) with the aim of exploiting a person’s innate abilities to entrain. Ives believed participants engaged in a juxtaposition of temporal processes are able to form personalized experiences by choosing which elements to attend to.

I present three analyses to explore the potential for multiple entrainment experiences in three works by Ives: The Unanswered Question, Central Park in the Dark ...


Art As Display, Frank M. Boardman 2016 Graduate Center, City University of New York

Art As Display, Frank M. Boardman

All Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a ...


Metamorphoses (15.178) For Violin Clarinet Cello And Piano, Max Caplan 2016 Union College - Schenectady, NY

Metamorphoses (15.178) For Violin Clarinet Cello And Piano, Max Caplan

Honors Theses

A chamber music composition, approximately eight minutes long, for the above instrumentation. The title refers to a line from Ovid's epic, which reads, "All things are fluid, and every shape is born to change." Ovid puts the words in the mouth of the ancient Greek philosopher Pythagoras, who soliloquizes on the meaning of life, the nature of time, and the interconnectedness of all things. The speech centers around his ideas of reincarnation (either literal or metaphorical), which, as a kind of metamorphosis, links the passage thematically to the rest of the poem. Metamorphoses (15.178) reflects this central notion ...


Blending Two Automatic Playlist Generation Algorithms, James Curbow 2016 Union College - Schenectady, NY

Blending Two Automatic Playlist Generation Algorithms, James Curbow

Honors Theses

We blend two existing automatic playlist generation algorithms. One algorithm is built to smoothly transition between a start song and an end song (Start-End). The other infers song similarity based on adjacent occurrences in expertly authored streams (EAS). First, we seek to establish the effectiveness of the Start-End algorithm using the EAS algorithm to determine song similarity, then we propose two playlist generation algorithms of our own: the Unbiased Random Walk (URW) and the Biased Random Walk (BRW). Like the Start-End algorithm, both the URW algorithm and BRW algorithm transition between a start song and an end song; however, issues ...


A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks 2016 California State University, Monterey Bay

A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks

Capstone Projects and Master's Theses

This capstone presentation focuses on the role of chamber music in both social and academic contexts. Using examples from the past five centuries and including local examples, parallels and divergences are drawn to points of most import. The spotlight is upon three areas: a) what the role of chamber music was in the past, compared to today; b) why it is an important genre, to both musicians, as well as non-musicians, and c) in what ways more exposure to the form can be built. Much of the focus is on composers and their influence, but the impact of and upon ...


Zarlino, Anamorphosis, And Cinquecento Italy, Edwin Li 2016 The University of Hong Kong

Zarlino, Anamorphosis, And Cinquecento Italy, Edwin Li

Nota Bene: Canadian Undergraduate Journal of Musicology

This paper examines the relationship between Gioseffo Zarlino’s personal considerations and the socio-cultural circumstances in Cinquecento Italy on the basis of anamorphosis—the idea that an object can be understood from multiple angles. Arguably one of the most important theorists of the sixteenth century, Zarlino, although cognizant of chords as vertical constructs, deliberately disguised tonality as modality. This prompts a myriad of questions as to why he did not further develop his theory into a major-minor schema, given that he had already emphasized the Ionian and Aeolian modes in Le Istitutioni Harmoniche. This paper explores the reasons behind his ...


Foreword And Front Matter, Nota Bene Editors-in-Chief 2016 Western University Canada

Foreword And Front Matter, Nota Bene Editors-In-Chief

Nota Bene: Canadian Undergraduate Journal of Musicology

No abstract provided.


The Early Schenkerians And The "Concept Of Tonality", John Koslovsky 2016 Conservatorium van Amsterdam; Utrecht University

The Early Schenkerians And The "Concept Of Tonality", John Koslovsky

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

This essay investigates the role that a single expression played during the years when Schenker’s ideas began to disseminate en masse, the so-called “concept of tonality.” In particular, it examines how three key Schenker disciples—Oswald Jonas, Felix Salzer, and Adele Katz—used the expression to promote his/her own vision of Schenkerian analysis and pedagogy during the 1930s, 40s, and 50s. While considering the writings that gave birth to the expression, the essay also points to the common sources these early Schenkerians drew on in forming their narratives around Schenker, and it goes on to explore the divergent ...


On The Slow Movement Of Brahms's F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, And Todesangst, Edward Klorman 2016 Queens College and the Graduate Center, City University of New York

On The Slow Movement Of Brahms's F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, And Todesangst, Edward Klorman

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

The slow movement (Andante un poco adagio) of Brahms’s Sonata in F Minor for Piano and Clarinet, op. 120, no. 1, poses two significant challenges for a Schenkerian analysis: (1) pervasive, surface-level rhythmic displacements throughout the A section obscure the relationship between melody and bass; and (2) the B section is organized as a major-thirds cycle, a procedure that has often been regarded as incompatible with the underlying Diatonie of Schenker’s framework. This study develops two plausible interpretations of the ambiguous A section, of which one is selected for its clearer alignment of outer-voice counterpoint with formal function ...


Essays From The Fifth International Schenker Symposium (Part I), William M. Marvin 2016 Eastman School of Music, University of Rochester

Essays From The Fifth International Schenker Symposium (Part I), William M. Marvin

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.


Do It Again: Sequences In Gershwin And Kern’S Popular Songs, Maxwell Ramage 2016 Unaffiliated

Do It Again: Sequences In Gershwin And Kern’S Popular Songs, Maxwell Ramage

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Melodic sequences can create musical unity, enhance extra-musical drama, and make a piece memorable. In constructing their popular songs for Broadway and Hollywood, Gershwin and Kern both employed melodic sequences, but did so in mutually differing ways. This article opens with a broad-brushed comparison between the composers’ most popular songs and finds that Kern had a greater predilection for sequences than did Gershwin. Next, I closely analyze several songs by each composer in order to specify differences between the two songsmiths’ approaches to sequence. It is determined that Gershwin often reserves melodic sequence for musical climaxes, whereas Kern tends to ...


Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Piotr Illyich Tchaikovsky, Liliya Shamazov (ed. and trans.) 2016 Stuyvesant High School, NYC

Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Piotr Illyich Tchaikovsky, Liliya Shamazov (Ed. And Trans.)

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.


Preface To Piotr Illyich Tchaikovsky, Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Liliya Shamazov 2016 Stuyvesant High School, NYC

Preface To Piotr Illyich Tchaikovsky, Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Liliya Shamazov

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.


The Matter Of Voice: Sensual Soundings [Table Of Contents], Karmen MacKendrick 2016 Le Moyne College

The Matter Of Voice: Sensual Soundings [Table Of Contents], Karmen Mackendrick

Philosophy

The Matter of Voice is a work of philosophical theology in a multidisciplinary and poetic key. Its central organizing insight is that voice and voicing are productive of corporeality and rhythm in language. As MacKendrick shows, at the heart of the voice is ‘an irreducible and carnal strangeness’ that refuses closure and invites passion back into thinking. The book is a sterling exemplar of the richness that results from attending to the somatic quality of words, yielding a layering of ideas that forms a virtual chorus of multiperspectival thinking.” —Patricia Cox Miller, Syracuse University


The Efficacy Of Discerning Musical Parts Within The Context Of An Instrumental Ensemble, Brady Glenn McNeil 2016 University of Tennessee - Knoxville

The Efficacy Of Discerning Musical Parts Within The Context Of An Instrumental Ensemble, Brady Glenn Mcneil

Masters Theses

The goal of this study was to determine whether students could aurally identify the less dominant inner musical lines of instrumental pieces. An assessment was created through Qualtrics to test this hypothesis with collegiate music majors at the University of Tennessee. In the assessment, students were required to discern a single part from chamber pieces to large symphonies or wind ensemble works by selecting one of four different lines notated from the piece. These lines were transposed to the key and clef of the instrument students were asked to identify. Results were taken from Qualtrics and analyzed through SPSS. The ...


Compositional Intent: A Presentation Of Original Music, Daniel R. Key 2016 University of Arkansas

Compositional Intent: A Presentation Of Original Music, Daniel R. Key

Music Undergraduate Honors Theses

This paper summarizes the inspiration, compositional techniques, and performance history of three works by composer Daniel Ryan Key: cling (2015), for euphonium, tuba, and piano; GAIA (2014), for two flutes; and Hours (2016), for chamber orchestra. Hours is a work in two movements, "0400" and "1700."


Five Principles To Empower The Worship Leader, Stacey Brown 2016 Liberty University

Five Principles To Empower The Worship Leader, Stacey Brown

Doctoral Dissertations and Projects

The role of the worship leader exists in most churches. These leaders serve in roles from volunteer choir directors to the directors of large worship staffs. They are the standard-bearers of worship for their teams and their congregations. To successfully serve, they must possess knowledge of worship practices and leadership skills. While students of worship may have a firm foundation of biblical, historical, and philosophical principles, many current leaders do not have strong leadership backgrounds and, therefore, lack basic foundational skills for leadership. Through a study of current literature and a survey of leaders of worship in churches of various ...


Music-Play And Communication In Children With Autism And Their Families: An Ethnographic Study, Melanie Makovsky 2016 Liberty University

Music-Play And Communication In Children With Autism And Their Families: An Ethnographic Study, Melanie Makovsky

Masters Theses

This is an ethnographic research study regarding the nature of commun-, ication, musical behavior, emotional expression, and social relationships in children with autism. Four children completed the study by participating in at least three private music-play sessions attended by the child, his or her mother, and the researcher. All music-play sessions were person-centered and child-led. A local public elementary school hosted the music-play sessions in the music classroom after school hours. In addition, the school supplied all the musical instruments used in the study. The researcher utilized the SCERTS Model assessment tool to examine each child’s abilities in socio-musical ...


Establishing Human Identity Through Randomly-Generated Lyrics: A Comprehensive Performer's Analysis Of Robert Paterson's Captcha And Its Performance, Kyle Yampiro 2016 James Madison University

Establishing Human Identity Through Randomly-Generated Lyrics: A Comprehensive Performer's Analysis Of Robert Paterson's Captcha And Its Performance, Kyle Yampiro

Dissertations

Robert Paterson’s CAPTCHA is a five-song cycle for baritone and piano that comes with some unique challenges from an interpretive standpoint. The text is comprised of CAPTCHAs: two-word phrases originally designed to test human identity versus that of a computer. Nearly every phrase contains a gibberish word and a real word and there is no proper syntax. The composer leaves interpretation open to the performer, which prompts the primary question explored in this document: how can a singer create an effective performance of this piece, given its unique challenges?

This document takes a multidisciplinary approach to discover the range ...


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