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Marsilio Ficino's Music Theory, Amanda E. Crossan 2016 Oglethorpe University

Marsilio Ficino's Music Theory, Amanda E. Crossan

Oglethorpe Journal of Undergraduate Research

This paper explores the musical theory of Marsilio Ficino, a 15th century Italian philosopher. Examining his own work and those works which inspired him this paper attempts to explain his theory and understand its place in the world today. Looking at modern examples of the Renaissance philosopher's ideas shows that he may not have been too far from discovering the truth.


Dr. Brian Shaw - Guest Residency, The University of Maine College of Liberal Arts and Sciences 2016 The University of Maine

Dr. Brian Shaw - Guest Residency, The University Of Maine College Of Liberal Arts And Sciences

Cultural Affairs Distinguished Lecture Series

Sweet Time Suite by Kenny Wheeler (1930-2014) is a landmark long form Jazz composition. A work of 40 minutes in length, Sweet Time Suite is rarely performed live. The 1990 album on which this piece appears, "Music for Large and Small Ensembles" is considered one of the most innovative and influential jazz albums of the last 30 years.

Dr. Shaw is an acknowledged expert on the work of Kenny Wheeler. He is currently working on an authorized autobiography.

Dr. Shaw is responsible for the new Critical Edition of STS, published by the Estate of Kenny Wheeler. He has been invited ...


Musical Sound: A Mathematical Approach To Timbre, Timothy Weiss (Class of 2016) 2016 Sacred Heart University

Musical Sound: A Mathematical Approach To Timbre, Timothy Weiss (Class Of 2016)

Writing Across the Curriculum

What is the mathematical reasoning behind the ear’s ability to distinguish two completely different musical sounds? In answering this question, one must call to mind a fundamental term with regards to music: timbre.


Ten Etudes For Solo Cello By Sofia Gubaidulina, Julia A. Biber 2016 The Graduate Center, City University of New York

Ten Etudes For Solo Cello By Sofia Gubaidulina, Julia A. Biber

All Dissertations, Theses, and Capstone Projects

Sofia Gubaidulina is regarded as one of the most original and highly respected voices in contemporary music today. Her use of the Fibonacci and its related series to structure her compositions has become a defining feature of her music and, therefore, most analysis has focused on pieces that incorporate this method, which she calls “rhythm of form.” Consequently, works written prior to her adoption of this method have garnered much less analytical attention. However, in her earlier works­––from the late 1960s through the early 80s––Gubaidulina not only explores new sounds and colors, but also found creative ways to ...


Musical And Dramatic Roles Of The Chorus In Hugo Weisgall’S "Esther", Michael A. Capobianco IV 2016 The Graduate Center, City University of New York

Musical And Dramatic Roles Of The Chorus In Hugo Weisgall’S "Esther", Michael A. Capobianco Iv

All Dissertations, Theses, and Capstone Projects

Hugo Weisgall is considered one of America’s most important opera composers. He invariably chose subject matter of high artistic or philosophical importance, composing operas that dealt with significant 20th-century moral, social, and philosophical issues. In writing his final opera, Esther, which the New York City Opera premiered in October, 1993, Weisgall was able to make a larger statement about his Jewish heritage, the history of Jewish persecution and ultimate survival. The dissertation suggests that we enter the music and meaning of the opera most deeply through a consideration and study of the Chorus. The Chorus’s roles are as ...


Examining Relationships Between Basic Emotion Perception And Musical Training In The Prosodic, Facial, And Lexical Channels Of Communication And In Music, Jamie Twaite 2016 The Graduate Center, City University of New York

Examining Relationships Between Basic Emotion Perception And Musical Training In The Prosodic, Facial, And Lexical Channels Of Communication And In Music, Jamie Twaite

All Dissertations, Theses, and Capstone Projects

Research has suggested that intensive musical training may result in transfer effects from musical to non-musical domains. There is considerable research on perceptual and cognitive transfer effects associated with music, but, comparatively, fewer studies examined relationships between musical training and emotion processing. Preliminary findings, though equivocal, suggested that musical training is associated with enhanced perception of emotional prosody, consistent with a growing body of research demonstrating relationships between music and speech. In addition, few studies directly examined the relationship between musical training and the perception of emotions expressed in music, and no studies directly evaluated this relationship in the facial ...


Dual-Aspect Meter: A Theory Of Metrical Consonance, Dissonance, Weight, And Variety, Andrew Wilson 2016 The Graduate Center, City University of New York

Dual-Aspect Meter: A Theory Of Metrical Consonance, Dissonance, Weight, And Variety, Andrew Wilson

All Dissertations, Theses, and Capstone Projects

The core argument of the dissertation emerges as a synthesis of ideas introduced in the first four chapters. Resonances with recent metrical theories are explored in chapter 1. Chapter 2 problematizes modern and historical theories through a phenomenological examination of meter and phenomenal accent in a few baroque sarabandes. Meter in these pieces is shown to involve entrainment to both a beat hierarchy and a recurrent weight profile, clarifying that metrical dissonance is fundamentally an expressive category, not a phenomenal category. Chapters 3 and 4 articulate a theory of weight, reviewing and refining phenomenal-accent theory, developing a notion of musical ...


The Relation Of Analysis To Performance Of Post-Tonal Violin Music: Three Case Studies, Karen E. Rostron 2016 The Graduate Center, City University of New York

The Relation Of Analysis To Performance Of Post-Tonal Violin Music: Three Case Studies, Karen E. Rostron

All Dissertations, Theses, and Capstone Projects

This dissertation investigates analytical and performance relationships through studies of three post-tonal pieces for solo violin: Élégie by Igor Stravinsky (1944), Riconoscenza per Goffredo Petrassi by Elliott Carter (1984), and Melismata by Milton Babbitt (1982). The challenge of interpretation is especially evident in non-tonal music, as performers are unlikely to have any knowledge of the relevant relationships between pitches, functions of harmonies, or formal features in the pieces they play. In this respect analysis can contribute to an understanding needed to form a meaningful interpretation. I will attempt to show that even the most seemingly abstract theoretical concepts can have ...


Musical Forces In Claude Vivier’S Wo Bist Du Licht! And Trois Airs Pour Un Opéra Imaginaire, Emilie L. Marshall 2016 The University of Western Ontario

Musical Forces In Claude Vivier’S Wo Bist Du Licht! And Trois Airs Pour Un Opéra Imaginaire, Emilie L. Marshall

Electronic Thesis and Dissertation Repository

Claude Vivier’s (1947–1983) idiosyncratic and moving composition style often evades traditional, pitch-centred approaches to music-theoretical analysis; however, the somatic and sensual qualities of his style encourage a metaphorical appreciation of his music. This study analyses Wo bist du Licht! (1981) and the first two airs from Trois airs pour un opéra imaginaire (1982), which both feature his technique sinusoïdale, from the perspective of conceptual metaphor and musical forces. At the centre of this study are the dominant conceptual metaphors that linguist George Lakoff and philosopher Mark Johnson identify as being integral to our understanding of time, and which ...


The Fourth Movement Of György Ligeti's Piano Concerto: Investigating The Musical-Mathematical Connection, Cynthia L. Wong 2016 The Graduate Center, City University of New York

The Fourth Movement Of György Ligeti's Piano Concerto: Investigating The Musical-Mathematical Connection, Cynthia L. Wong

All Dissertations, Theses, and Capstone Projects

This interdisciplinary study explores musical-mathematical analogies in the fourth movement of Ligeti’s Piano Concerto. Its aim is to connect musical analysis with the piece’s mathematical inspiration. For this purpose, the dissertation is divided into two sections. Part I (Chapters 1-2) provides musical and mathematical context, including an explanation of ideas related to Ligeti’s mathematical inspiration. Part II (Chapters 3-5) delves into an analysis of the rhythm, form, melody / motive, and harmony. Appendix A is a reduced score of the entire movement, labeled according to my analysis.


Symmetry And Interval Cycles In The Quartettos Of Mario Davidovsky, Ines Thiebaut Lovelace 2016 The Graduate Center, City University of New York

Symmetry And Interval Cycles In The Quartettos Of Mario Davidovsky, Ines Thiebaut Lovelace

All Dissertations, Theses, and Capstone Projects

The music of Mario Davidovsky has seldom been analyzed past the timbral implications of his electroacoustic pieces and gestural aspects of his phrasing, and there has been virtually no attention paid to its pitch organization, despite the composer’s longstanding interest in writing for acoustic instruments. In this dissertation, I demonstrate how two main consistent resources for the organization of pitch govern the musical continuity and formal structure of his music, what I’ve called symmetry potentiality—actuality, and interval cycle potentiality-actuality processes. The interval cycle potentiality-actuality process refers to the various interval cycles that self-perpetuate, completing aggregates. This self-perpetuation ...


War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan 2016 Florida State University

War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan

Yale Journal of Music & Religion

Abstract

This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their perilous ...


A Proposal For The Inclusion Of Jazz Theory Topics In The Undergraduate Music Theory Curriculum, Alexis Joy Smerdon 2016 University of Tennessee, Knoxville

A Proposal For The Inclusion Of Jazz Theory Topics In The Undergraduate Music Theory Curriculum, Alexis Joy Smerdon

Masters Theses

The demands of the twenty-first century require musicians to be more stylistically versatile since there are more opportunities for performance when musicians are familiar with not only classical but also jazz and popular music. Understanding the theory behind jazz and pop styles will help prepare the musicians for these opportunities. Since all music students take music theory, it is in the students’ best interest for teachers of theory to include jazz theory topics in the classical music theory curriculum. The purpose of this thesis is to propose the inclusion of jazz theory topics in the undergraduate music theory curriculum. To ...


Dynamic And Attack Associations In Boulez’S Le Marteau Sans Maître, Wayne C. Wentzel 2016 Butler University

Dynamic And Attack Associations In Boulez’S Le Marteau Sans Maître, Wayne C. Wentzel

Wayne Wentzel

This paper explores dynamic and attack associations in the Bourreux de Solitude movement of Pierre Boulez's pivotal piece, Le Marteau sans maître.


Sonatas, Rondos, And Cupcakes: The Efficacy Of Collaborative Learning In Undergraduate Music Theory Courses, Kyle Gullings 2016 University of Texas at Tyler

Sonatas, Rondos, And Cupcakes: The Efficacy Of Collaborative Learning In Undergraduate Music Theory Courses, Kyle Gullings

Kyle Gullings

This paper examines the efficacy of collaborative and creative learning models in undergraduate music theory courses, using as comparative case studies group projects I assigned in three consecutive Form and Analysis classes from 2011 through 2014. I make the case that creative group projects, when executed correctly, have a net benefit for students, and that we as educators should make more effective use of them in our courses.


Charles Ives On The Nature Of Experience: The Compositional Designs And Aesthetic Programs Of Three Orchestral Works, Ashleé Michele Miller 2016 Graduate Center, City University of New York

Charles Ives On The Nature Of Experience: The Compositional Designs And Aesthetic Programs Of Three Orchestral Works, Ashleé Michele Miller

All Dissertations, Theses, and Capstone Projects

Charles Ives on the Nature of Experience: The Compositional Designs and Aesthetic Programs of Three Orchestral Works explores the hypothesis that Ives set in motion in many of his compositions a juxtaposition of temporal process (such as polyrhythm and polymeter) with the aim of exploiting a person’s innate abilities to entrain. Ives believed participants engaged in a juxtaposition of temporal processes are able to form personalized experiences by choosing which elements to attend to.

I present three analyses to explore the potential for multiple entrainment experiences in three works by Ives: The Unanswered Question, Central Park in the Dark ...


Art As Display, Frank M. Boardman 2016 Graduate Center, City University of New York

Art As Display, Frank M. Boardman

All Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a ...


Metamorphoses (15.178) For Violin Clarinet Cello And Piano, Max Caplan 2016 Union College - Schenectady, NY

Metamorphoses (15.178) For Violin Clarinet Cello And Piano, Max Caplan

Honors Theses

A chamber music composition, approximately eight minutes long, for the above instrumentation. The title refers to a line from Ovid's epic, which reads, "All things are fluid, and every shape is born to change." Ovid puts the words in the mouth of the ancient Greek philosopher Pythagoras, who soliloquizes on the meaning of life, the nature of time, and the interconnectedness of all things. The speech centers around his ideas of reincarnation (either literal or metaphorical), which, as a kind of metamorphosis, links the passage thematically to the rest of the poem. Metamorphoses (15.178) reflects this central notion ...


Blending Two Automatic Playlist Generation Algorithms, James Curbow 2016 Union College - Schenectady, NY

Blending Two Automatic Playlist Generation Algorithms, James Curbow

Honors Theses

We blend two existing automatic playlist generation algorithms. One algorithm is built to smoothly transition between a start song and an end song (Start-End). The other infers song similarity based on adjacent occurrences in expertly authored streams (EAS). First, we seek to establish the effectiveness of the Start-End algorithm using the EAS algorithm to determine song similarity, then we propose two playlist generation algorithms of our own: the Unbiased Random Walk (URW) and the Biased Random Walk (BRW). Like the Start-End algorithm, both the URW algorithm and BRW algorithm transition between a start song and an end song; however, issues ...


A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks 2016 California State University, Monterey Bay

A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks

Capstone Projects and Master's Theses

This capstone presentation focuses on the role of chamber music in both social and academic contexts. Using examples from the past five centuries and including local examples, parallels and divergences are drawn to points of most import. The spotlight is upon three areas: a) what the role of chamber music was in the past, compared to today; b) why it is an important genre, to both musicians, as well as non-musicians, and c) in what ways more exposure to the form can be built. Much of the focus is on composers and their influence, but the impact of and upon ...


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