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Electronics And The Music Of Miles Davis, Darren E. Shekailo 2018 CUNY Hunter College

Electronics And The Music Of Miles Davis, Darren E. Shekailo

School of Arts & Sciences Theses

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.


Transformations Of Chant In Marcel Grandjany's Rhapsodie Pour La Harpe, Caitlin A. Thom 2018 Augustana College, Rock Island Illinois

Transformations Of Chant In Marcel Grandjany's Rhapsodie Pour La Harpe, Caitlin A. Thom

Celebration of Learning

Marcel Grandjany’s Rhapsodie pour la Harpe is a standard in pedal harp literature. This essay explores Grandjany’s use of the Gregorian Easter Chant Salve festa dies.


Mari Folk Music Influences On Andrei Eshpai's Viola Concerto, Vengerskie Napevy (Hungarian Tunes), And A Transcription Of Hungarian Tunes For Viola In The Viola Repertoire, Anna Petrovna Ivanova 2018 Louisiana State University

Mari Folk Music Influences On Andrei Eshpai's Viola Concerto, Vengerskie Napevy (Hungarian Tunes), And A Transcription Of Hungarian Tunes For Viola In The Viola Repertoire, Anna Petrovna Ivanova

LSU Doctoral Dissertations

Andrei Eshpai was one of the most renown composers who drew on the Mari folk music traditions, within the confines of Western classical music. One of the main purposes of the research is to show how the Mari folk music was applied in Eshpai’s compositions for the viola. In the current research, I will explain the similarity between folk music of Mari and Hungary because the researched composition Hungarian Tunes by Eshpai is based on Mari tunes, however is called Hungarian Tunes. Another purpose of this research is to provide musical analysis and a performance guide for the compositions ...


Voice, The Muscle Of The Soul: Finding Yourself Through Finding Your Voice, Kenneth Bozeman 2018 Lawrence University

Voice, The Muscle Of The Soul: Finding Yourself Through Finding Your Voice, Kenneth Bozeman

Convocations

Kenneth Bozeman, the Frank C. Shattuck Professor of Music, presents “Voice, the Muscle of the Soul: Finding Yourself Through Finding Your Voice, ” in Lawrence University’s annual Honors Convocation.

The Honors Convocation publicly recognizes students and faculty recipients of awards and prizes for excellence in the arts, humanities, sciences, social sciences, languages and music as well as demonstrated excellence in athletics and service to others. Bozeman was chosen as the 2018 recipient of Lawrence’s annual Faculty Convocation Award, which honors a faculty member for distinguished professional work. He is the ninth faculty member so honored.

According to Bozeman, a ...


The Interval Dissonance Rate In Chopin’S Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, And Linear Progressions, Nikita Mamedov 2018 Louisiana State University and Agricultural and Mechanical College

The Interval Dissonance Rate In Chopin’S Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, And Linear Progressions, Nikita Mamedov

LSU Doctoral Dissertations

Chopin’s twenty-seven piano études display the composer’s poetic musical language, uniting keyboard techniques, virtuosity, and artistic imagery, while preserving Romantic lyricism and songfulness. Each of these studies is unique in its set of pianistic challenges, compositional processes, and difficulty level. Schenkerian analysis provides an interpretation of relationships between the notes that constitute the harmony and the melody. This type of analysis allows one to understand the theoretical aspects that are necessary to play Chopin’s études. The Schenkerian theories can be used to amalgamate pianism and performance with harmony and analysis. Furthermore, the Schenkerian understanding of these études ...


Finding Euridice: A Singers Introduction To Jonathan Dove's L'Altra Euridice, Cody Laun 2018 The University of Southern Mississippi

Finding Euridice: A Singers Introduction To Jonathan Dove's L'Altra Euridice, Cody Laun

Dissertations

Orphean mythology continues to fascinate musical and literary scholars to this day. The thematic elements originally presented in the Greek myth of Orpheus and Euridice continue to be written about and studied, and this interest in antiquity plays a critical role in solidifying the myth’s importance and value to today’s musical and literary scenes. Dove’s L’altra Euridice presents the traditional Orphean mythology, but in a radically altered account of the transpiring events, reversing Orpheus’ and Plutone’s roles as hero and villain. Dove wrote two seemingly divergent ethea, which causes elements of the emotional content within ...


The Syncretic Art And History Of Vietnamese Vọng Cổ Music, Clair Hoang Khuong Nguyen 2018 CUNY Hunter College

The Syncretic Art And History Of Vietnamese Vọng Cổ Music, Clair Hoang Khuong Nguyen

School of Arts & Sciences Theses

This study illustrates the origins and concept of Vietnamese vọng cổ music, its scalar modes, and its form. It touches upon related musical features such as notation, rhythm, and cadences. Altogether, these aspects contribute defining stylistic tendencies specific to vọng cổ musicians of Vietnam and the Vietnamese diaspora.


Harmonic, Tonal, And Formal Asynchrony In Robert Schumann's Frauenliebe Und Leben, Kelli E. Bomberger 2018 Unviersity of Nebraska-

Harmonic, Tonal, And Formal Asynchrony In Robert Schumann's Frauenliebe Und Leben, Kelli E. Bomberger

Student Research, Creative Activity, and Performance - School of Music

This thesis explores the asynchrony among form, harmony, and tonality in Robert Schumann’s Frauenliebe und Leben, Op. 42. Using several theoretical lenses, this study identifies and analyzes a selection of songs from this work that distort tonal, harmonic, and formal relationships and how the text setting may inform these distortions. This is shown through detailed analyses of several songs from the cycle that highlight areas of asynchrony. The first section of this document explores the background of Frauenliebe und Leben and draws upon other musical examples in order to establish working definitions of asynchronous elements. The following sections are ...


Ministry Through Musical Performance: Establishing Biblical, Historical, And Pedagogical (Educational) Precedent For The Christian Performing Artist, Lindsey Graham 2018 Liberty University

Ministry Through Musical Performance: Establishing Biblical, Historical, And Pedagogical (Educational) Precedent For The Christian Performing Artist, Lindsey Graham

Doctoral Dissertations and Projects

As a performing artist, the author suggests in an “American Idol” culture, Christian artists have largely lost their identity as worshipers with a ministry of the Gospel through music. The Christian performing artist has the responsibility to commit to spiritual maturity and personal growth. This thesis project proposes the artist is a communicator of the Gospel through music and seeks to substantiate the Christian performing artist through biblical, historical, and educational rationale and precedent. Biblical rationale of the Christian performing artist is considered in Old Testament and New Testament principle and precedent. Historical rationale and precedent is established through the ...


Muzic Appreciation: Bridging The Gap Between Generation Z & Classical Music, Timothy Green 2018 Liberty University

Muzic Appreciation: Bridging The Gap Between Generation Z & Classical Music, Timothy Green

Masters Theses

Today’s music educators stand in a strategic position in the history of classical music in America. At a time when symphony orchestras are struggling to survive due to an aging and declining customer base, a generation of musical omnivores are ripe for a connection to the world of classical music. Generation Z has a vast, eclectic musical appetite, choosing to listen to a variety of genres and styles of music instead of adopting a generational style. However, they have limited interaction with classical music due to certain non-musical attitudes and values. It is possible the disconnect between Generation Z ...


A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin 2018 The Graduate Center, City University of New York

A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin

All Dissertations, Theses, and Capstone Projects

Elliott Carter was one of the most influential composers of the past century, leaving a diverse and prolific body of over 150 works to posterity. Along with the Violin Concerto and “Mnemosyné,” the Four Lauds are the only works written for solo violin. Literature on these pieces is not extensive thus far, and this dissertation will provide an introduction to any student who is interested in learning about Carter’s violin music. In the first chapter, I will discuss relevant aspects of Carter’s musical language such as his use of all-trichord hexachord, all-interval trichord, complement union property, and his ...


Splendid Disarray: The Music Of Andrew Mckenna Lee, Nina Berman 2018 The Graduate Center, City University of New York

Splendid Disarray: The Music Of Andrew Mckenna Lee, Nina Berman

All Dissertations, Theses, and Capstone Projects

The music of composer Andrew McKenna Lee spans multiple genres and styles, and does so in a way that draws parallels to the New York City downtown new music scene as well as the progressive and experimental rock scenes. These connections are especially apparent when looking at his 2013 song cycle The Knells, written for Lee’s ensemble, also called The Knells, which he assembled expressly for the purpose of performing this work. The band consists of three female singers singing without vibrato, backed by a rock group, plus percussion and string quartet. Lee deploys these forces to create a ...


Implications Of Theory Of Mind, Feelings Of Connectedness, Flow State Of Mind Through Active And Passive Music Improvisation Experiences, Rebecca Lint 2018 Western Michigan University

Implications Of Theory Of Mind, Feelings Of Connectedness, Flow State Of Mind Through Active And Passive Music Improvisation Experiences, Rebecca Lint

Honors Theses

This study is an introduction examining the relationship between a performer and the audience in a musical improvisation context. Current research exploring performer-audience interaction in improvisation experiences is scant and typically framed in a purely narrative context. This study seeks to evaluate four different components of the performer and audience relationship; amount, or level, of experience with improvisation and comfort levels, flow, theory of mind, and emotional connection. A survey was generated and given to students in an improvisation class to collect results based on these four components. This study found that improvisation experience levels were low but comfort with ...


Film Music And The Cinematic Experience, Brian Campbell 2018 Cedarville University

Film Music And The Cinematic Experience, Brian Campbell

The Research and Scholarship Symposium

Ever since the invention of cinema, film producers have always played music with movies. The addition of quality music to a well-crafted film can change the feel of the entire film. Over its one hundred and thirty years of existence, cinema has evolved into an extremely diverse art form that addresses a wide array of subjects. Given all these factors, this paper explores how film music is extremely diverse and can be used in a wide variety of ways to enhance, affect, and contribute to the way we experience a film. It explores storytelling methods as a narrative device, mood ...


The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe 2018 Cedarville University

The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe

The Research and Scholarship Symposium

The Doctrine of Affections originated in and is interpreted into the musical realm of the Baroque Era in the music of Bach, Handel, and others. The Doctrine of Affections is a theory created in the Baroque era that seeks to explain the effect that music has on the body. It seeks to personify music, and prove that music itself has the ability to produce a particular feeling, independent of the listener. This theory assumes that music has the ability to be an emotion, and that the particular emotion is located in the properties of the music itself. Johann Mattheson, the ...


A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), Christopher C. McCardle 2018 Louisiana State University and Agricultural and Mechanical College

A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), Christopher C. Mccardle

LSU Doctoral Dissertations

Thema (Omaggio A Joyce), composed by Luciano Berio resides within a tempo of 80 beats per minute. The discovery of a constant tempo allowed for a precise rhythmic transcription to be created which found musical structures including large formal sections, subsections, phrases, rhythmic and melodic motives, layers, and dialogue. Analysis of the rhythmic phrases shows that electroacoustic music can have a controlled structure and that these structures earned Thema an enduring legacy of masterpiece. The transcription provides a road-map to compare and contrast different elements that reoccur throughout Thema. The work was composed with a well thought-out and planned structure ...


Note Drill For Music Rudiments, Orly Krasner 2018 CUNY City College

Note Drill For Music Rudiments, Orly Krasner

Open Educational Resources

No abstract provided.


Korngold To The Movies: Korngold's Influence On Film Scores, Michelle L. Grosser 2018 Gettysburg College

Korngold To The Movies: Korngold's Influence On Film Scores, Michelle L. Grosser

Student Publications

During the 1920s, a new cultural movement called Neue Sachlichkeit (or New Objectivity) was developing in Germany and Austria. During the rise of Nazi Germany, the Neue Sachlichkeit movement protested by bringing back elements of the Romantic era in art, literature and music. One of the most recognizable composers of this time was Erich Wolfgang Korngold (1897 – 1957). Today’s listeners often hear Korngold’s concert works as being very similar to contemporary film scores; but in reality, Korngold wrote in his very distinctive harmonic and melodic style from the beginning of his career, before film scores came to be ...


The Unifying Strands: Formalism And Gestalt Theory In The Musical Philosophies Of Aristoxenus, Descartes, And Meyer, Amanda N. Staufer 2018 Cedarville University

The Unifying Strands: Formalism And Gestalt Theory In The Musical Philosophies Of Aristoxenus, Descartes, And Meyer, Amanda N. Staufer

Musical Offerings

In every age, philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Instead of answering the formidable question of musical meaning, this essay demonstrates the parallel aspects of three musical theories from ancient, Enlightenment, and modern times. Using the two criteria of musical formalism and Gestalt Theory, this essay systematically connects the philosophies of Aristoxenus of Tarentum, René Descartes, and Leonard Meyer. Musical formalism holds that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical ...


Pitch Polarity In Praise Singing And Hip-Hop: Evidence For An Underrepresented Poetic Feature, William S. Dula, Aaron Carter-Enyi, David Oludaisi Aina, Nathaniel Condit-Schultz 2018 Clark Atlanta University

Pitch Polarity In Praise Singing And Hip-Hop: Evidence For An Underrepresented Poetic Feature, William S. Dula, Aaron Carter-Enyi, David Oludaisi Aina, Nathaniel Condit-Schultz

Africana Digital Ethnography Project

Tonal counterpoint is a common device in the oral improvisatory tradition of Yorùbá oríkì (praise-singing), first documented by Ọlátunji (1984). Both tonal and counterpoint are terms familiar to musicians, but the meaning here is the linguistic tonal, not the harmonic, and the rhetorical counterpoint, not polyphonic. Ọlátunji describes couplets in which each phrase is parallel if not identical in terms of phonic content and the first sets up a tonal expectancy for the second. The contrast might also be between words within a single phrase. There are three primary categories of tonal counterpoint in Yorùbá oríkì: parallelism of similar words ...


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