Singing Difference Amid Relational Connectedness: A Narrative Study Of How Singing Together Shapes Worldview, 2021 Martin Luther University College
Singing Difference Amid Relational Connectedness: A Narrative Study Of How Singing Together Shapes Worldview, Debbie Lou Ludolph
Theses and Dissertations (Comprehensive)
The experience of singing together holds the potential to constrain or set free the imagination to shape worldview. Undergirded by Walter Brueggemann’s argument that a contest of narratives exists in twenty-first century North American church and society, the researcher draws from Mary (Joy) Philip’s call for “in-between space” created by safe haven and adjacency and Lee Higgins’ “boundary-walking” to understand the place of difference in a theological orientation to community singing practice. Rooted in a narrative paradigm and undergirded by an interdisciplinary approach, this inquiry explores the storied lives of sixteen singers in a faith-based singing community called ...
The G7 Suite: Score And Analysis, 2021 University of Kentucky
The G7 Suite: Score And Analysis, Joseph C. Dunn
Theses and Dissertations--Music
The G7 Suite is a multi-movement chamber work that combines elements of European Art Music, Indigenous Music from Latin America, and various representations of American music. The melodic material is derived from the national anthems of the Great Seven nations: Canada, France, Germany, Italy, Japan, the United Kingdom, and the United States. Each melody is re-set to new music genres and aligns itself to the rules and expectations within each idiom. This compilation is more than a series of arrangements or reharmonizations of the anthems; these are new compositions based on melodic elements from previous works.
This analysis of The ...
Roger And Mary Jo Burgoon Sheet Music Collection, 2021 Georgia Southern University
Roger And Mary Jo Burgoon Sheet Music Collection, Zach S. Henderson Library Special Collections
This collection was compiled by Roger S. Burgoon and consists of over 95,000 pieces of popular American sheet music published in the United States from the 1840s to 1990s. Most of the music is written for piano.
The Three Piano Sonatas By José De Almeida Penalva, Heron Alvim Moreira
Graduate Theses, Dissertations, and Problem Reports
This research project discusses the three piano sonatas by José de Almeida Penalva (1924-2002), a priest and composer from the southern region of Brazil, who lived most of his life in the city of Curitiba, in Paraná state.
Along with overall information about the composer’s life and general output, the reader will find brief discussions of Penalva’s keyboard works, along with comprehensive formal analyses of his three piano sonatas.
Sonata no. 1 (1970, chronologically the second to be written) appears in one large movement that reveals two distinct sections. Its language is atonal and its first section displays ...
Features Of The Performance Of Compositions By Romantic Composers (On The Example Of F. Liszt's Creativity), 2020 The State Conservatory of Uzbekistan
Features Of The Performance Of Compositions By Romantic Composers (On The Example Of F. Liszt's Creativity), Feruza Mukhamedova
Eurasian music science journal
Romantic art is a high example of lyrical-psychological, vital-truthful embodiment of the inner spiritual world of a person. The attraction to figurative concreteness, the desire to fill the sound of the piano with emotional warmth and intonation expressiveness, the colorful characteristics of different keys, characteristic of romantic composers, are fertile material for performers. It is difficult to count all the romantic composers of different national schools, who differ from each other in their original piano style, imaginative sphere and artistic thinking. Pianists of Uzbekistan, the most frequently performed such works of the romantics, as the piano concertos of F.Chopin ...
Influence And Innovation: Beethoven's Impact On The Sonatas For Piano And Cello By Mendelssohn And Chopin, 2020 James Madison University
Influence And Innovation: Beethoven's Impact On The Sonatas For Piano And Cello By Mendelssohn And Chopin, Patrick Bellah
The bulk of the scholarship in this paper centers around Beethoven’s five sonatas written for piano and cello and how he established a new normal within the genre. This is evidenced by what are arguably the two most noteworthy sonatas for the same instrumental medium, written by Mendelssohn and Chopin, following Beethoven’s death. I posit that the five sonatas written by Beethoven establish a series of models upon which the latter two works by his successors are based.
Chapters two and three of this document are separated into subsections that detail the plausibility of Beethoven’s influence through ...
My Mind And Me, 2020 University of Arkansas, Fayetteville
My Mind And Me, Van Powell
Theses and Dissertations
“My Mind and Me” is a three-movement musical work written by Van Powell that was based off of a poem written by his grandmother Joyce Beshears. The piece contains many aspects of classical music such as instrumentation and form yet has more of a modern feel regarding aspects such as harmony and vocal style. The piece is written for a female alto vocal, guitar, two violins, viola, cello, and double bass. The poem that the piece is interpreting gives incite into the disassociation of a woman’s mind and body. While analyzing herself the author comes to terms with her ...
Developing A Systematic Approach For Teaching Beginning Improvisation Using The Concert Percussion Ensemble, 2020 The University of Southern Mississippi
Developing A Systematic Approach For Teaching Beginning Improvisation Using The Concert Percussion Ensemble, Ian Mcclaflin
Typically, when studying percussion at a University, a student is required to be proficient at multiple aspects of percussion (snare drum, mallet keyboards, drum set, hand drumming, etc.) and work through multiple method books and solos on the different instruments. This often leaves little to no room for the study of improvisation on their instrument.
Examined in this study are the following points pertaining to the state of teaching improvisation:
- There is an apparent lack of improvisation in the classroom
- Teachers often feel unprepared in teaching improvisation
- Improvisation is most commonly associated with jazz
- Both teachers and students tend to ...
Composing Irishness: Remembrances Of The Irish Past Through The Prism Of The Present In Music By Donnacha Dennehy (B. 1970) And Jennifer Walshe (B. 1974), Timothy Diovanni
Although modern remembrances in the fields of literature, theatre, poetry, and the visual arts have received considerable scholarly attention in Ireland since the publication of History and Memory in Modern Ireland in 2001, similar activities in an Irish art music context remain unexplored. This thesis addresses this lacuna in examining how the contemporary Irish composers Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974) have remembered, reimagined, and reinvented the past to communicate their positions on Irish history and modern Irish society, as well as to respond to recent historical and curatorial practices. Through a series of five works written ...
Coltrane Plays The Blues: Multi-Level Coherence And Stylistic Tendencies, 2020 The Graduate Center, City University of New York
Coltrane Plays The Blues: Multi-Level Coherence And Stylistic Tendencies, Lukas Gabric
Dissertations, Theses, and Capstone Projects
As a principal musical figure of the twentieth century, John Coltrane created a legacy that still resonates with listeners. Similarly, the blues may be regarded as one of the most iconic genres of the twentieth century. This dissertation examines Coltrane’s shifting stylistic tendencies to the blues and explores structural relationships with reductive voice leading analysis. As a variation form, the blues poses issues of continuity since every chorus may be regarded as self-sufficient and internally closed. Voice leading analysis provides a powerful explanation for the fact that Coltrane’s blues solos may be perceived as structurally unified. I also ...
Mashing Through The Conventions: Convergence Of Popular And Classical Music In The Works Of The Piano Guys, 2020 The Graduate Center, City University of New York
Mashing Through The Conventions: Convergence Of Popular And Classical Music In The Works Of The Piano Guys, Alina Kiryayeva
Dissertations, Theses, and Capstone Projects
This dissertation is dedicated to examining the symbiosis between popular music and Western classical music in classical/popular mashups––a new style within the classical crossover genre. The research features the works of The Piano Guys, a contemporary ensemble that combines classical crossover characteristics and the techniques from modern sample-based styles to reconceptualize and reuse classical and popular works. This fusion demonstrates a new approach to presenting multi-genre works, forming a separate musical and cultural niche for this creative practice.
This dissertation consists of three chapters. The first chapter is further divided into two thematic discourses: genre and authorship. The ...
Singing In The Beginning Band Classroom, 2020 James Madison University
Singing In The Beginning Band Classroom, Sarah Jane Moyer
Masters Theses, 2020-current
The purpose of this action research study is to explore the impact vocal activities have on fourth and fifth grade beginning band students and how their perspective might change throughout instruction. The participants' experience with vocal activities in the beginning instrumental classroom will shape their perspective. The following research questions guide this study:
- In what ways do vocal activities in the beginning instrumental classroom influence student knowledge of repertoire?
- In what way do vocal activities boost student confidence in the beginning instrumental classroom?
- What aspects of vocal activities encourage or discourage students from participating in the beginning instrumental classroom?
“Transports Of Delight”? Reviews Of Clarinet Performance In Paris And London, C. 1770 – C. 1810, 2020 University of Chichester
“Transports Of Delight”? Reviews Of Clarinet Performance In Paris And London, C. 1770 – C. 1810, Catherine J. Crisp
Performance Practice Review
Reviews of clarinet performance in Paris and London, c. 1770 – c. 1810 make specific reference to 18th-century performance ideals, as identified by the contemporary writer Charles Burney who described the “principal excellencies of perfect execution”. The performance qualities described by Burney and their inclusion in contemporary reports is particularly valuable in assessing performances featuring the newest woodwind instrument, the clarinet. References to many of these performance qualities combine to form detailed accounts of the sonorities, technical execution and expressive qualities evident in performances given by clarinet players in Paris and London.
This article draws upon a wide selection ...
Corporeal Analysis: The Performing Body As Analytic Site, 2020 The Graduate Center, City University of New York
Corporeal Analysis: The Performing Body As Analytic Site, Laura Cocks
Dissertations, Theses, and Capstone Projects
A framework of corporeal analysis posits that the physicality of the performer can be construed as a primary analytical parameter in a work. This dissertation seeks to set up such a method of analysis largely through anecdata and autoethnography with the aim of eliciting a deeper space for additional performer-driven analyses that prioritize the bodily knowledge of performers and their physical understandings of a work. Centering around David Bird’s 2013 work for solo piccolo and “no-less-than twenty-nine spatialized piccolos,” Atolls, three main aspects of corporeal analysis will be explored. These are: performance physicality as expressive connective tissue between flutist ...
Lived Experience Of Music Therapists As Musician-Therapists, 2020 Lesley University
Lived Experience Of Music Therapists As Musician-Therapists, Kotoe Suzuki
Expressive Therapies Dissertations
The dissertation research explored the lived experiences of music therapists who are performing musicians. A conceptual foundation of music therapists as musicians, a “musician-therapist” who is deeply versed in the unique properties of music can be identified in the literature (Ansdell & Verney, 2008; Nordoff & Robbins, 1973). The objectives of this study were to explore three topics: 1) deeper understandings of music therapists’ musical improvisation both in clinical and nonclinical settings, 2) the connection between music therapists’ personal and professional musical growth, and 3) identity formation. A qualitative method was chosen for this research including reflexive/embodied/interpretative phenomenology, and arts-based research. Data ...
Musical Ability And Accent Imitation, 2020 University of Connecticut
Musical Ability And Accent Imitation, Maria Murljacic
Honors Scholar Theses
This study investigates the intersection of musical ability and accent imitation, more specifically defining what factors cause a relationship between the two. The study was run on 50 participants, who each completed an accent imitation ability assessment, a musical ability assessment, and an articulation ability assessment. The scores for the accent imitation portion were rated by anonymous online raters. Each participant filled out a questionnaire on prior musical experience and were either classified as a musician or non-musician. The analysis found that those in the musician group performed better on the musical ability, articulation, and accent ability assessment than non-musicians ...
Survey And Analysis Of Undergraduate Music Education Percussion Methods Courses In Relation To The Practical Needs Of Secondary Music Educators In American Public Schools, 2020 James Madison University
Survey And Analysis Of Undergraduate Music Education Percussion Methods Courses In Relation To The Practical Needs Of Secondary Music Educators In American Public Schools, Bryan Pickering
The majority of Bachelor’s degrees in Music Education require students to enroll in a series of instrumental methods or techniques courses. These courses cover fundamental techniques and pedagogical approaches that prepare students for their future careers as music educators. Due to the percussion instrument family having a large scope of material that needs to be covered, it is commonly perceived by those who teach the classes, that Percussion Methods classes within an undergraduate Music Education degree operate on time frames that make equal coverage of all instruments and topics a pedagogical challenge within a standard academic semester.
The purpose ...
Shared Dramatic Pacing In Jake Heggie's Three Decembers, 2020 James Madison University
Shared Dramatic Pacing In Jake Heggie's Three Decembers, Cynthia Wohlschlager
Jake Heggie collaborated with Terrence McNally and Gene Sheer to infuse 21st-century topics into the chamber opera Three Decembers. This document traces the development of the Madeline Mitchell motif, followed by illuminating the concept of shared dramatic pacing through the use of score identifiers. Fueled by research into Heggie's compositional process, via personal interviews with the composer, it defines an effective method for character development, as well as provides suggestions for the successful preparation of a Jake Heggie opera. For this document, the concept of shared dramatic pacing refers to the time on stage during a performance that is ...
Recording A Solo Instrumental Album: A Methodology And Representative Album, 2020 James Madison University
Recording A Solo Instrumental Album: A Methodology And Representative Album, John Nye
Contests and Collaborations is a trumpet album consisting of solo and collaborative works for trumpet. The album is aimed towards demonstrating diverse performance abilities in a variety of musical styles. The methodology for recording a solo instrumental album is discussed in detail and includes topics such as selecting repertoire, recruiting collaborative artists, hiring a recording engineer, selecting a producer, choosing a recording venue, allocating rehearsal and recording time, and royalties and licensing. Contests and Collaborations, along with the accompanying methodology, serves as a resource for other musicians by detailing various considerations and procedures involved in recording an album.
Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, 2020 California State University, Monterey Bay
Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, Theo Farnum
Capstone Projects and Master's Theses
The psychedelic rock movement of the 1960s dominated popular music and culture of the decade. The movement was heavily shaped by the consumption of LSD, a mind-altering hallucinogenic drug. Songwriting and lyrics often reflected the drug and the states of mind that it induced, and unique cutting-edge production techniques were used to imitate the effects of LSD use. Artists such as The Beatles used new effects, such as phasing, artificial double tracking, tape loops, and reverse recording.
In the 21st century, music has again been described as psychedelic rock, though the music under that term is much more diverse. Bands ...