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Old Dominion University Jazz Choir & Jazz Ensemble, Old Dominion University Jazz Choir, John Toomey (Director), Keith Philbrick (Director) 2020 Old Dominion University

Old Dominion University Jazz Choir & Jazz Ensemble, Old Dominion University Jazz Choir, John Toomey (Director), Keith Philbrick (Director)

Ensemble Performances

No abstract provided.


Developing A Systematic Approach For Teaching Beginning Improvisation Using The Concert Percussion Ensemble, Ian McClaflin 2020 The University of Southern Mississippi

Developing A Systematic Approach For Teaching Beginning Improvisation Using The Concert Percussion Ensemble, Ian Mcclaflin

Dissertations

Typically, when studying percussion at a University, a student is required to be proficient at multiple aspects of percussion (snare drum, mallet keyboards, drum set, hand drumming, etc.) and work through multiple method books and solos on the different instruments. This often leaves little to no room for the study of improvisation on their instrument.

Examined in this study are the following points pertaining to the state of teaching improvisation:

  • There is an apparent lack of improvisation in the classroom
  • Teachers often feel unprepared in teaching improvisation
  • Improvisation is most commonly associated with jazz
  • Both teachers and students tend to ...


Annotated Bibliography - Grace Jones, Slave To The Rhythm, Bennett Brazelton 2020 Boston Public Schools

Annotated Bibliography - Grace Jones, Slave To The Rhythm, Bennett Brazelton

Third Stone

Annotated Bibliography entry for Grace Jones' album, Slave to the Rhythm (1985).


The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox 2020 The Graduate Center, City University of New York

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was ...


Viola Fragments: Contextualizing And Interpreting Selections From György Kurtág's Signs, Games And Messages, Mounir Nessim 2020 Louisiana State University

Viola Fragments: Contextualizing And Interpreting Selections From György Kurtág's Signs, Games And Messages, Mounir Nessim

LSU Doctoral Dissertations

The viola came to prominence as a solo instrument relatively late compared to the violin and cello. As a result, the standard repertoire is more recent, consisting largely of twentieth century works. The standard repertoire continues to expand as new works are written and embraced by performers. One such work is the Hungarian composer György Kurtág's open ended collection of pieces for solo viola Signs, Games and Messages (1987-). Kurtág, born in 1926, is one of the most important composers of the twentieth and twenty-first centuries. His music is characterized by its brevity, fragmentation, ambiguity, and intertextuality. The painstaking ...


Catering Group Piano Curriculum For The Music Educators Of The Next Generation, Chee Hyeon Choi Dr. 2020 Bradley University

Catering Group Piano Curriculum For The Music Educators Of The Next Generation, Chee Hyeon Choi Dr.

Journal of the Association for Technology in Music Instruction

Advances in consumer technology have drastically changed the ways students access and appreciate music. As a result, teaching materials in group piano curriculum have become quickly outdated. Students no longer recognize folk tunes that have been sung or used for harmonization exercises; they prefer to listen and play music on their playlist stored in their mobile devices. Although pedagogical principles and objectives should persist over time, teaching methodologies and materials should continuously be updated to increase students’ engagement in learning. The newer generation of students favor classes that are more practical, satisfy their personal interests, and meet their degree program ...


Dynamic Uses Of Spectrographic Analysis In Choral Rehearsals And The Voice Studio, Mark McQuade 2020 Valdosta State University

Dynamic Uses Of Spectrographic Analysis In Choral Rehearsals And The Voice Studio, Mark Mcquade

Journal of the Association for Technology in Music Instruction

Spectrographic analysis is a powerful tool that allows students to see a visual representation of the acoustic properties of their instruments. For today’s technologically savvy students it brings an exciting new element to music making that will allow them to grow musically, artistically, and technically even faster. With a computer, microphone, and screen (or even just a smart phone) teachers can open their students’ eyes to see what their ears have always been hearing. By turning an aural/oral art into a visual experience, students will gain a deeper understanding of their instruments and how they can use those ...


Four Works For Trumpet: Compositions By: Torelli, La Barbera, Ewazen And Hovhaness, Charles Meggitt 2020 Belmont University

Four Works For Trumpet: Compositions By: Torelli, La Barbera, Ewazen And Hovhaness, Charles Meggitt

Recital Papers

The works included in this recital paper are presented as a program of music that delves into the expressive range of the trumpet as a solo instrument, and its uses by composers of differing time periods and artistic directions. The composers of this program were deliberately selected for their extreme sensibilities and knowledge of the uses of trumpet as a solo instrument. In this paper works by Giuseppe Torelli, John La Barbera, Eric Ewazen and Alan Hovhaness are explored to benefit performers and audience members through an exposure to both standard and unique selections of the repertoire.


An Analysis Of Dairy And Its Effects On Vocal Production, Micah Sessions 2020 University of Nebraska at Kearney

An Analysis Of Dairy And Its Effects On Vocal Production, Micah Sessions

Undergraduate Research Journal

Dairy is anecdotally known to create issues caused by increased mucus in the vocal performance profession. This article explores the scientific explanations behind the debate about whether or not that is true. It also uses scientific backing to recommend certain foods to avoid, if worried about that effect. It concludes with suggesting dietary choices to help alleviate the inhibition of the voice caused by the effect dairy may have on mucus.


The Emergence Of Creativity: Insights From Carnatic Raaga Improvisation And Mathematical Proof Generation, Srividhya Balaji, Sean Chorney 2020 Simon Fraser University, Canada

The Emergence Of Creativity: Insights From Carnatic Raaga Improvisation And Mathematical Proof Generation, Srividhya Balaji, Sean Chorney

Journal of Humanistic Mathematics

Creativity is a broad phenomenon that scholars have interpreted in a multitude of ways. We notice that a majority of the views describe creativity as something innate. This paper aims to verge from this perspective and explore creativity in terms of the constant mutual interaction of a person and their environment. Using the theoretical framework, enactivism, and the notion of emergence, we investigate the creative processes involved in musical improvisations of south Indian classical or Carnatic music and mathematical proof generation. Interview excerpts from professional Carnatic musicians and research mathematicians on their respective creative processes during musical improvisation and proof ...


Invention Through The Harmonics Of Stefano Scodanibbio: A Method Of Creative Improvisation For The Contemporary Double Bassist, Christian Chesanek 2020 University of Nebraska - Lincoln

Invention Through The Harmonics Of Stefano Scodanibbio: A Method Of Creative Improvisation For The Contemporary Double Bassist, Christian Chesanek

Student Research, Creative Activity, and Performance - School of Music

This document is an inclusive method for the double bass and comprises etudes and exercises inspired by Sei Studi (1981/83) composed by the Italian double bass virtuoso Stefano Scodanibbio (1956-2012). The etudes and exercises in the method are based on the analysis of seven categories of harmonic gestures that exemplify Scodanibbio’s “Avant Garde” style. The seven categories, each with its own chapter, feature selected harmonic gestures extracted from the Sei Studi. The seven categories include: 1) natural harmonics, 2) trilled and tremolo harmonic gestures, 3) pizzicato/arco and normal note gestures, 4) mixed normal and harmonic note gestures ...


Quincy: A Documentary Review, Analy Cruz 2020 University of the Pacific

Quincy: A Documentary Review, Analy Cruz

Backstage Pass

This is a film review of the 2018 documentary film on the life and music of legendary producer, Quincy Jones.


Amy: A Film Review, Lucas Dehner 2020 University of the Pacific

Amy: A Film Review, Lucas Dehner

Backstage Pass

A review of the 2015 documentary film, Amy.


Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino 2020 University of the Pacific

Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino

Backstage Pass

No abstract provided.


Bohemian Rhapsody: A Film Review, Ailey Butler 2020 University of the Pacific

Bohemian Rhapsody: A Film Review, Ailey Butler

Backstage Pass

This is a review of the 2018 Queen bio-pic, Bohemian Rhapsody.


Metallica: Some Kind Of Monster Film Review, Ceara J. Costa 2020 University of the Pacific

Metallica: Some Kind Of Monster Film Review, Ceara J. Costa

Backstage Pass

This is a film review of the 2004 documentary, Some Kind of Monster, which provides an in-depth portrait of the heavy metal band, Metallica, during the making of their St. Anger album. It addresses issues of mental health, depression, group dynamics and the pressures that successful artists face in maintaining their internal and external relationships while still trying to create new music.


A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton 2020 University of the Pacific

A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton

Backstage Pass

The essay critiques the 1971 best-selling album, Tapestry, written and performed by Carole King.


Rock Of Ages Film Review, Sarah Werth 2020 University of the Pacific

Rock Of Ages Film Review, Sarah Werth

Backstage Pass

This is a critique of the 2012 musical film, Rock of Ages.


Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield 2020 University of the Pacific

Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield

Backstage Pass

This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.


Emmylou Harris’S Bold And Broken Pieces Of Sky, Jennifer Morrow 2020 University of the Pacific

Emmylou Harris’S Bold And Broken Pieces Of Sky, Jennifer Morrow

Backstage Pass

This article critically examines the 1975 album, "Pieces of Sky," from country artist Emmylou Harris, whose unique blend of strength and vulnerability shine through in an imperfect yet promising work of art. The piece explores how Pieces of Sky succeeded in reaching a mainstream audience through innovative musical stylings and emotionally authentic lyricism.


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