Dulab Hijaz Racy,
2010
William & Mary
Raqs Al-Hawanim,
2010
William & Mary
Ya Ward Gamil,
2010
William & Mary
Ya Man Lai'ibat Bihi Shamulu,
2010
William & Mary
Ya Hnayyina,
2010
William & Mary
Ana Wa Sihrani,
2010
William & Mary
Il Hilwa Di Amit,
2010
William & Mary
Zaghruta Helwa,
2010
William & Mary
Maqam Bayyati Simon Shaheen,
2010
William & Mary
From Disco To Electronic Music: Following The Evolution Of Dance Culture Through Music Genres, Venues, Laws, And Drugs.,
2010
Claremont McKenna College
From Disco To Electronic Music: Following The Evolution Of Dance Culture Through Music Genres, Venues, Laws, And Drugs., Ambrose Colombo
CMC Senior Theses
Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA featured in clubs toward …
Response To Rice,
2010
CUNY Graduate Center
Response To Rice, Kofi Agawu
Publications and Research
Timothy Rice is concerned that ethnomusicology—field, discipline, area of study, constellation of diverse musico-intellectual pursuits—has some “serious problems.” It seems that we have either not been reading each other’s work, or not engaging with it sufficiently. Opportunities to develop some “theoretical muscle” have been missed. Specifically, some seventeen articles broaching the favorite theme of music and identity published in this journal between 1982 and 2005 failed to proceed in cumulative fashion. Rice wants to see ethnomusicology “grow in intellectual and explanatory power,” but this will not happen if subsequent writers refuse to engage their predecessors at a theoretical level. A …
Atini Al-Nay (Take The Nay And Sing To Me),
2010
William & Mary
Ya Rayah,
2010
William & Mary
Bayyati Ditty,
2010
William & Mary
Daraj Bayyati,
2010
William & Mary
Three Greek Tunes,
2010
William & Mary
Tahmilah Bayyati From Cedre,
2010
William & Mary
Shisheler,
2010
William & Mary
Saba Samir,
2010
William & Mary
Sallam 'Alay,
2010
William & Mary
