Composition Commons^™

Ring Out, Wild Bells - Brass | 10-96171, James Q. Mulholland

Music Faculty Scores

Ring Out, Wild Bells (Brass Score/Parts)

Part Number:
10-96171

Price:
$45.00

Voicing:
Brass and Percussion Score/Parts

Lyrics By:
Lord Alfred Tennyson

Music By:
James Q. Mulholland

with Optional Brass & Percussion (tpt, 2hrn, tbn, crash cym, timp, t bells)

Dedicated to Gary R. Schwartzhoff, Director of Choral Activities, University of Wisconsin-Eau Claire
by members and friends of First Congregational UCC, Eau Claire, Wisconsin

Sanctus | 10-96130, James Q. Mulholland

Music Faculty Scores

Sanctus, From "Missa Romantica"

Part Number:
10-96130

Price:
$1.75

Voicing:
SATB

Text:
Missa Brevis

Music By:
James Q. Mulholland

a cappella

(For this setting with keyboard accompaniment, please see 10-96435)

No Time-Satb | 21-20114, Susan Brumfield

Music Faculty Scores

No Time
Traditional Camp Meeting Songs

Part Number:
21-20114

Price:
$1.90

Voicing:
SATB

Arranged By:
Susan Brumfield

Arrow And The Song, The | 16-96780, Christopher Matthews

Music Faculty Scores

The Arrow and the Song

Part Number:
16-96780

Price:
$1.75

Voicing:
SA

Lyrics By:
Henry Wadsworth Longfellow

Music By:
Christopher Matthews

Featured at:
2012 Rodney Eichenberger Conductor's Clinic
2013 Long & McQuade Summer Reading Clinic
2014 North Central Division ACDA Convention
2014 NM All-State Choral Reading Session
2014 Michigan State VMA Summer Conference

See Amid The Winter's Snow - Satb | 20-96065, Susan Brumfield

Music Faculty Scores

See Amid The Winter Snow

Part Number:
20-96065

Price:
$1.90

Voicing:
SATB

Arranged By:
Susan Brumfield

El Concepto De Textura Musical Aplicado A La Poesia Contemporanea, Marianella P. Machado

Languages, Cultures, and Humanities Faculty and Staff Research

La palabra textura generalmente es usada para describir percepciones tactiles, visuales y auditivas. La textura tactil se percibe al tocar la superficie de un objeto y sentir su aspereza o suavidad.

The Dj And The Orchestra: Fusing Art Music And Popular Music, Joe Bozich

Summer Research

This project focused on the technique of integrating aspects of modern electronic DJ music into the traditional, acoustic-instrument dominated symphony orchestra. In particular, it looked at the work of the current composer-in-residence with the Chicago Symphony Orchestra, Mason Bates. The resulting technical and stylistic discoveries were then integrated, by myself, into an original composition using this fusion of old and new: a Concerto for Baritone Saxophone, Orchestra, and DJ. It should be noted, however, that I omitted the actual use of turntables from the DJ setup, instead focusing more on DJs use of sampling and recalling audio files in real …

Music Composition Portfolio, Daniel O'Neill

Masters by Practise

There are six pieces included in this M.Phil. These were completed over two years and are accompanied by a written text part. These pieces contain different instrumentations and range from solo to orchestral works. In this portfolio there is a set of two choir pieces, a trio for piano, clarinet and violin, an orchestral piece, a guitar quartet, three pieces for saxophone quartet and a solo piano piece. The written part of this portfolio examines in detail my compositions with reference to their inspiration, construction and overall shape. There is a detailed description of the six works along with musical …

The Influence And Application Of Eastern Philosophy In The Western Musical Tradition, Matt B. Zavortink

Summer Research

This paper documents my summer research on the philosophy of music. Specifically, my research focused on the connection between the philosopher Arthur Schopenhauer and the composer Richard Wagner, as is evident in the opera Tristan und Isolde. I composed a piece of music for the University of Puget Sound Wind Ensemble attempting to utilize both a more Eastern approach to Schopenhauer's philosophy, relative to Wagner's interpretation, and to incorporate 20th century developments in musical technique, theory and language.