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Gestures As Mimetic Forms Of Identity In Post-Secondary Italian As A Foreign Language Classrooms: A Sociocultural Perspective, Ilaria Nardotto Peltier 2015 University of Nevada, Las Vegas

Gestures As Mimetic Forms Of Identity In Post-Secondary Italian As A Foreign Language Classrooms: A Sociocultural Perspective, Ilaria Nardotto Peltier

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study investigates the use of mimetic gestures of identity by foreign language teachers of Italian and their students in college classes as a form of meaning-making. All four of the teachers were found to use a variety of Italian gestures as a regular aspect of their teaching and presentation of self. Students and teachers also were found to mirror each other’s gestures. None of the teachers had been video-recorded before the study and all were surprised to see the degree to which they appeared to be Italian, although at the same time all believed this to be an important …


Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles LeBel 2015 City University of New York

Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel

The Quiet Corner Interdisciplinary Journal

Translation specialists Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck and Alyson Waters respond to the TQC question:

“Lost in translation”; “Found in translation”: Are these just useless commonplaces or are they indicative of something relevant to your own practice?


Il Fenomeno Dell’Apolide, Megan A. Fenrich 2015 Gettysburg College

Il Fenomeno Dell’Apolide, Megan A. Fenrich

Student Publications

This paper examines the phenomenon of stateless persons, including the definition of what it means to be stateless and two types of statelessness, de jure and de facto. Although statelessness is internationally recognized, by both the U.N. and individual countries, little is actually done for those populations and groups that hang in such an ambiguous state. Often times the root problems, such as statelessness through birth or government actions, are not addressed, and the groups face much discrimination.


Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, Douglas Stephens IV 2015 Liberty University

Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, Douglas Stephens Iv

Senior Honors Theses

Umberto Eco’s 1988 novel Foucault’s Pendulum weaves together a wide range of philosophical and literary threads. Many of these threads find their other ends in Eco’s nonfiction works, which focus primarily on the question of interpretation and the source of meaning. The novel, which follows three distinctly overinterpretive characters as they descend into ruin, has been read by some as a retraction or parody of Eco’s own position. However, if Foucault’s Pendulum is indeed polemical, it must be taken as an argument against the mindset which Eco has termed the “hermetic”. Through an examination of his larger theoretical body, including …


Documenting The (Un)Documented: Diasporic Ecuadorian Narratives In Southern/Mediterranean Europe, Esther A. Cuesta 2015 University of Massachusetts Amherst

Documenting The (Un)Documented: Diasporic Ecuadorian Narratives In Southern/Mediterranean Europe, Esther A. Cuesta

Doctoral Dissertations

For several decades, Ecuadorian, U.S. American, and European social scientists have studied Ecuadorian migration to the European Union. Yet little academic research has been devoted to the comparative study of literary and filmic representations of diasporic Ecuadorians. This disparity between social science and literary studies research is especially evident in scholarship published in English, a gap this dissertation proposes to fill. I investigate the discourses, cultural production, representations, and self-representations of diasporic Ecuadorians in Southern/Mediterranean Europe, specifically in Spain and Italy, where the largest diasporic communities of Ecuadorians in the European Union reside. I focus on a selection of works …


Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan 2015 CUNY Graduate Center

Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan

Artl@s Bulletin

The painter Emilio Pettoruti (1892-1971) was born to Italian parents in the Argentine province of La Plata. In 1913, he sailed to Florence for artistic training and remained in Europe for eleven years. This article focuses on this formative stint, during which Pettoruti studied Quattrocento masters, conferred with Italian Futurists, and met French Cubists. Ultimately, the painter became a paragon of civiltá italiana, a cosmopolitan culture born in Italy but meant for global dissemination. Upon returning to Buenos Aires in 1924, he exposing the Argentine public to this culture, strengthening the already robust bond between the two countries.


Modernism And The Cult Of Mountains: Music, Opera, Cinema By Christopher Morris (Review), Harald Höbusch 2015 University of Kentucky

Modernism And The Cult Of Mountains: Music, Opera, Cinema By Christopher Morris (Review), Harald Höbusch

Modern and Classical Languages, Literatures and Cultures Faculty Publications

No abstract provided.


Africa, Asia, And The History Of Philosophy: Racism In The Formation Of The Philosophical Canon, 1780–1830 By Peter K.J. Park (Review), Joseph D. O'Neil 2015 University of Kentucky

Africa, Asia, And The History Of Philosophy: Racism In The Formation Of The Philosophical Canon, 1780–1830 By Peter K.J. Park (Review), Joseph D. O'Neil

Modern and Classical Languages, Literatures and Cultures Faculty Publications

No abstract provided.


Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas 2015 East Carolina University

Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas

Studies in 20th & 21st Century Literature

The train, an invention and evocative symbol of the 19th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol …


Fantahistorical Vs. Fantafascist Epic: “Contemporary” Alternative Italian Colonial Histories, Simone Brioni Dr. 2015 Stony Brook University

Fantahistorical Vs. Fantafascist Epic: “Contemporary” Alternative Italian Colonial Histories, Simone Brioni Dr.

Department of English Faculty Publications

This article focuses on Enrico Brizzi’s L’inattesa piega degli eventi [The Unexpected Turn of Events, 2008], La nostra guerra [Our War, 2009], and Lorenzo Pellegrini e le donne [Lorenzo Pellegrini and the Women, 2012], a trilogy of alternative history novels that imagines what would have happened to the Italian empire if Italy had not allied with Germany during the Second World War. Drawing on Giorgio Agamben’s reflections on contemporaneity (2009), I analyze how this trilogy represents Fascism and its colonial legacy in relation to the history of politics and soccer in Italy. I also compare Brizzi’s trilogy to Mario Farneti’s …


Seminario: Culture Fasciste, Silvia Valisa 2015 Florida State University

Seminario: Culture Fasciste, Silvia Valisa

Silvia Valisa

No abstract provided.


The Final Pagan Generation By Edward J. Watts (Review), James A. Francis 2015 University of Kentucky

The Final Pagan Generation By Edward J. Watts (Review), James A. Francis

Modern and Classical Languages, Literatures and Cultures Faculty Publications

No abstract provided.


Drawing Testimony, Coming To Writing: Ebe Cagli Seidenberg’S Le Sabbie Del Silenzio And Il Tempo Dei Dioscuri, Eveljn Ferraro 2015 Santa Clara Univeristy

Drawing Testimony, Coming To Writing: Ebe Cagli Seidenberg’S Le Sabbie Del Silenzio And Il Tempo Dei Dioscuri, Eveljn Ferraro

Modern Languages & Literature

This essay considers the question of how “coming to writing” describes the creative process, how mourning becomes language, and how the emptiness of silence turns into word, in relation to the life and literary work of Italian Jewish writer Ebe Cagli Seidenberg. In other words, how did Cagli’s exile to the U.S. facilitate her voice? And how did language become, for her, nothing less than a form of “country”? In examining her journey to testimonial writing, I contend that visual imagery—a combination of visual artifacts and visual memories—plays a major role in getting past the wall of silence, overcoming the …


The Obstacles To And Solutions Of Female Characters' Speech: Beatrice In Dante's Vita Nuova And Purgatorio And Susan In J. M. Coetzee's Foe, Tamara Savage 2015 Harvey Mudd College

The Obstacles To And Solutions Of Female Characters' Speech: Beatrice In Dante's Vita Nuova And Purgatorio And Susan In J. M. Coetzee's Foe, Tamara Savage

CMC Senior Theses

This thesis analyzes the speaking and silencing of two female characters, Beatrice from Dante’s Vita Nuova and Purgatorio and Susan from J. M. Coetzee’s Foe. The texts are viewed through postcolonial and feminist lenses to show the problems with male characters speaking for female characters and the obstacles the female characters face when attempting to speak. Dante’s solution to this problem is to transform Beatrice from a silent and demure woman into a character who issues commands with a powerful voice. Coetzee’s solution is instead to refuse to provide a solution, since no one but Susan can speak for …


«Tante Voci [. . .] Tra Quei Bronchi1»: Authorial Agency And Textual Borrowing In Inferno Xiii, Anne C. Leone 2015 Syracuse University

«Tante Voci [. . .] Tra Quei Bronchi1»: Authorial Agency And Textual Borrowing In Inferno Xiii, Anne C. Leone

Languages, Literatures, and Linguistics - All Scholarship

No abstract provided.


Maquiavelo Y El Crecimiento Como Fin (Telos) Del Estado, William J. Connell 2014 Seton Hall University

Maquiavelo Y El Crecimiento Como Fin (Telos) Del Estado, William J. Connell

William Connell

There is a tradition of attempting to solve outstanding problems in the interpretation of Machiavelli by studying the context (historical and linguistic) of his works, with a particular focus on Machiavellis use of such «keywords» as stato and virtù. What is often neglected is the extent to which Machiavelli intentionally diverged from the meaning and usage of his contemporaries precisely when it came to using such important terms. Since Machiavelli was trying to break free of his «context» contextual readings need to take care not to flatten his meaning. An examination of Machiavellis use of stato in combination with words …


The Multidimensional Quality Metric (Mqm) Framework: A New Framework For Translation Quality Assessment, Valerie Ruth Mariana 2014 Brigham Young University - Provo

The Multidimensional Quality Metric (Mqm) Framework: A New Framework For Translation Quality Assessment, Valerie Ruth Mariana

Theses and Dissertations

This document is a supplement to the article entitled “The Multidimensional Quality Metric (MQM) Framework: A New Framework for Translation Quality Assessment”, which has been acepted for publication in the upcoming January volume of JoSTrans, the Journal of Specialized Translation. The article is a coauthored project between Dr. Alan K. Melby, Dr. Troy Cox and myself. In this document you will find a preface describing the process of writing the article, an annotated bibliography of sources consulted in my research, a summary of what I learned, and a conclusion that considers the future avenues opened up by this research. Our …


The Killing Machine Of Exception: Sovereignty, Law, And Play In Agamben’S State Of Exception, Puspa Damai 2014 Marshall University, Huntington, WV

The Killing Machine Of Exception: Sovereignty, Law, And Play In Agamben’S State Of Exception, Puspa Damai

Puspa Damai

Giorgio Agamben’s slender but profound monograph on the state of exception is an intervention into a world that is becoming more and more exceptionalist. The events of 9/11, the War on Terror, and the successive decrees and acts authorizing fingerprinting, interrogation, and indefinite detention of suspects in terrorist activities, all testify to Agamben’s prophetic portrayal of contemporary politics in which the state of exception—normally a provisional attempt to deal with political exigencies— has become a permanent practice or paradigm of government. When the exception becomes the rule, it results, argues Agamben, not only in the appropriation of the legislative or …


Did One Veil Give Women A Better Life?, Mary C. Westermann 2014 Gettysburg College

Did One Veil Give Women A Better Life?, Mary C. Westermann

Student Publications

Unfortunately, a young woman in Renaissance Florence did not have many options for her future. A woman's family usually decided whether she would be able to get married or would have to enter the convent, but sometimes she was able to make this choice. In this paper, I look at the lives of wives and nuns to analyze how their lives differed in responsibilities and freedoms, but also to see how all women had similar restrictions and expectations placed upon them.


Dante And Islam, A Prose/Poem 6/19/2014, Charles Kay Smith 2014 University of Massachusetts at Amherst

Dante And Islam, A Prose/Poem 6/19/2014, Charles Kay Smith

Charles Kay Smith

In this poem, Dante is revealed as a scholar of Islamic literature who was influenced by two islamic texts about Muhammad's visits to Purgatory and Hell narrated in the The Isra, and whose visit to Paradise was recorded in The Mirage. The concept of Limbo introduced by Dante in his Divine Comedy was an Islamic/Christian hybrid new to his first readers.


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