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Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand 2017 Utah State University

Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand

Art and Design Faculty Publications

No abstract provided.


Poesía Amorosa De Una Erudita Del Xvii: Traducción Y Creación En El Pastor Fido De Isabel Correa, Almudena Vidorreta 2017 CUNY Graduate Center

Poesía Amorosa De Una Erudita Del Xvii: Traducción Y Creación En El Pastor Fido De Isabel Correa, Almudena Vidorreta

Publications and Research

Este trabajo pretende insertar en el contexto humanista de su tiempo la escritura poética de Isabel Rebeca Correa, erudita portuguesa del siglo XVII que residió en Ámsterdam. Aunque no se conserva buena parte de su obra, podemos conocer el estilo de la autora a través de su traducción al español de El pastor Fido, tragicomedia pastoril de Guarini. Se incluye por primera vez una transcripción completa y modernizada de los fragmentos de dicha versión que, según la traductora, proceden de su propia inventiva. Por medio de esta amplificación de la obra del italiano, Isabel Correa legitima y justifica su …


Dante’S Divine Comedy: A Pastoral Subversion, Katie Francom 2017 Brigham Young University

Dante’S Divine Comedy: A Pastoral Subversion, Katie Francom

Criterion: A Journal of Literary Criticism

This paper attempts to widen the scholarly understanding of Dante’s use of pastoral modes within The Divine Comedy. By examining typical pastoral themes, Dante’s use of Virgil as a guide, and the presence of pastoral themes within the Comedy, this paper will ultimately assert that Dante completely reshapes the pastoral genre, taking it from its typically pagan history and giving it new, Christian meaning. By so doing he makes his beautifully artistic story into an enlightening spiritual journey for the reader.


Dialogic Faiths: Multi-Genre Expression In Religious Narrative, Rosemary L. Demos 2016 The Graduate Center, City University of New York

Dialogic Faiths: Multi-Genre Expression In Religious Narrative, Rosemary L. Demos

Dissertations, Theses, and Capstone Projects

As persuasive or expository texts, religious conversion narratives tend towards monologic language, and texts that advocate one particular creed or institution often reflect the unity of faith through linguistically totalizing methods. This study, however, examines the dialogic interactions found in certain religious narratives. The texts included in this analysis recount unusual conversion outcomes: not to formally established church institutions, but rather to a heightened religious experience and in some cases a call to leadership in establishing new social orders. In these texts, the dynamic between personal and communal religious experience is tense, sometimes precarious; the difficulties of engaging in social …


Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo 2016 The Graduate Center, City University of New York

Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo

Dissertations, Theses, and Capstone Projects

This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …


Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione 2016 University of Connecticut - Storrs

Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione

The Quiet Corner Interdisciplinary Journal

Novelist and professor Amara Lakhous lives in the United States, where he has begun his third life—a new phase after his Algerian beginnings and subsequent Italian “adoption,” as he says. After having completed a degree in philosophy from the University of Algiers, Lakhous immigrated to Italy as a political refugee. In Italy, Lakhous would earn a doctorate in anthropology from La Sapienza, Rome. These days, Amara Lakhous lives in New York City and has been a visiting professor at the University of Connecticut. He is often invited by prestigious universities in the United States to discuss social and political …


Review Of "Printers Without Borders: Translation And Textuality In The Renaissance", Joshua Reid 2016 East Tennesee State University

Review Of "Printers Without Borders: Translation And Textuality In The Renaissance", Joshua Reid

ETSU Faculty Works

Review of Selene Scarsi . Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso. Anglo-Italian Renaissance Studies Series. Farnham: Ashgate Publishing Limited, 2010. x + 207 pp. index. bibl. $99.95. ISBN: 978–0–7546–6620–2.


Viewing The Foundations: Italian Institutions And Mafia Through Short Stories And Film, Xylina Marshall 2016 University of Tennessee, Knoxville

Viewing The Foundations: Italian Institutions And Mafia Through Short Stories And Film, Xylina Marshall

Chancellor’s Honors Program Projects

No abstract provided.


Brunetto Latini, "La Rettorica", Stefani D'Agata D'Ottavi 2016 University for Foreigners, Siena

Brunetto Latini, "La Rettorica", Stefani D'Agata D'Ottavi

TEAMS Secular Commentary Series

Brunetto Latini's La rettorica is the first Italian translation of Cicero's early and widely influential De inventione, and this volume is a translation of Latini's translation, including both Cicero's work and Brunetto's commentary.


The Dialectic Of Marguerite De Navarre, Patricia S. Coates 2016 Georgia Stae University

The Dialectic Of Marguerite De Navarre, Patricia S. Coates

Georgia State Undergraduate Research Conference

No abstract provided.


Penelope’S Daughters, Barbara Dell`Abate-Çelebi 2016 Beykent University

Penelope’S Daughters, Barbara Dell`Abate-Çelebi

Zea E-Books Collection

A feminist perspective of the myth of Penelope in Annie Leclerc’s Toi, Pénélope, Margaret Atwood’s The Penelopiad and Silvana La Spina’s Penelope.

At the origin of Western literature stands Queen Penelope—faithfully waiting for her husband to come home: keeping house, holding on to the throne, keeping the suitors at arm’s length, preserving Odysseus’ place and memory, deserted for the pursuit of war and adventures, and bringing up a son alone, but always keeping the marriage intact. Yet recently the character of Penelope, long the archetype of abandoned, faithful, submissive, passive wife, has been reinterpreted by feminist criticism and re-envisioned by …


La Letteratura In Gioco, Barbara Dell`Abate Çelebi 2016 Beykent University

La Letteratura In Gioco, Barbara Dell`Abate Çelebi

Zea E-Books Collection

Un approccio ludico alla didattica della letteratura nella classe di lingua

In questo scritto si intende rivalutare l’impiego del testo letterario nell’insegnamento delle lingue straniere attraverso l’utilizzo di attività ludiche che permettano una piena ed attiva partecipazione del soggetto al processo glottodidattico. Il libro è diviso in due parti: una parte teorica (capitoli 1-2-3) e una parte operativa (capitoli 4-5). La parte teorica introduce il tema della didattica della letteratura da un punto di vista storico e metodologico. Nel primo capitolo si definisce il termine letteratura tracciando un breve quadro storico delle metodologie utilizzate da inizio secolo ad oggi nel …


Storie ‘Vere’ Ed Eroine Dei Romanzi. Rappresentare La Somalia In 'Ilaria Alpi. La Ragazza Che Voleva Raccontare L’Inferno' E 'Non Dirmi Che Hai Paura'., Simone Brioni 2016 SUNY Stony Brook

Storie ‘Vere’ Ed Eroine Dei Romanzi. Rappresentare La Somalia In 'Ilaria Alpi. La Ragazza Che Voleva Raccontare L’Inferno' E 'Non Dirmi Che Hai Paura'., Simone Brioni

Cultural Studies and Comparative Literature Faculty Publications

This article analyses Gigliola Alvisi’s Ilaria Alpi: La ragazza che voleva raccontare l’inferno [Ilaria Alpi: The Young Woman Who Wanted to Narrate the Hell] (2014) and Giuseppe Catozzella’s Non dirmi che hai paura [Don’t Tell Me You Are Afraid] (2014), two novels that deal with two recent events in Somali and Italian history, the killing of the journalist Ilaria Alpi in Mogadishu in 1994 and the death of Samia Yosuf Omar while she was trying to reach the Italian shores from Libya by boat. Alvisi’s text is analysed in comparison with other fictional and journalistic representations of Ilaria Alpi, while …


Review: 'Unfinished Business: Screening The Italian Mafia In The New Millennium', Renato Ventura 2016 University of Dayton

Review: 'Unfinished Business: Screening The Italian Mafia In The New Millennium', Renato Ventura

Global Languages and Cultures Faculty Publications and Presentations

Book review on Unfinished Business: Screening the Italian Mafia in the New Millenium by Dana Renga. University of Toronto Press, 2013. ISBN: 9781442615588.


Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner 2016 Bucknell University

Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner

Faculty Journal Articles

In Garrone’s film, Reality, the protagonist Luciano Ciotola becomes obsessed with his participation in the reality TV show Big Brother to the point that his whole life turns into a spectacle. In Italian cinema studies no other scholar had yet analyzed this film, despite its success and the very engaging and up-to-date topic. In my article, at the diegetic level, I show that the spectator experiences an overlap and a (con)fusion between Luciano’s everyday reality and his life as a member of the reality TV show. However, keeping in mind Guy Debord’s seminal work The Society of the Spectacle and …


Vita And The Waterboy, Viktor Toth 2016 Bard College

Vita And The Waterboy, Viktor Toth

Senior Projects Spring 2016

Senior Project submitted to The Division of Languages and Literature of Bard College.


Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith 2016 Bard College

Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith

Senior Projects Spring 2016

Jean Genet, author ofThe Balcony, and Dante Alighieri, author of Inferno, have more in common than you might think. For one thing, they were both obsessed with death.

The Vestibule (a devised theater piece) was made to examine this obsession with (and fear of) death further.

Art is a tool we can use to confront our fear of death. All people fear death.


La Rappresentazione Delle Donne Nella Società Italiana In Tre Romanzi Di Elena Ferrante: L’Amica Geniale, Storia Del Nuovo Cognome, Storia Di Chi Fugge E Di Chi Resta., Sarah M. Stutman 2015 Trinity College

La Rappresentazione Delle Donne Nella Società Italiana In Tre Romanzi Di Elena Ferrante: L’Amica Geniale, Storia Del Nuovo Cognome, Storia Di Chi Fugge E Di Chi Resta., Sarah M. Stutman

Senior Theses and Projects

Questa tesi prende in analisi il ruolo della donna nella società italiana così come viene presentato negli ultimi romanzi di Elena Ferrante. Vorrei discutere le aspettative pubbliche e private e la realtà delle donne, in particolare vorrei esplorare come l’autrice presenta l’importanza dell’educazione, il ruolo delle donne nel mercato del lavoro, il corpo, la sessualità, la violenza, e il matrimonio nel periodo che va dall’infanzia all’età adulta seguendo l’evoluzione delle protagoniste femminili Lila e Elena.

I romanzi che analizzerò sono: L’Amica Geniale, Storia del nuovo cognome, e Storia di chi fugge e di chi resta.

Tutti e tre sono …


Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, Douglas Stephens IV 2015 Liberty University

Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, Douglas Stephens Iv

Senior Honors Theses

Umberto Eco’s 1988 novel Foucault’s Pendulum weaves together a wide range of philosophical and literary threads. Many of these threads find their other ends in Eco’s nonfiction works, which focus primarily on the question of interpretation and the source of meaning. The novel, which follows three distinctly overinterpretive characters as they descend into ruin, has been read by some as a retraction or parody of Eco’s own position. However, if Foucault’s Pendulum is indeed polemical, it must be taken as an argument against the mindset which Eco has termed the “hermetic”. Through an examination of his larger theoretical body, including …


Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas 2015 East Carolina University

Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas

Studies in 20th & 21st Century Literature

The train, an invention and evocative symbol of the 19th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol …


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