Cultural History Commons^™

The Grizzly, February 4, 2016, Brian Thomas, Leighnah L. Perkins, Deana Harley, Alexandria Sutton, William Diciurcio, Jay Farrell, Jim Yichi Zhang, Jordan Ostrum, Rachel Dickinson, Maddie Mathay, Joy Jones, Andrew Tran, Hunter Gellman, Cory Rogers

Ursinus College Grizzly Newspaper, 1978 to Present

Ursinus to Host Popular Author • Clearing the Path to a Career • Companies and Grad Schools Seek Out Ursinus Alumni • International Perspective: Cultural Differences in Parties • Businesses Offer Student Discounts • Talking About Depression with Nuance • Fighting Off the Freshman Fifteen • Ups and Downs of Being an RA in Reimert • New Face on Campus • Opinion: The Elephants Aren't in the Room: Poll Probes Pupils on Pressing Politics • From Across the Atlantic • Dynamic Duo

Civilizational Imperatives: American Colonial Culture In The Islamic Philippines, 1899-1942, Oliver Charbonneau

Electronic Thesis and Dissertation Repository

This dissertation examines the colonial experience in the Islamic Philippines between 1899 and 1942. Occupying Mindanao and the Sulu Archipelago in 1899, U.S. Army officials assumed sovereignty over a series of Muslim populations collectively referred to as ‘Moros.’ Beholden to pre-existing notions of Moro ungovernability, for two decades military and civilian administrators ruled the Southern Philippines separately from the Christian regions of the North. In the 1920s, Islamic areas of Mindanao and Sulu were ‘normalized’ and haphazardly assimilated into the emergent Philippine nation-state. Never fully integrated, the Muslim South persisted as an exotic frontier zone in the American and Filipino …

February 2016, Temple Shalom Synagogue Center

Newsletter Archive

Contents: Touched by Water Screening; From the Rabbi; Announcements; President's Message; Community Notices; Book Group; Hiram Bingham Postage Stamp

Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida

Dissertations, Theses, and Capstone Projects

Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …

Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz

Dissertations, Theses, and Capstone Projects

This dissertation examines the French music journal entitled Le Pianiste, published in Paris from 1833 to 1835. Through an analysis of the journal’s contents, it reconsiders the nature of music journalism and musical life in Paris at the time it was in print, focusing in particular on canon formation and the power of the press. Le Pianiste’s remarkably detailed descriptions and analysis of the French music world challenge long-held perceptions of the era about taste and reception history, yet it remains an unstudied document. While past work on the music press has focused on criticism and reception, this …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble

Dissertations, Theses, and Capstone Projects

From 1944–48 the Museum of Modern Art, New York (MoMA) offered free art classes to World War II veterans through an experimental educational initiative called the War Veterans’ Art Center. This project was run by Victor D’Amico, who served as the museum’s first Director of Education from 1937–69. Building on an existing institutional ethos of experimentation and civil service, D’Amico and his colleagues explored the role of creative engagement in facilitating the transition from military service to civilian life. As they experimented with new pedagogical approaches, they also worked to articulate and share their innovative methods with other professionals and …

Exhibition Catalogues In The Globalization Of Art. A Source For Social And Spatial Art History, Béatrice Joyeux-Prunel, Olivier Marcel

Artl@s Bulletin

With the rise of global art studies, there has been a quest to find a common ground to compare different contexts, events or individual trajectories. The expansion of exhibition catalogues and the artistic, social, and geographical information they contain make them an exceptional source to establish and articulate patterns of artistic mobility. Stemming from antipodal and diachronic research fields, from the internationalization of modern art (1850-1970) to that of contemporary African art, we contend that exhibition catalogues give commensurable sources to trace the globalization of art on the long term, from its spatial, social, and economic dimension to the circulation …

Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks, Nora Gietz

Artl@s Bulletin

Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how archival research enables us to trace the spatial life of artworks. The Revolutionary and Napoleonic policy of the suppression of religious corporations, followed by the appropriation of their patrimony, as well as the widespread looting of artworks, led to the centralisation of patrimony in newly established museums in the capitals of the Empire and its satellite kingdoms. This made the geographical and contextual displacement, transnationalisation, and change in the value of artworks inevitable.

Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière

Artl@s Bulletin

In the nineteenth-century, transformations in the musical economy led to the development of international tours, and the appearance of the first managers for artists. By analyzing the business strategies of Albert Gutmann in Vienna, Munich and Paris, this paper will show that such impresarios, in order to move from their local institutions to the international arena, had to adapt to the tastes and habits of each audience. Professional middlemen had a decisive influence on these aesthetic choices and, in the context of European tours, they contributed to the reassertion and strengthening of national identities on the musical stage.

The Grizzly, January 28, 2016, Brian Thomas, Deana Harley, Jay Farrell, Chi-E Low, Yuqing Liu, Valerie Osborne, Sarah Hojsak, Berett C. Babrich, Sean Campbell, Johnny Cope, Hunter Gellman

Ursinus College Grizzly Newspaper, 1978 to Present

Student Raises Funds to Prevent Suicide • Tragedy Prompts Main Street Changes • Ursinus Introduces Open Access Publishing System • Ursinus Welcomes Alumni as Entrepreneur-in-Residence • International Perspective: Differences in Friendships Across Cultures • "Rare Bird" Exhibit Migrates to Berman • Coasting Through Costa Rica • Opinions: Everyone's an Activist on Facebook; Letter from an Alumnus: Guns; Film Review: "Star Wars: The Force Awakens" Rates 7 / 10 • Women's Indoor Track and Field Ready to Run • Vaulting Into Action

Estatura Y Condiciones De Vida En Tiempos De Morelos, Amilcar Challú

Amilcar Challu

¿Cuánto medía Morelos? ¿Un metro y medio? ¿Era de estatura media? Lo que implica fi nalmente preguntar: ¿cuál era la estatura media en los tiempos de Morelos? Al fi nal de esta pesquisa la respuesta a esas preguntas quedará clara. Morelos medía cerca de 1.60 cm, unos cuatro centímetros más baja que la media de los nacidos en su año (1764). Pero comparado con los nacidos en el año de su muerte (1815), la estatura de Morelos hubiera estado casi en el promedio. El caso de la estatura de Morelos es una anécdota, pero el ejercicio que nos permite estimar …

Mapping The Boston Poor: Inmates Of The Boston Almshouse, 1795–1801, Ruth Wallis Herndon, Amilcar Challú

Amilcar Challu

This article examines postrevolutionary Boston through evidence about its poorest inhabitants, those admitted to the town’s almshouse from 1795 to 1801. Charts and maps constructed from Boston Almshouse records and geographical data about Boston for these years reveal the characteristics of the Almshouse inmates, as well as their residential location before entering the facility and their mobility after entering it a ªrst time. This study is part of a broader project that applies Geographical Information Systems (gis) to analyze and visualize patterns evinced by the inmates of the Boston Almshouse during the late eighteenth and early nineteenth centuries. Although the …

Mexico’S Real Wages In The Age Of The Great Divergence, 1730-1930, Amilcar Challú

Amilcar Challu

This study builds the first internationally comparable index of real wages for Mexico City bridging the eighteenth and the early twentieth century. Real wages started out in relatively high international levels in the mid eighteenth century, but declined from the late 1770s on, with some partial and temporal rebounds after the 1810s. After the 1860s real wages recovered and eventually reached eighteenth-century levels in the early twentieth century. Real wages of Mexico City’s workers slid behind those of high-wage economies to converge with the lower fringes of middle-wage economies. The age of the global great divergence was Mexico’s own age …

Agricultural Crisis And Biological Well-Being In Mexico, 1730-1835, Amilcar Challú

Amilcar Challu

The article examines how adverse climatic conditions and high food prices influenced the opportunities of peasants in pre-industrial Mexico between 1730 and 1835. Particular attention is paid to data of soldier heights, global climate events, warm-season tree growth, and real food prices to determine how these factors may have affected urban and rural populations. Declines were seen in the general standard of living and average height, while the cost of food increased. It is argued that distribution and acquisition of food has an equal influence on biological well-being as the availability of food at any specific given time.

An Early Black Cemetery On York Street, Andrew I. Dalton

Student Publications

Many are familiar with William H. Tipton, a well-known local photographer who recorded iconic views of the town, battlefield, and monuments surrounding Gettysburg. What many people may not know is that Tipton built a house in the early 1900s right on top of Gettysburg’s first African-American cemetery. [excerpt]

The Rams Move On, Richard C. Crepeau

On Sport and Society

The City of Angels, Los Angeles, the second largest city in the United States, the second largest television market, the city of cars and air pollution, the city waiting for the next big earthquake, etc. etc. etc. It is a city that has not had a team in the National Football League for over twenty years. It is remarkable that the so-called New National Pastime had no presence in LA for two decades and still claimed this high position in American sport.

Gettysburg College Journal Of The Civil War Era 2016

The Gettysburg College Journal of the Civil War Era

No abstract provided.

Hashtag Activism And Why #Blacklivesmatter In (And To) The Classroom, Prudence Cumberbatch, Nicole Trujillo-Pagán

Publications and Research

No abstract provided.

Issue No. 104: Winter 2016

La Crónica de Nuevo México

1 Conference comments and a few other remarks

1 Cura Jose Francisco Leyva, Activist Priest and the Founding of Las Vegas by Doyle Davis

2 Santa Fe Trail Travelers and Their Descendants Conference

2 Changes to HSNM Grant Program

2 Care in Using History Photographs by B.G. Burr

3 New Books for Your New Mexico History Bookshelf

3 The Four Corners, Centennials, New Groups and Much More!

3 Was Milton Yarberry "Jerked to Jesus"? by Robert J. Torrez

4 Historical Society of New Mexico Speaker Bureau Speakers

5 Ruperto Gonzales - The Robin Hood of the Rio Puerco Valley by …