A Tale Of Two Biennales: How Contemporary Art In Italy Reflects Current European Politics, 2021 Connecticut College
A Tale Of Two Biennales: How Contemporary Art In Italy Reflects Current European Politics, Hannah Rosabel Capucilli-Shatan
CISLA Senior Integrative Projects
No abstract provided.
Art And Empathy: Self Discovery In A Dark Forest, 2021 Washington University in St. Louis
Art And Empathy: Self Discovery In A Dark Forest, Younser Lee
Graduate School of Art Theses
According to the National Institute of Mental Health, 40 million people report feelings of depression, anxiety, and stress as the world moves at an increasingly rapid pace and faces unprecedented challenges. However, many ignore these negative thoughts and fail to acknowledge them as a serious issue. My art, which shares my own experiences, creates safe, cathartic places for viewers to think about their own emotional experiences. Crucial to this process is my use of daily objects and the creation of individualized, participatory, and multisensory experiences.
My art relates to daily life and the negative emotions that we experience daily. I …
Combatting Arts-Led Gentrification: A Case Study Of Slanguage Studio, 2021 Pepperdine University
Combatting Arts-Led Gentrification: A Case Study Of Slanguage Studio, Julia M. Campbell
Global Tides
This essay examines Slanguage Studio, founded by Karla Diaz and Mario Ybarra Jr. in 2001, as a case study that illuminates how community-based art spaces can resist arts-led gentrification. The processes of arts-initiated gentrification and displacement of lower-income residents of color are demonstrated through explorations of arts districts in the Lower East Side, SoHo, and Boyle Heights. In response to artist Charles Gaines’ claims that art spaces inevitably lead to gentrification, Slanguage Studio offers an alternative in which community needs are prioritized.
Posthumous Painting: On Pigment And Binder, 2021 CUNY Hunter College
Posthumous Painting: On Pigment And Binder, Jameson G. Magrogan
Theses and Dissertations
Modernism brought about a logical culmination of painting, an epoch where logic and reason can no longer attempt to account for or speculate its behavior. This paper considers the perpetuation of painting from an ontological standpoint, documenting its inherent aporia, its relationship to meaning, and its function in contemporary society.
Yankee Go Home: Roci In Latin America, 2021 CUNY Hunter College
Yankee Go Home: Roci In Latin America, Vitoria Hadba
Theses and Dissertations
In 1984, at an event hosted by the United Nations, American artist Robert Rauschenberg announced his most ambitious and controversial project to date: the Rauschenberg Overseas Culture Interchange—or ROCI. Blending primary source documents with social art history, I retrace the artist’s steps—and missteps—during the first leg of his tour through Mexico, Chile, and Venezuela. This thesis investigates the convoluted political implications of ROCI in Latin America during the transitional period in which binary Cold War politics were ebbing amidst the rise of a global free-market economy.
Pepón Osorio And Merián Soto: Multidisciplinary Collaborations, From 1985 To 1995, 2021 CUNY Hunter College
Pepón Osorio And Merián Soto: Multidisciplinary Collaborations, From 1985 To 1995, Zuna Maza
Theses and Dissertations
This paper assesses Pepón Osorio and Merián Soto’s collaborative multidisciplinary works created from 1985 to 1995. Underdiscussed in their individual scholarships, these joint works are reexamined through their collaborative approach, multidisciplinary framework, and their thematic explorations of the nuances of culturally specific subject matter.
Art And Environmental Racism In The United States: Through The Works Of Latoya Ruby Frazier, Pope.L, And Mel Chin, 2021 CUNY Hunter College
Art And Environmental Racism In The United States: Through The Works Of Latoya Ruby Frazier, Pope.L, And Mel Chin, Veronika Anna Molnár
Theses and Dissertations
Through the works of LaToya Ruby Frazier, Pope.L, and Mel Chin, this thesis examines the ways in which artists address environmental racism in the United States. Focusing on three locations with majority Black populations and significant toxic hazards, this paper demonstrates artists’ agency to alleviate crises caused by environmental injustice.
Kinstitution: A Topia Between Archive And Proposal, 2021 CUNY Hunter College
Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry
Theses and Dissertations
Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.
Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, 2021 CUNY Hunter College
Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, Matthew Weiderspon
Theses and Dissertations
This writing situates material and gestural vocabularies cultivated in my artwork in relation to my lived experience; primarily my rural upbringing in Colorado. Scattered floor dispersals, calling sounds, and bodily movements desire reconsiderations of hope in precarity through a disorientation of place, association, scale, and language.
Aztlán Del Sol, 2021 Art Center College of Design
Aztlán Del Sol, Marcus Zúñiga
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.
History In Crisis: Museum Programming During The Covid-19 Outbreak, 2021 Loyola Marymount University and Loyola Law School
History In Crisis: Museum Programming During The Covid-19 Outbreak, Lindsay Mcconnell
Honors Thesis
The subject of my research is how museums adapted their public programming in response to COVID-19. The goal of my research is to analyze how successfully museums shifted their community engagement programming to online platforms. Since I hope to work in the museum field of programming, I was motivated to conduct this research. Not much research can be found on this topic because COVID-19’s effects on museums are still unfolding. My research could provide a foundation of ideas to build on. To begin, I read articles about the relationship between museums and technology. I applied this knowledge to analyze how …
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, 2021 CUNY Hunter College
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar
Theses and Dissertations
The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.
Made Of Water, Covered In Mud, 2021 University of Arkansas, Fayetteville
Made Of Water, Covered In Mud, Nicole Norman
Graduate Theses and Dissertations
My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …
What's Going On Here, 2021 University of Arkansas, Fayetteville
What's Going On Here, Joanna R. Pike
Graduate Theses and Dissertations
This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …
In-Between Spaces, 2021 University of Arkansas, Fayetteville
In-Between Spaces, Trinity Kai
Graduate Theses and Dissertations
In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.
Do You Want To Be Tender?, 2021 University of Arkansas, Fayetteville
Do You Want To Be Tender?, Leah Grant
Graduate Theses and Dissertations
In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.
Optimistic And A Little Flawed, 2021 University of Arkansas, Fayetteville
Optimistic And A Little Flawed, Christian Schultz
Graduate Theses and Dissertations
The accompanying exhibition to this paper, Optimistic and Flawed is a body of drawings and objects that explores the liminal space between playful and intended actions. Inspired by the landscape of the yard and the actions that take place within, the goalless play of a child and the laborious maintenance of an adult. The value of play exists within labor and labor exists within play. The drawings observe this through the theoretical framework of telic and paratelic motivational states as they relate to drawing. Abstracted yards and landscapes provide a space for the labor of the hand. A history of …
Unmentionables, 2021 Washington University in St. Louis
Unmentionables, Madeleine F. Grotewiel
Graduate School of Art Theses
This text explores the capacity for shamed bodily materiality to narrate the complexity of healing from sexual trauma while rape culture persists. Because rape is discussed so little in public, sexual healing often takes place under a meaty layer of shame, placed on the survivor’s body. Their truth is frequently interpreted as too much/gross/ugly/unspeakable for the public, and it is simultaneously not enough to be discussed/accepted/pursued as an actual issue. This uncomfortable teeter-totter comes from the patriarchal boundaries drawn between what is privately or publicly acceptable. There are plenty of depictions of sexual violence in popular culture and the canon …
Shifting Sands., 2021 University of Louisville
Shifting Sands., Rachid Tagoulla
Electronic Theses and Dissertations
Shifting Sands is a re-exploration of the presentation of North Africans in colonial postcards, an examination of identity, and a critique of the modern Western museum. Since the inception of photography, colonizers used this medium- especially in the form of postcards- to categorize and exoticize Eastern peoples in order to more easily subjugate them. Shifting Sands is a series of reconstructed colonial postcards which challenges colonial-era stereotypes of North African peoples. The colonial gaze, represented by the camera lens, is subverted through a lensless image-making process in which sand is used to remove the subject from the colonial gaze and …
The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, 2021 William & Mary
The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons
Undergraduate Honors Theses
Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.
Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …