American Art and Architecture Commons^™

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

The Lives Of Clements Hall, Thomas Park

SMU Journal of Undergraduate Research

Clements Hall has occupied a central place on Southern Methodist University’s campus, both physically and socially, since the campus’ inception in 1915. Initially a women’s dormitory, it was later used by men after the construction of the Virginia and Snider dormitories. It included a dining space, a kitchen, and apartments for President Hyer and his family. In its time as a residential building, it housed engineering students, the football team, and briefly members of the Navy V-12 program. After complaints in the late 1950s, plans were made to renovate the building for use as classrooms and administrative space, offering services …

Speculations On Structures Once Near The Site Of Lemon Hall, Terry L. Meyers

Arts & Sciences Articles

"One of the most intriguing views of Williamsburg in antebellum days depicts a series of large and small structures along Jamestown Road, roughly between where Barrett Hall and Lemon Hall stand today.

Made between 1859 and 1862 by James Austin Graham (1814/15-1878), the panorama presents Williamsburg as viewed roughly from where the law school is today and sweeps along the entire southern edge of town, from the Capitol on the east to, on the west, about the site of the College’s Lemon Hall..."

Somewhere Between Distance And Intimacy: Vija Celmins In California 1962-1981, Jessie Lebowitz

Theses and Dissertations

During her nineteen years spent in California (1962-81), the young Vija Celmins formulated a distinct landscape informed by California’s physical topography as well as the stylistic and materialistic advances resulting from the city’s newfound cultural awakening. With an intimate technical application, Celmins engages viewers with the spatial and optical facets of desert, sea, and sky.

The Public And The Personal: Mapping The Nyc Subway System As An Urban Memoryscape, Soledad O. Tejada

Library Map Prize

No abstract provided.

Foster Rhodes Jackson And The Visual Conquest Of The West, Eve Kaufman

Scripps Senior Theses

Colonizers settled the Los Angeles and the Southern California region in part by using Modernism’s visual rhetoric and propagandic implications during the time of suburban sprawl. Suburban sprawl refers to the mass single family home development which took place from the 1920^[1]s until now but peaked from the 1970s to the 1990s. Los Angeles sprawl grew particularly in the 1950^[2]s as soldiers returned from WWII. It was a way for middle class white families to accrue generational wealth and follow through on the American Dream^[3].

The primary result however disenfranchised already marginalized groups. This …

Embedded: The Bed As An Art Object, Maya Annika Teich

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.

Some Notes On Congruency, Ryan J. Rusiecki

Senior Projects Spring 2020

Some Notes on Congruency is an examination of the seemingly arbitrary methods in which the built environment facilitates order among its inhabitants (eg., parking lot striping, roadway signs). Asphalt fissures observed at the main intersection in Red Hook, NY were used as a starting off point for making the photographs contained within this book. A lens with a focal length that closely resembles the range of human vision was used to communicate the experience of discovering fissures from my perspective as a pedestrian and motorist. I was most captivated by temporal, subtle fissures, such as the replanting of flower beds …

The Business Of 19th Century American Landscape Paintings: A Case Study Of The Connection Between Art History And Economics, Claire Di Meglio

Scripps Senior Theses

This thesis explores the economic incentives of both businessmen and artists who shared a mutual interest in the business of producing 19th century American landscapes paintings.

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer

College of Arts & Sciences Senior Honors Theses

Photography’s power in capturing a moment in history is indisputable, but inevitably flawed. Assumptions of objectivity and truth are made that do not count for the bias of the photographer, or the bias of the viewer. These assumptions do not explain the warped effect of freezing life at a fraction of a second. Information is left outside the frame; stories are fragmented in their retelling. Certain historical photographs have become iconic over time. My interest lies in images of American battle, violence, and trauma; those that have political and propagandic weight. Coded, controversial, and inherently emotional, these photographs have become …

Arth 1104 Art Of The Us, Syllabus, Fall 2019, Martha Hagood

Open Educational Resources

No abstract provided.

Economic Provenance: The Financial Analysis Of Art Historical Records, Amy C. Whitaker

Journal of Contemporary Archival Studies

The Leo Castelli Gallery launched pivotal mid-twentieth-century artistic careers, including those of Jasper Johns and Robert Rauschenberg. Although well-studied for its artistic impact, the Castelli archives—as well as those of other gallery artists such as Frank Stella and early collectors such as Burton and Emily Hall Tremaine—include a curious trove of artists’ financial records and related correspondence. This paper argues that these records form an “economic provenance” that is important both to both art market analysis and art history. This economic context is sometimes overlooked because of the contested relationship between art and markets. In this context, the archive can …

Sanaugavut: Art From Kinngait, Nakasuk Alariaq

Electronic Thesis and Dissertation Repository

“Sanaugavut: Art from Kinngait” explores 20^th century Inuit art from an Inuk’s perspective to highlight the work Inuit participants contributed to in the development of commercialized art production in the North. The author Nakasuk Alariaq is from Kinngait (Cape Dorset) and is the first Inuk graduate student at Western University to be offered space within the university’s formal settings to curate an Inuit art exhibition. This exhibition and thesis go hand in hand and are therefore very important to advocates of Indigenous self-representation in academia and in galleries. The exhibition “Sanaugavut: Art from Kinngait” was …

Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti

Electronic Thesis and Dissertation Repository

This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.

This research has taken the form of a written dissertation and two adapted projects, and positions …

Westward Empire: George Berkeley’S ‘Verses On The Prospect Of Planting Of Arts’ In American Art And Cultural History, Elizabeth Kiszonas

Graduate Theses and Dissertations

This study investigates the extraordinary half-life of a single line of poetry: “Westward the Course of Empire takes its Way…”. Beginning with their composition in 1726 by the Irish- Anglican bishop George Berkeley, these words colonized an enormous swath of cultural landscape over nearly two centuries. Immortalized in newsprint, broadsides, statesmen’s speeches, reading primers, geographies, the first scholarly history of the United States, as well as in poetry, paintings, lithographs, and photographs, the words evolved from an old-world vision of prophetic empire into a nationalist slogan of manifest destiny. Following the poem as it threads through literary and visual culture, …

Liberty And Justice For All?: Female Portraiture In The Age Of The Early American Republic, Mary Grace Day

Art Journal

No abstract provided.

Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook

School of Information Student Research Journal

No abstract provided.

Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, Gina M. Granter

The Goose

Teview of J. Keri Cronin's Art for Animals: Visual Culture and Animal Advocacy, 1870-1914

The Making Of Cleveland’S Artist: The Aesthetic And Cultural Politics Of Boundary Crossing In The Industrial Landscape Paintings Of Carl Gaertner, 1923 - 1952, April N. Johnston

Arts & Sciences Electronic Theses and Dissertations

ABSTRACT

The Making of Cleveland’s Artist: The Aesthetic and Cultural Politics of Boundary Crossing in the Industrial Landscape Paintings of Carl Gaertner, 1923 – 1952

by

April Johnston

Master of Arts in American Culture Studies

Washington University in St. Louis, 2019

Dr. Iver Bernstein, adviser

In 1923 Carl Gaertner captivated jurors at the Cleveland Museum of Art’s annual competitive May Show with a painting of a local bolt factory titled Up the River at Upson’s. What made the painting so arresting was its rendering of the elements of factory, nature, and the human spaces that mediated between them, as …