Finding Addison Mizner: His Scrapbook Testimony, 2014 Univerisity of Nebraska Lincoln
Finding Addison Mizner: His Scrapbook Testimony, Suzanne B. Kane Asid
Theses from the Architecture Program
Through historic archival research, this study focuses on the works of Florida architect Addison Mizner (1872-1933), credited with bringing Spanish/Mediterranean Revival architecture to Palm Beach, Florida in the early 20th century. This thesis is the first to study the works of Mizner through the perspective of his personal scrapbooks. In a state of advanced deterioration, Mizner’s scrapbooks are currently housed in Society of the Four Arts, King Library in Palm Beach, Florida. While a rare and treasured source of their own accord, the importance of the scrapbooks is elevated by the fact that many of Mizner’s ...
Method And Meaning: Selections From The Gettysburg College Collection, 2014 Gettysburg College
Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon R. Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik
Schmucker Art Catalogs
What is art historical study and how it should be carried out are fundamental questions the exhibition Method and Meaning: Selections from the Gettysburg College Collection intends to answer. This student-curated exhibition is an exciting academic endeavor of seven students of art history majors and minors in the Art History Methods course. The seven student curators are Shannon Callahan, Ashlie Cantele, Maura D’Amico, Xiyang Duan, Devin Garnick, Allison Gross and Emily Zbehlik. As part of the class assignment, this exhibition allows the students to explore various art history methods on individual case studies. The selection of the works in ...
Ken Jacobs, Alchemist, 2014 McGill University
Ken Jacobs, Alchemist, Ara C. Osterweil
Optic Antics: The Cinema of Ken Jacobs edited by Michele Pierson, David E. James, and Paul Arthur. Oxford: Oxford University Press, 2011. Pp. 312; 48 photographs. $99.00 cloth, $39.95 paper, 26.99 E-book.
Historic United Methodist Churches And Places In South Carolina, 2014 Wofford College
Historic United Methodist Churches And Places In South Carolina, James A. Neal
This is the second printing of this book. The first was by Eastside Printing, Columbia, SC in 2010. The author plans on a second edition sometime in the future that would include a section on churches of historical significance not in this edition. This reprint is the same as the original except for correcting an address, removing two pictures that lacked clarity and changing the cover page. The author is a native of Lancaster, S.C. He received his undergraduate degree from Wofford College, a Master of Criminal Justice degree from the University of South Carolina, and is only a ...
Salvaging Print: Letterhead In Post-Industrial Urban America, 2014 Loyola University New Orleans
Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins
The Mid-America Print Council Conference
This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.
Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities ...
Trying And Failing: What Do Artists Know About Innovation And The Global Economy?, 2014 La Salle University
Trying And Failing: What Do Artists Know About Innovation And The Global Economy?, Catherine Holochwost Phd
No abstract provided.
Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, 2014 Seton Hall University
Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, Meaghan O'Connor
Seton Hall University Dissertations and Theses (ETDs)
New York City's most recognizable museums like the Metropolitan Museum of Art and the American Museum of Natural History came to prominence in the second half of the nineteenth century thanks to the support of wealthy benefactors. At the same time, social reformers, mostly Protestant and middle or upper-class, were combating the vice and poverty that they saw in the diversifying city with a moralizing rhetoric of character building. This paper will show that these two movements, the rise of Philanthropic Museums and the Social Reform movement were connected and that the large temple-like museums that thrive to this ...
Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, 2014 Minnesota State University, Mankato
Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert
Journal of Undergraduate Research at Minnesota State University, Mankato
The Black Power Movement found its beginning in the late fifties with sit-ins and freedom rides, which conveyed a new racial consciousness within the black community in the United States. However, these initial forms of protest were non-violent. The civil rights movement did not see a great deal of violence until nineteen sixty five when Huey P. Newton and Bobby Seale founded the Black Panther Party. Through the pages of the Party's newspaper the Black Panther, resident artist Emory Douglas used his drawings to persuade action and vengeance. His work is similar in style to the work of Pop ...
Liminal River: Art, Agency And Cultural Transformation Along The Protohistoric Arkansas River, 2014 University of Arkansas, Fayetteville
Liminal River: Art, Agency And Cultural Transformation Along The Protohistoric Arkansas River, Leslie Walker
Theses and Dissertations
For nearly a century, ceramic vessels looted from Protohistoric Native American Graves in the Central Arkansas River Valley have raised questions about the ethnic identity of the inhabitants of the region and their relationship to their neighbors in time and space. This analysis combines careful documentation of 1198 of these vessels with excavated sherds and other data from the Carden Bottoms site (3YE0025) and adjacent rock art sites in the Arkansas River Valley to provide a context for these vessels and, in so doing, defines the Dardenne Style of artistic production. Comparing motifs, and the manner in which they are ...
Block 271, Reviving An Industrial Artifact, 2014 University of Tennessee - Knoxville
Block 271, Reviving An Industrial Artifact, Jared Thomas Pohl
Vacant industrial sites are scattered throughout our cities all across the country. These sites, these remnants of industry, are occupied by a very interesting category of buildings. They are artifacts from an industrial era that served very unique and specific functions. These service buildings suffered programmatic failure and have lost their vitality. They have entered a form of hibernation, waiting for the post-industrial epoch to wake them up.
The building stock under investigation makes up a large portion of the city’s structures. Identifiable by their heroic scale, clean articulated lines and tendency to be vacant, these service buildings raise ...
Robert Smithson In Space: Science Fiction In The Gallery And Beyond, 2014 University of Colorado Boulder
Robert Smithson In Space: Science Fiction In The Gallery And Beyond, Alexander Jon Creighton
Art History Theses & Dissertations
In the mid to late 1960’s and throughout the 1970’s many contemporary American artists mounted critical attacks on the art world, shaking up long-held beliefs and inciting heated conversations still being addressed today. The arguments offered during this time questioned the relevance of modernist criticism and modernist institutions such as the gallery and the museum. Important artistic personalities interested in finding and creating new pathways out of modernist frameworks arose as a result of these discussions and contributed to the wide diversification of artistic practice prevalent during this time.
One such artist heavily involved in the shaping of ...
To Drip Or To Pop? The European Triumph Of American Art, 2014 Purdue University
To Drip Or To Pop? The European Triumph Of American Art, Catherine Dossin
This paper considers the so-called triumph of American art from the perspective of what Western Europeans could actually see and know of American art at the time. Relying on a database of exhibitions, purchases, and publications of American art in Western Europe from 1945 to 1970 created in the framework of Artl@s, it reconstructs the precise chain of events and circulations that marked the dissemination and reception of American art in Europe. It consequently draws a more refined and complex understanding of postwar artistic exchanges out of the entangled historical perspectives of the European peripheries, which challenges the retrospectively ...
Paiting, 2014 Washington University in St Louis
Paiting, Lucas Page
My work is motivated by the painting “as such” – as an inquiry into and intervention upon what constitutes a painting, how they are constructed, how they function, etc. Through an investigation of painting as a genre, both in its historical canon and contemporary forms, I deconstruct the formal and cultural elements surrounding the field. Four major axes serve as the basis for my inquiry and intervention of painting: Painting, Abstraction, Representation, Control. Taking as a point of departure the comment, “Your work is a representation of abstraction,” I aim to figure out how “the painting” (in all of its many ...
A "Peculiarly American" Enthusiasm: George Bellows, Traditional Masculinity, And The Big Dory, James W. Denison Iv
A “Peculiarly American” Enthusiasm: George Bellows, Traditional Masculinity, and The Big Dory investigates the portrayal of masculinity in the oeuvre of the much-lauded yet enigmatic American painter George Bellows (1882-1925). Rather than relying on Bellows’ urban works for source material, a significant portion of this investigation is conducted via a case study of Bellows’ 1913 panel The Big Dory, a scene of fishermen pushing a boat into the North Atlantic off Monhegan Island, Maine that the artist painted during a sojourn on the island in the months after his involvement in the landmark Armory Show in New York. The paper ...
Women Of The 1913 Armory Show : Their Contributions To The Development Of American Modern Art., 2014 University of Louisville
Women Of The 1913 Armory Show : Their Contributions To The Development Of American Modern Art., Jennifer Pfeifer Shircliff 1954-
Electronic Theses and Dissertations
This dissertation is the first comprehensive study of women’s involvement in the 1913 Armory Show as financial backers, art collectors, and artists. The Association of American Painters and Sculptors organized this seminal exhibition, which represents a pivotal change in the course of artistic developments in the early twentieth century. For the first time in American history, the public could view contemporary works of art created by both Europeans and Americans in a huge exhibition. Due to the new abstract work on display, the show sparked controversy and debates about art and challenged both American artists and collectors to reconsider ...
Constructions Of Black Identity In The Work Of Glenn Ligon And Kara Walker, 2014 University of Nebraska-Lincoln
Constructions Of Black Identity In The Work Of Glenn Ligon And Kara Walker, Shadé R. Ayorinde
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
In this thesis I reference artworks and installations by Glenn Ligon and Kara Walker, as well as contemporary mass media images, to offer a reading of various constructions of black identity in the 1990s and into the 21st century. I specifically note the continuation of social biases against black bodies, which in large part stems from historical conditions of 19th century America and the lingering legacy of slavery. I also address how the absence or implied absence of the black male body, as referenced in works by both Ligon and Walker, relates to contemporary social conditions in which ...
Millard Sheets Art In Beverly Hills, 2014 Manhattan College
Millard Sheets Art In Beverly Hills, Adam Arenson
Millard Sheets led a dynamic studio of artists who created memorable art for Home Savings and Loan and other businesses throughout southern California. This video tells the story of Sheets's vision, Howard Ahmanson and Hernando Courtright as his patrons, and the meaning of this artwork for generations of residents and visitors to Beverly Hills.
Jackson Pollock: The Critical Reception, 2014 Trinity College
Jackson Pollock: The Critical Reception, Elizabeth Heimann
Senior Theses and Projects
No abstract provided.
Serpentine Imagery In Nineteenth-Century Prints, 2014 University of Nebraska-Lincoln
Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based ...
Notation And Memorandum: Special Artists And Their Portrayal Of The American Civil War, 2014 Gettysburg College
Notation And Memorandum: Special Artists And Their Portrayal Of The American Civil War, Bryan G. Caswell
The Gettysburg Compiler: On the Front Lines of History
As the first war to see the extensive use of photography, the American Civil War was brought home to civilians in hundreds of photographs portraying camp life or the aftermath of battles. Due to the nature of nineteenth century photography as well as safety concerns, however, photographers were not able to capture scenes of actual combat for their viewers. This task fell instead to men known as Special Artists or “Specials,” hired by the illustrated periodicals of the day to travel with the armies and sketch all manner of events associated with the military, including battles as they progressed. [excerpt]