French and Francophone Language and Literature Commons^™

Le Mythe Comme Patrie Littéraire De L’Écrivain Migrant, Erika Mandarino

Vernacular: New Connections in Language, Literature, & Culture

L’écrivain migrant contemporain tente d’accéder à la reconnaissance dans la littérature-monde en français, et ceci dépend grandement de la décentralisation de la littérature française nationale. Étant un migrant politique, professionnel, issu d’une diaspora ou autre, l’écrivain, coupé de ses racines nationales, renonce à sa patrie et écrit à partir d’un espace situé entre-deux cultures. Ici, l’identité de l’individu surpasse l’identité culturelle. Les psychologues s’accordent à dire que les mêmes mythes se retrouvent à la base du subconscient collectif de chaque culture ; le mythe représente donc un lieu commun auquel l’écrivain migrant peut s’ancrer. Grâce à quelques exemples, nous verrons …

La Ciudad Como Espacio De La Marginalidad: Un Acercamiento Crítico A Un Oso Rojo, Mariana Pensa

South East Coastal Conference on Languages & Literatures (SECCLL)

Nos proponemos realizar un análisis del film argentino Un oso rojo (2002, dirigido por Israel Adrián Caetano). Un punto de entrada para el análisis nos remite al concepto mismo de lo que es una ciudad, tal como Lewis Mumford lo expone en su canónico artículo “What is a city?”. Si la ciudad se constituye, al decir de Mumford, en espacio simbólico de “unidad colectiva”, en donde los hombres realizan sus actividades mas “útiles”, las preguntas a las que nos llevan estos conceptos serán ¿cuál es el estatuto de una ciudad recorrida por la violencia? ¿Cómo el espacio refiere y significa …

Seccll Conference Program 2018, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

Conference Program

Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella

LSU Doctoral Dissertations

This dissertation seeks to create a literary dialogue among the Italian poet Giuseppe Ungaretti, the African American author Langston Hughes, and the Quebecois writer Antonio D’Alfonso. Giuseppe Ungaretti and Langston Hughes were more or less contemporaries. Ungaretti was born in 1888 and Hughes in 1902, and both were active in modernist movements that shaped the literary history of their own countries. D’Alfonso was born in Canada about half a center after Ungaretti and Hughes. Besides significant generational differences, these three authors also underwent personal and intellectual experiences that shaped their writing in seemingly incomparable ways. While a traditional comparative approach …

Drama As Dream: Sophoclean Tragedy And The Cult Of Asclepius, Molly C. Mata

Foreign Languages & Literatures ETDs

This thesis explores tragic drama as a corresponding ritual to the incubation ritual in the cult of Asclepius and theorizes that this ritual is psychologically cathartic and healing. I argue that in Ajax and Philoctetes, Sophocles marks this cathartic ritual through nosological language, setting, and social context. In my first chapter, I explore Sophocles’ use of the language of madness (mania) and illness (nosos) in Ajax to show the exacerbation of the audience’s psychological state. Next, I show that catharsis is achieved through the negotiation and subsequent burial of Ajax. In my second chapter, I argue that Sophocles uses both …

Negotiation And The Construction Of Intimacy In The Letters Between Fronto And Marcus Aurelius, Sarah C. Keith

Foreign Languages & Literatures ETDs

This project analyzes the letters between Marcus Cornelius Fronto and his student Marcus Aurelius as works of literature, rather than merely sites for historical mining. The letters, I argue, contain carefully constructed tropes of rhetoric and feature intentional polish that serve as opportunities for discussion about the virtues of philosophy and rhetoric during the Second Sophistic. Topics of discussions between both parties range between the imagery of sleep, and intimate spaces, like bedrooms, to substantive allusions to Plato’s philosophy and his dialogue Phaedrus. By looking beyond the identification of concrete names and dates to the literary, referential, and personal world …

Joe's Laundry: Using Critical Incidents To Develop Intercultural And Foreign Language Competence In Study Abroad And Beyond, Tama L. Engelking

World Languages, Literatures, and Cultures Faculty Publications

The development of intercultural competence and foreign language skills in study abroad and the foreign language (FL) classroom is often seen as an either/or proposition due to lack of time, training or the availability of materials in the target language. The Critical Incident method (CI) provides an example of an intercultural training tool that can link these competencies in ways that are developmentally appropriate for the FL and IC levels of the students. This method uses authentic intercultural mishaps to develop critical thinking skills as students reflect on the cultural values and attitudes underlying the experience. Drawing on research in …

Amjambo Africa! (April 2018), Kathreen Harrison

Amjambo Africa!

Welcome to Amjambo Africa! Welcome to Amjambo Africa! We are Maine’s free newspaper for and about New Mainers from Sub-Saharan Africa.

Amjambo Africa! is here to help New Mainers thrive and to help Maine welcome and benefit from our new neighbors.

Amjambo Africa! will serve as a conduit of information for newcomers as they navigate life in Maine.

Amjambo Africa! will include background articles about Africa so those from Maine can understand why newcomers have arrived here.

Amjambo Africa! will profile successful New Mainers from Sub-Saharan Africa in order to give hope to those newly arrived as well as make …

L’Étranger À Travers L’Arabe: Meursault Contre-Enquête De Kamel Daoud Comme Relecture Postcoloniale D’Albert Camus, Carlos Gonzalez

Senior Theses and Projects

In this paper, I discuss the problem of naming and namelessness in Albert Camus’ The Stranger and in Kamel Daoud’s The Meursault Investigation as a way to explore postcolonial discourse surrounding names as a form of othering. In The Stranger, Camus chooses not to name the Arab that falls victim to Meursault, thereby setting into motion the narrative of The Meursault Investigation by Daoud, which acts as a retelling and response to Camus’ work. I argue that Camus’ decision not to name the victim, preferring instead to label him the Arab throughout the story, is a fundamentally orientalist act …

Perceptions Concurrentes De La Liberté Chez Sartre Et Camus Dans Le Théâtre Existentialiste, Kendall Hall

Senior Theses and Projects

This thesis compares two existential writers, Jean-Paul Sartre and Albert Camus, and their perception of freedom through the medium of theatre. By comparing two plays written around the same time period, Caligula (1944) and Huis Clos (1944), and by examining aspects of theatre including the “mise en scène,” stage direction or action, and the voice of the actors, I show how their greatest point of contention is their definition of freedom and how they set up artificial situations (“situations-limites”) to articulate human freedom. Through a variety of supporting materials including theoretical texts by the two authors and secondary sources …

Une Voix « Dans L’Abîme De Sel » : Le Narrateur De L’Amour De Duras, Sophie Prince

Senior Theses and Projects

No abstract provided.

Les Poe-Ètes Maudits: Baudelaire, Mallarmé, Et La Compétition Pour Le Legs De Poe, Emily Turner

Senior Theses and Projects

In this essay, I examine two French translations of Edgar Allen Poe’s poem “The Raven”—the 1865 translation by Charles Baudelaire and the 1875 translation by Stéphane Mallarmé, which is accompanied by a series of illustrations by impressionist painter Édouard Manet. I argue that through their translations of “The Raven”, these two French poets enter into a competition not only with Poe, but also with each other. I find evidence of this competition in the translations themselves and also in the extra-textual content that supplements each translation. My argument is informed by secondary scholarship surrounding Poe, Baudelaire, and Mallarmé and by …

La Star De Football, Nicholas Khoury

Honors Program Contracts

A short fable in French that incorporates vocabulary and lessons learned throughout the semester.

“Books Like This Cannot Be Useless”: The Political And Popular Reception Of Victor Hugo’S Les Misérables In Civil War America, Emily S. Turner

Senior Theses and Projects

Senior thesis completed at Trinity College for the degree of Bachelor of Arts in English.

Hugnet, Georges, La Vie Amoureuse Des Spumifères ... The Love Life Of The Spumifers, Cosana Eram

Cosana M. Eram

No abstract provided.

“Lost In Translation”?: Tristan Tzara’S Non-European Side, Cosana Eram

Cosana M. Eram

No abstract provided.

The Beholder, Allan Lake

Landscapes: the Journal of the International Centre for Landscape and Language

A poem on the effect of landscape on the emotions.

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

Alternate Facts And Reality Effects In Antoine Bello’S Roman Américain, Jennifer Willging

Studies in 20th & 21st Century Literature

Like several of Antoine Bello’s eight other novels to date, Roman américain contains a staggering array of minute details, which includes the names of dozens of fictional characters, businesses, associations, institutions, locations, and publications. These fictional proper nouns are intertwined throughout the novel with dozens of real ones, and this promiscuous intermixing contributes to the careful construction of a fictional world that rivals the real one in all its complexity. In this essay I examine Bello’s masterful production in Roman américain of verisimilitude, which he creates largely but not exclusively though his exploitation of the documentary fiction genre. I then …

Courtney Sullivan. The Evolution Of The French Courtesan Novel: From Chabrillan To Colette. London: Palgrave Macmillan Publishers, 2016., Zoe Petropoulou

Studies in 20th & 21st Century Literature

Review of Courtney Sullivan. The Evolution of the French Courtesan Novel: From Chabrillan to Colette. London: Palgrave Macmillan Publishers, 2016. ix +127pp.