Photograph Of Connor Walsh, Houston Ballet, 2010,
2017
Nova Southeastern University
Photograph Of Connor Walsh, Houston Ballet, 2010, Steven Caras
be Still
No abstract provided.
Outer Mongolia,
2017
Nova Southeastern University
Photograph Of Enrique Brown, Ballet Oklahoma, 1997,
2017
Nova Southeastern University
Photograph Of Enrique Brown, Ballet Oklahoma, 1997, Steven Caras
be Still
No abstract provided.
Eagle Hunters,
2017
Nova Southeastern University
Mongolian Hunter,
2017
Nova Southeastern University
Outer Mongolia,
2017
Nova Southeastern University
A Man And His Eagle,
2017
Nova Southeastern University
French Man,
2017
Nova Southeastern University
New Orleans,
2017
Nova Southeastern University
Untitled,
2017
Nova Southeastern University
Untitled, Janie Packer
be Still
My work is mostly improvisational. When I step back and look at what I’ve made, it’s not until that moment that I know what the piece means. I am at a loss for words to express how I am impacted by each of my creations. Every individual will draw their own conclusions when they see my sculptures for the first time.
My Father's Hands,
2017
Nova Southeastern University
Sidney Roseman And Daughter Janet,
2017
Nova Southeastern University
Sidney Roseman And Daughter Janet, Janet Lynn Roseman-Halsband
be Still
No abstract provided.
Volume 2, Issue 1,
2017
Nova Southeastern University
Art Infested Water, January 2017,
2017
Nova Southeastern University
Art Infested Water, January 2017, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927),
2017
Chapman University
Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond
Art Faculty Books and Book Chapters
"Kondakov’s magnum opus [The Russian Icon] failed to win an audience. Though it appeared just in time for a surge of popular interest in Russian icons abroad, it never became the book of choice for the English-speaking public seeking a guide through the ‘dark forest’ of the icon’s history... My chapter offers some suggestions for why this crude caricature of Kondakov’s work took hold in the 1920s and became axiomatic throughout the Soviet period. In particular, it considers the role that Minns’s translation may have played, however inadvertently, in cementing this impression. Minns’s interventions in and framing of …
Ultimate Witnesses - The Visual Culture Of Death, Burial And Mourning In Famine Ireland, Extract,
2017
Technological University Dublin
Ultimate Witnesses - The Visual Culture Of Death, Burial And Mourning In Famine Ireland, Extract, Niamh Ann Kelly
Books/Book Chapters
No abstract provided.
Ryan Roa: It's Complicated,
2017
Seton Hall University
Ryan Roa: It's Complicated, Ryan Roa
Exhibition Catalogs
Catalog for the exhibition Ryan Roa: It's Complicated held at Seton Hall University Walsh Gallery, October 16 - December 8, 2017. Curated by Jeanne Brasile.
Rise.,
2017
Seton Hall University
Rise., Patricia Cazorla, Nancy Saleme, Sherezade Garcia, Jay Lee Hayoon, Mona Saeed Kamal, Käthe Kollwitz, Diana Kurz, Jc Lenochan, Liliya Lifanova, Alen Macweeney, Gregory Sholette, Peter Turnley
Exhibition Catalogs
RISE
Tuesday, September 5th – Friday, September 29th, 2017
Reception: Thursday, September 14th – 5pm to 9pm
Inspired by Kathe Kollwitz′s iconic etching from the Peasant War series, ″Outbreak from Bauernkrieg,″ this exhibition underscores the human condition. Taking queue from Kollwitz′s print, which depicts the effects of poverty, war and hunger on the working class, curators Emily Brostek and Claudia Preza bring together a group show of contemporary art works that dignify their subjects and depict triumph over oppressive socio-political conditions.
Works by: Patricia Cazorla & Nancy Saleme, Scherezade Garcia, Mona Saeed Kamal, Käthe Kollwitz, Diana Kurz, Hayoon Jay Lee, …
Re-Exploring My Identity As A Japanese Woman,
2017
Fumi Amano
Re-Exploring My Identity As A Japanese Woman, Fumi Amano
Theses and Dissertations
This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.
The Laureate, 16th Edition (2017),
2017
Western Michigan University
The Laureate, 16th Edition (2017)
The Laureate
Table of Contents
Dangle, Megan Murphy
Redamancy , Danielle Favorite
A Lesson, Mark Majcher
Sink in the Morning, Andrew Heuermann
Lie, Kaylie Hanson
Suffragette Colors, Tenley Sablatzkey
The Big Community, Jackson Freeman
Small Thing, Jared Sebastian
Untitled, Casey Grooten
The Diary of a Young Girl and Jeff Mangum, Andrew Heuermann
Prescribed Meaning, Ali Orlandi
An Open Letter to the Father Who was There, Amber Slack
Genesis and Chance, Austin Wines
The Morning Pachamama was Born, Megan Murphy
Her Black Braids Broke Down, Casey Grooten
Toes and Paint, Nick Alti
Rest, Maura Sands
Money is a Crime; Rape is a Personal …
