Late Postmodernism,
2020
University of Illinois in Chicago
Late Postmodernism, Nicholas Brown
CLCWeb: Comparative Literature and Culture
No abstract provided.
Sedimented Forms: Coming Back To Autonomy,
2020
Goldsmiths, University of London
Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Minimal Politics Of Autonomy,
2020
University of Warwick
The Minimal Politics Of Autonomy, Myka Tucker-Abramson
CLCWeb: Comparative Literature and Culture
No abstract provided.
Immanuel Kant’S Manifesto For Dad Rock,
2020
Williams College
Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne
CLCWeb: Comparative Literature and Culture
No abstract provided.
Genre’S Autonomy, Autonomy’S Genre,
2020
Goethe University, Frankfurt
Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer
CLCWeb: Comparative Literature and Culture
No abstract provided.
Admiring Autonomy,
2020
State University of Campinas (Unicamp)
Admiring Autonomy, Fabio Akcelrud Durão
CLCWeb: Comparative Literature and Culture
No abstract provided.
When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy,
2020
University of Illinois in Chicago
When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy, Elise Archias
CLCWeb: Comparative Literature and Culture
No abstract provided.
Aesthetics Today,
2020
Duke Univeristy
Aesthetics Today, Fredric Jameson
CLCWeb: Comparative Literature and Culture
No abstract provided.
Mapping Flat, Deep, And Slow: On The 'Spirit Of Place' In New Cinema History,
2020
University of New Hampshire - Manchester
Mapping Flat, Deep, And Slow: On The 'Spirit Of Place' In New Cinema History, Jeffrey Klenotic
Faculty Publications
This essay engages in a creative, heuristic, and reflexive consideration of the ‘localities’ of cinema audiences by exploring New Cinema History as a place. New Cinema History is conceptualised as a place continually produced in and through its interactions with the heterogeneous multiplicities of situated audiences and experiences of cinema that form the topoi of its landscape of inquiry. In reflecting on how this placialised landscape has been and might be represented, I argue that New Cinema History’s ‘spirit of place’ is most productive when rendered within a ‘splatial’ framework that draws upon practices of flat, deep, and slow ...
The Rise Of The Bentley And Broad War Boys: Converting Nascent Automotive And Computer Technologies Into Mainstream Sports,
2020
Canterbury Christ Church University
The Rise Of The Bentley And Broad War Boys: Converting Nascent Automotive And Computer Technologies Into Mainstream Sports, Amee Kim, Elton G. Mcgoun
Journal of Motorsport Culture & History
Although technology is an important aspect of every type of sport, only some sports are so dependent on technology that they could not exist without strong financial and technological contributions of other businesses seeing benefits in sponsoring teams. One such sport originated at the end of the 19th century: motorsports. Roughly a century later, another sport strongly dependent on technology started its rise: e-sports. To maintain interest in these sports, there continues to be a need to make the technology attractive to the general public. As e-sports’ popularity is soaring, it is of interest to reflect on which factors ...
Neorrealismo Y Cine En Cuba: Historia Y Discurso Entorno A La Primera Polémica De La Revolución, 1951–1962,
2020
Purdue University
Neorrealismo Y Cine En Cuba: Historia Y Discurso Entorno A La Primera Polémica De La Revolución, 1951–1962, Anastasia Valecce
Purdue University Press Book Previews
Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951–1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951–1962] examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The ...
Nomadland,
2020
Martin Luther University College, Waterloo, Ontario
Nomadland, Sherry Coman
Journal of Religion & Film
This is a film review of Nomadland (2020) directed by Chloe Zhao.
Penguin Films And The Environment: The Triumph Of Happy Feet And The Trouble With March Of The Penguins,
2020
Rhode Island College
Penguin Films And The Environment: The Triumph Of Happy Feet And The Trouble With March Of The Penguins, Alexander Tum
Friends of the Adams Library First Year Research Prize
Excerpt: "By portraying the existence of humans, emotionally influencing young viewers, and encouraging the audience to think about progressive solutions, Happy Feet does more to raise awareness on issues surrounding penguins and the environment than March of the Penguins . Although the objective of March of the Penguins is not to promote environmental consciousness, it squanders its valuable platform as a blockbuster film by ignoring the plights faced by the penguins it idealizes. If there is one thing that both Happy Feet and March of the Penguin s do well, it is that they compel audiences to reflect on our own ...
El Abrazo De La Serpiente O Un Mise-En-Scène Sin Fronteras,
2020
University of Colorado Boulder
El Abrazo De La Serpiente O Un Mise-En-Scène Sin Fronteras, Sandra Ortiz-València
South East Coastal Conference on Languages & Literatures (SECCLL)
El abrazo de la serpiente es una de las obras cumbre del cine latino americano que más reconocimiento internacional ha obtenido, pero ¿por qué el filme de Ciro Guerra fascinó a un público tan amplio y diverso, obteniendo premios en lugares tan alejados y dispares como Montreal o Yereván, por nombrar alguno? Esta presentación realiza un análisis en profundidad de la puesta en escena en El abrazo para explicar el lenguaje audiovisual con el que el filme de Ciro Guerra construye una narrativa cinematográfica alejada de las formas dominantes, pero habilitada para emocionar a audiencias de todo el mundo. Tomando ...
New World Triumph In Il Gattopardo,
2020
University of Miami
New World Triumph In Il Gattopardo, Daria Pietropaolo
The Macksey Journal
The end of the Risorgimento, a tumultuous period of Italian state unification culminating under the House of Savoy in 1861, represented a transition in Italian politics and identity. Before the Risorgimento, the Italian peninsula was a collection of kingdoms and competing political entities. As the country unified for the first time, the ruling aristocratic class became increasingly less powerful and relevant. Luchino Visconti's Il Gattopardo recounts the novel of Tomasi di Lampedusa, depicting this period in Italy's history by exploring the tension between the old, aristocratic class and new bourgeoisie class. Particularly, Visconti's development of the story ...
De La Gravure Scientifique À La Gravure Artistique : Le Burin De Pierre Lyonet Et De Cécile Reims,
2020
CGGG, Aix-Marseille Université
De La Gravure Scientifique À La Gravure Artistique : Le Burin De Pierre Lyonet Et De Cécile Reims, Hélène Laulan, Caroline Anthérieu-Yagbasan
The Goose
Comment l’image peut-elle nous faire habiter le monde ? Pour répondre à cette problématique, nous cherchons ici à interroger la tension peut-être trop tranchée entre images scientifiques et images artistiques, pour construire un questionnement ontologique sur l’image. Cette réflexion s’appuiera sur la pratique de deux graveurs, l'un dit « scientifique », et l'autre « artiste ».
Plastic Goes Concrete: "Plasticnic" And "Plasticpoems", Two Animated Poetry Videos About Plastic Pollution,
2020
Simon Fraser University
Plastic Goes Concrete: "Plasticnic" And "Plasticpoems", Two Animated Poetry Videos About Plastic Pollution, Fiona Tinwei Lam, Nhat Truong, Tisha Deb Pillai
The Goose
The author describes the creation of two short animated video poems about plastic pollution that originated in concrete/visual poems. "Plasticnic" is a humorous and colourful narrated video based on a shaped poem depicting how we enjoy nature while simultaneously harming it through plastic consumption. "Plasticpoems" is a text-based, unnarrated animated video poem about plastic pollution based on two shaped/visual/concrete poems.
The Video Camera Spoiled My Ethnography: A Critical Approach,
2020
CUNY New York City College of Technology
The Video Camera Spoiled My Ethnography: A Critical Approach, Katherine Gregory
Publications and Research
As videography and other media technologies are normalized in the field of qualitative methods for the purpose of data collection, there is a growing need to discuss the benefits and limitations of these data collection tools. This article chronicles an ethnographic video study focused on the experiences of Muslim adults living in the Netherlands, and why the author opted to end the project. Issues focus on reckoning with the imperial gaze of the camera, performative behavior of participants before the camera and interdisciplinary tensions the researcher faced from conflicting trainings as a qualitative methodologist and media practitioner.
Toward A Fluid Cinematic Spectatorship And Desire: Revisiting Laura Mulvey’S Psychoanalytic Film Theories,
2020
The University of Western Ontario
Toward A Fluid Cinematic Spectatorship And Desire: Revisiting Laura Mulvey’S Psychoanalytic Film Theories, Taylor Ashton Mcgoey
Electronic Thesis and Dissertation Repository
This thesis project re-evaluates Laura Mulvey’s film theories regarding psychoanalysis and the “male gaze,” first found in her essay “Visual Pleasure and Narrative Cinema” (1975). By re-evaluating the limitations of Mulvey’s use of the Freudian and Lacanian psychoanalytic model this project seeks to understand the desires and processes of identification of cinematic spectators who reject the ideological imperative of the “male gaze”. As many critics have noted, Mulvey’s initial examination of cinema does not account for LGBTQ+ spectators and/or black spectators who occupy looking relations that reject cis-normative and heteronormative white Hollywood cinematic conventions. From this ...
Irmgard Emmelhainz. Jean-Luc Godard’S Political Filmmaking. Palgrave Macmillan, 2019.,
2020
The Ohio State University
Irmgard Emmelhainz. Jean-Luc Godard’S Political Filmmaking. Palgrave Macmillan, 2019., Mackenzie Leadston
Studies in 20th & 21st Century Literature
Review of Irmgard Emmelhainz. Jean-Luc Godard’s Political Filmmaking. Palgrave Macmillan, 2019.
