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Diy Media: Movement Perspectives On Critical Moments, Produced By Mark Read. A Dvd Series From Deep Dish Tv (1988-2010), Martin Wallace 2010 University of Maine - Main

Diy Media: Movement Perspectives On Critical Moments, Produced By Mark Read. A Dvd Series From Deep Dish Tv (1988-2010), Martin Wallace

Library Staff Publications

This is part one of a two-part review of the DVD Series DIY Media: Movement Perspectives on Critical Moments, produced by Mark Read. This part of the review covers the following parts of the video series: Expression = Life – ACT UP, Video, and the AIDS Crisis; Many Yeses, One No – Confronting Corporate Globalization; and Resistencia Y Solidaridad – El Salvador, Colombia, and the U.S. Solidarity Movement. Both the technical quality of the series and its content are reviewed. The second part of this review, covering other parts of the series, was written by another …


Please Vote For Me = 請投我一票, Haitian, Elisabeth WANG, Xiaotang, Music YIN 2010 Lingnan University

Please Vote For Me = 請投我一票, Haitian, Elisabeth Wang, Xiaotang, Music Yin

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Chen Weijun (陳為軍)

Film Release Year: 2007


We Are The ... Of Communism = 我們是共產主義省略號, Mei Yee, June LAU, Hung SHENG, Tai Lun SUEN, Ching In YAN 2010 Lingnan University

We Are The ... Of Communism = 我們是共產主義省略號, Mei Yee, June Lau, Hung Sheng, Tai Lun Suen, Ching In Yan

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Cui Zi’en (崔子恩)

Film Release Year: 2007


Petition = 上訪, Camilla Solkaer BUSKOV, Sara Marie HOLLINGSHEAD, Michelle Adobea NTOW, Yetunde Jacqueline Apeke OLAGBAJU, Yi Chun, Aston LAW, Shota OKADA 2010 Lingnan University

Petition = 上訪, Camilla Solkaer Buskov, Sara Marie Hollingshead, Michelle Adobea Ntow, Yetunde Jacqueline Apeke Olagbaju, Yi Chun, Aston Law, Shota Okada

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Zhao Liang (趙亮)

Film Release Year: 2009


Secondary School = 中學, Yuen Shan, Stephanie CHOI, Sin Yu WAN, Yan Ping WONG 2010 Lingnan University

Secondary School = 中學, Yuen Shan, Stephanie Choi, Sin Yu Wan, Yan Ping Wong

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Cheung Tammy (張虹)

Film Release Year: 2003


In Search Of Lin Zhao's Soul = 尋找林昭的靈魂, Chiu Cheuk CHENG, Ching Man, Rachelle CHUEN, Wai Lan CHUNG 2010 Lingnan University

In Search Of Lin Zhao's Soul = 尋找林昭的靈魂, Chiu Cheuk Cheng, Ching Man, Rachelle Chuen, Wai Lan Chung

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Hu Jie (胡杰)

Film Release Year: 2004


All's Right With The World = 歌舞昇平, Ka Kit CHU, Suet Yi CHUNG, Man Man WONG, Po Yi YEUNG 2010 Lingnan University

All's Right With The World = 歌舞昇平, Ka Kit Chu, Suet Yi Chung, Man Man Wong, Po Yi Yeung

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Cheung King Wai (張經緯)

Film Release Year: 2007


Queer China = 誌同志, Lin, Faye CHEN, Chi Wing HO, Hui MA 2010 Lingnan University

Queer China = 誌同志, Lin, Faye Chen, Chi Wing Ho, Hui Ma

Nine must-see Chinese documentaries: worksheets for secondary schools

Film Director: Cui Zi’en (崔子恩)

Film Release Year: 2008


Between Text And Film: A Contextual Bifurcation In Feliz Ano Velho, Andrew M. Ray 2010 University of Tennessee - Knoxville

Between Text And Film: A Contextual Bifurcation In Feliz Ano Velho, Andrew M. Ray

Andrew M. Ray

The present study problematizes the results in character development due to differences in the use of historical and amorous contexts between the text, Feliz Ano Velho (1982), and its film adaptation, Feliz ano vehlo: uma adaptação livre da obra de Marcelo R. Paiva.


Film Review: Gran Torino And Star Trek, Adrienne D. Davis 2010 Washington University in St Louis

Film Review: Gran Torino And Star Trek, Adrienne D. Davis

Women, Gender & Sexuality Studies Research

Race has long been a central object of political reflection. The salience of racial difference remains hotly debated, figuring in both "utopian" and "dystopian" visions of America’s political future. If race is a primary configuration of "difference" and inequality in the nation, then intimacy between the races is often construed as either a bellwether of equality and political utopia or a re-inscribing of political dominance, typically represented as sexual predation by men against women. Quite expectedly, these political fantasies and fears are often played out at the multiplex, and we can see them in stark relief in two recent films …


Correspondences And Complementarity In Visual Music, Bill Alves 2010 Harvey Mudd College

Correspondences And Complementarity In Visual Music, Bill Alves

All HMC Faculty Publications and Research

Visual music is an art form that implies intermodal connections between the senses but which has historically often failed to identify aesthetically satisfying correspondences. Artistic success does not automatically emerge in one medium when its elemental characteristics are mapped to those of an existing work from another medium. I offer examples from my own abstract animations with music, which draw upon John Whitney's concept of complementarity, a more intuitive correspondence at a higher level of aesthetic qualities, that of stasis and dynamism or tension and resolution.


Through The Lens Of A "Branded Criminal": The Politics Of Marginal Cinema In India, Rashmi Sawhney 2010 Technological University Dublin

Through The Lens Of A "Branded Criminal": The Politics Of Marginal Cinema In India, Rashmi Sawhney

Books/Book chapters

Images of Adivasis (Indian tribal communities) being displaced by the building of industries and dams have been regularly flashing across our television screens for the last twenty years or so, yet, media scholars have shown very little interest in this constituency either as producers or as audiences. This chapter argues that, contrary to the mass media’s favourite stereotype of the forest-inhabiting ‘native’, India’s tribal communities exist in a complex constellation of modernities, both urban and rural, and that many of these communities have at least a nominal contact with media cultures. One such group, the Chharas of Ahmedabad, popularly branded …


A Political Economy Of Formatted Pleasures, Edward Brennan 2010 Technological University Dublin

A Political Economy Of Formatted Pleasures, Edward Brennan

Books/Book chapters

This chapter argues that, by promoting audience pleasures based in the pursuit of individual and materialistic goals, most television formats are consonant with a dominant orthodoxy which sees markets as the only way to organise society . This elective affinity between format pleasures and free market ideology, however, does not come about through deliberate design. Rather it is an unintended consequence of television production’s response to economic and practical necessity. In their form, content and production practices formats are pre-adapted to the demands of a globalised media market place. This commercial logic has given formats a peculiar signature in terms …


On The Appreciation Of Cinematic Adaptations, Paisley Nathan LIVINGSTON 2010 Lingnan University, Hong Kong

On The Appreciation Of Cinematic Adaptations, Paisley Nathan Livingston

Staff Publications

This article explores basic constraints on the nature and appreciation of cinematic adaptations. An adaptation, it is argued, is a work that has been intentionally based on a source work and that faithfully and overtly imitates many of this source's characteristic features, while diverging from it in other respects. Comparisons between an adaptation and its source(s) are essential to the appreciation of adaptations as such. In spite of many adaptation theorists' claims to the contrary, some of the comparisons essential to the appreciation of adaptations as such pertain to various kinds of fidelity and to the ways in which similar …


"Just A Girl": The Community-Centered Cult Television Heroine, 1995-2007, Tamy Burnett 2010 University of Nebraska at Lincoln

"Just A Girl": The Community-Centered Cult Television Heroine, 1995-2007, Tamy Burnett

Dissertations, Theses, and Student Research: Department of English

Found in the most recent group of cult heroines on television, community-centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. The second is their emphasis on communal heroic action that challenges traditional understandings of the hero and previous constructions of the cult heroine on television. Through close readings of Xena: Warrior Princess, Buffy the Vampire Slayer, Firefly, Dark Angel, and Veronica Mars, this project engages feminist theories of community and heroism alongside critical approaches to genre and narrative technique, identity performance theory, and visual media …


"Your Own Imagination": Vidding And Vidwatching As Collaborative Interpretation, Tisha Turk 2010 University of Minnesota Morris Digital Well

"Your Own Imagination": Vidding And Vidwatching As Collaborative Interpretation, Tisha Turk

English Publications

No abstract provided.


Remember The Titans, Historical Fact Or Fiction?, Amy S. Tate 2010 Old Dominion University

Remember The Titans, Historical Fact Or Fiction?, Amy S. Tate

OUR Journal: ODU Undergraduate Research Journal

In the late 1990s, screen writer Gregory A. Howard wrote a screen play called Remember the Titans, based on the true story of T.C. Williams High School in Alexandria, Virginia. Jerry Bruckheimer and Walt Disney Pictures bought the script based on the fact that it is a true story, but much of the film‟s content is fictional. Gregory Howard admitted to ESPN writer Jeff Merron that “he made some big assumptions when writing his script” (qtd. in Merron 5). Though the film is not entirely historically accurate, it is successful because it appeals to Americans through its intense emotional …


Research Report: Violence In Children’S Films, Ann Wheeler, Kristyn Birkeland 2010 Old Dominion University

Research Report: Violence In Children’S Films, Ann Wheeler, Kristyn Birkeland

OUR Journal: ODU Undergraduate Research Journal

The goal of this research is to find out if violence in children’s films has increased within the past five decades. In order to achieve this goal, 22 children’s films were given multiple reviews by college students, who carefully analyzed them using the same questionnaire. Using a simple random sampling method of research, films were chosen within clusters of decades and were analyzed using variables that depict violence. After collectively studying the results of the twenty-two children’s films, we discovered that violence in children’s films has increased over the past five decades.


Radio Broadcasting In Europe: The Search For A Common Digital Future, Brian O'Neill, Helen Shaw 2010 Technological University Dublin

Radio Broadcasting In Europe: The Search For A Common Digital Future, Brian O'Neill, Helen Shaw

Books/Book chapters

Europe’s radio is also characterised by a long history of being defined and driven by the state, in highly centralized fashion in the case of countries such as France (Meadel 1994), or indeed in former totalitarian regimes of Eastern Europe (Paulu 1974), and along more federal or devolved lines in countries such as Germany, Switzerland and the Netherlands (Kuhn 1985). The development of state broadcasting monopolies in most European countries, established in the early years of the twentieth century following the invention of sound broadcasting, has ensured that there is an enduring shared common ideological approach to radio broadcasting, which …


Ecos Góticos En La Novela Y El Cine Del Cono Sur, Nadina Estefania Olmedo 2010 University of Kentucky

Ecos Góticos En La Novela Y El Cine Del Cono Sur, Nadina Estefania Olmedo

University of Kentucky Doctoral Dissertations

Latin American literary criticism has traditionally underestimated the significance of the Gothic aesthetic, in spite of the rich Gothic literary tradition of Latin America. Specifically in the Southern Cone - the focus of my research - there is a particular recurrence and consumption of this genre, not only in literature but also in cinema, which has not been deeply analyzed. I argue that a close examination of the Gothic and Fantastic elements in these novels and films unveils anxieties, repressions and manifestations of social decay that underlie common codes of social decency and the conventions of maintaining an oppressive social …


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