Film and Media Studies Commons^™

História E Documentário No Cinema De Andrei Tarkóvski, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

In the article, the author discuses the Cinematic history and documentary of Andrei Tarkóvski.

The Russian Cinematic Culture, Oksana Bulgakova

Russian Culture

The cinema has always been subject to keen scrutiny by Russia's rulers. As early as the beginning of this century Russia's last czar, Nikolai Romanov, attempted to nationalize this new and, in his view, threatening medium: "I have always insisted that these cinema-booths are dangerous institutions. Any number of bandits could commit God knows what crimes there, yet they say the people go in droves to watch all kinds of rubbish; I don't know what to do about these places." The plan for a government monopoly over cinema, which would ensure control of production and consumption and thereby protect the …

Michele, The Husband, Michael C. Vocino

Technical Services Department Faculty Publications

A short story from an unfinished mystery novel involving scenes from an Italian-American life.

Portraying Migrants’ Experiences In Irish Documentary Film, Agnes Kakasi

Conference Papers

Portraying Migrants’ Experiences in Irish Documentary Film

In this presentation I critically analyse the types of narratives and formal characteristics, as well as the variety of social issues that filmmakers in the Republic of Ireland have engaged in, in creating stories about transnational migration and the immigrant subject in recent Irish documentary film. As a result of the Celtic Tiger economy from the mid-90s until 2008, Ireland has experienced a major transformation in its ethnoscape (Appadurai, 1996) by becoming a ‘country of immigrants’, with an estimated 12% of the population born outside the country. Through the analysis of such documentary …

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Faculty Publications

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …

Historical Realism And Imperialist Nostalgia In Terrence Malick’S The New World, Monika Siebert

English Faculty Publications

The promotional materials for Terrence Malick’s The New World (2005) devote considerable time to detailing the extraordinary effort of the production crew to recreate Werowocomoco, the capital of the Powhatan’s paramount chiefdom, and Fort James, the first surviving English settlement in Virginia, in the period from 1607 to 1617. The hour-long documentary on “The Making of The New World” accompanying the DVD release of the film, for example, chronicles the shared work of a research team of historians, archeologists, linguists, anthropologists, and members of Virginia tribes to represent as faithfully as possible Powhatan and English agriculture, architecture, language, and …

Border Bandits: Hollywood On The Southern Frontier (Book Review), Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Fojas begins the preface to her book with a reference to May 1, 2006, a date on which American workers recognized International Labor Day by boycotting their jobs and marching to reject a law that repressed undocumented workers at the same time that it proposed the construction of a wall along the whole 700-mile Mexican border. The author claims that this protest marked "a new era in the predicament of workers at the bottom of the labor market" (vii). For Fojas, this moment marks a new visibility for Latinos and immigrant communities.

It is against this historical and political horizon …

German Film And The Frankfurt School (Spring 2012), Robert D. Tobin

Syllabi

German Film and the Frankfurt School is an introduction to German cinema and media criticism. It will introduce students to important German films that have had a global impact, significant theoretical approaches to those films (especially those from the “Frankfurt School”), and the historical and cultural contexts in which these films and film theories arose. The class is cross-listed in German, Holocaust and Genocide Studies, and Screen Studies. It provides a survey of an important art-form in German cultural history. Although National Socialism, the Holocaust and the Second World War are not the only themes of the course, they are …

Illusionary Strength: An Analysis Of Female Empowerment In Science Fiction And Horror Films In Fatal Attraction, Aliens, And The Stepford Wives, Jennifer Lynn Ruben

Master of Humanities Capstone Projects

An expanded notion of empowerment along with three specific theories – Beauvoir’s concept of the Other, Speciesism, Cyborg Feminism – is used to analyze the female protagonists and antagonists in the following 1970’s and 1980’s science fiction and horror films: Fatal Attraction, Aliens, and The Stepford Wives. The female protagonists are allowed more access to power as human beings pitted against nonhuman antagonists, but these characters are ultimately not empowering for women because they reinforce rather than undermine the patriarchal structure. Implications for further research encourage a critique of female empowerment based on both gender and species.

Slumdog Millionaire: The Film, The Reception, The Book, The Global, Alpana Sharma

English Language and Literatures Faculty Publications

Danny Boyle's Slumdog Millionaire was the runaway commercial hit of 2009 in the United States, nominated for ten Oscars and bagging eight of these, including Best Picture and Best Director. Also included in its trophy bag arc seven British Academy Film awards, all four of the Golden Globe awards for which it was nominated, and five Critics' Choice awards. Viewers and critics alike attribute the film's unexpected popularity at the box office to its universal underdog theme: A kid from the slums of Mumbai makes it to the game show Who Wants to be a Millionaire and wins not only …

Sacrificio, Violencia Y Nación En Lituma En Los Andes De Mario Vargas Llosa, Cesar Valverde

Scholarship

No abstract provided.

Live From New York, It's The Fake News! Saturday Night Live And The (Non)Politics Of Parody, Amber Day, Ethan Thompson

English and Cultural Studies Journal Articles

Though Saturday Night Live's “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. Instead, the segment has been shaped by a series of hosts who made a name for themselves by developing distinctive comic personalities. In contrast to more politically invested contemporary programs, the genre of fake news on Saturday Night Live has been largely emptied to serve the needs of the larger show, maintaining its status as just topical, hip, and unthreatening enough to attract celebrities and politicians, as well …

Una Entrevista Con Mar González, Mayo, 2012, Patricia Hart

School of Languages and Cultures Working Papers

En 2012 en Madrid, Mar González habló de sus comienzos en el mundo del sonido cinematográfico, como meritoria con Antonio Bloch, su labor en la publicidad, y del equilibrio entre familia y trabajo que ha establecido con su marido, Aitor Berengeur, conocido especialista en el sonido cinematográfico. Comenta la profesionalidad con el sonido de algunos actores consagrados como Charo López y Pepe Sancho, y de sus experiencias en el rodaje de Carne trémula, con Pedro Almodóvar.

English Translation:

In 2012, Mar González spoke about her beginnings in the world of film sound as an intern with Antonio Bloch, about …

Lloyd Alexander: A Film By Jared Crossley, Jared Crossley

Student Works

A 9:04 film about Lloyd Alexander "American Author, Pioneer, and the High King of Fantasy."

Feasting On Four Wheels, Mariel Patricia Rodriguez-Mcgill

Electronic Theses and Dissertations

The documentary film Feasting On Four Wheels explores the new wave of "gourmet" food trucks on the streets of Denver, Colorado. What started as a bigger movement across the country made its way to the Mile High city in 2010 and snowballed to the food-loving community portrayed during the summer of 2011. Interviews with food truck owners, a food truck fabricator and a blogger for DenverStreetFood.com, explore the nature of the movement and how its existence creates a feel of community and culture within the city. The evolution of street food history and the influence of new technology are also …

Opera And The Modern Culture Of Film: The Genesis Of Cinemopera, Its Intertextuality And Expansion Of Operatic Source Material, Yuell "Chuck" E. Chandler Iv

Theses and Dissertations--Music

The boundaries of opera, as in all art forms, are constantly being re-evaluated. This analysis examines one of the most recent developments in opera-the use of film as source material, and connections to the film world- through analyzing three operas: Austrian composer, Olga Neuwirth’s opera, Lost Highway, Chinese-American composer, Tan Dun’s opera, The First Emperor, and acclaimed American film composer, Rachel Portman’s opera, The Little Prince. Each of these works exemplifies the modern relationship of opera and film in different ways. To classify these newly film-influenced works, the term cinemopera is used in describing operas connected to …

Boys And Brokeback: American Attitudes Towards Gays, Todd Bruns

Faculty Research & Creative Activity

Movies, like television, literature and music, reflect a society’s standards, values, trends, and anxieties. The wave of alien invasion movies of the 1950s (Attack of the Flying Saucers, The Atomic Submarine, Invasion of the Body Snatchers and more) revealed the American psychological paranoia of the Cold War, just as numerous movies of the late 1970s/1980s that dwelt on Vietnam (Apocalypse Now, Coming Home, The Deer Hunter, etc.) demonstrated a collective attempt to come to psychological grips with the loss of that war. As standards shift movies can become embarrassing reminders of past social norms that make contemporary viewers justifiably uneasy: …

Boys And Brokeback: American Attitudes Towards Gays, Todd Bruns

Faculty Research & Creative Activity

Movies, like television, literature and music, reflect a society’s standards, values, trends, and anxieties. The wave of alien invasion movies of the 1950s (Attack of the Flying Saucers, The Atomic Submarine, Invasion of the Body Snatchers and more) revealed the American psychological paranoia of the Cold War, just as numerous movies of the late 1970s/1980s that dwelt on Vietnam (Apocalypse Now, Coming Home, The Deer Hunter, etc.) demonstrated a collective attempt to come to psychological grips with the loss of that war. As standards shift movies can become embarrassing reminders of past social norms that make contemporary viewers justifiably uneasy: …

Accelerated Culture: Exploring Time And Space In Cinema, Television And New Media In The Digital Age, Thomas J. Connelly

CGU Theses & Dissertations

This dissertation seeks to understand the impact of speed on the interrelation and the overlapping of the production and consumption of cinematic and televisual texts. It explores the immediacy of digital media and new economic processes, and how they are informing structures of perception, as well as lending themselves to new and different ways of seeing the moving image in the digital age. These visual expressions are evident in the changing perception of the long take; the increasing use of video gaming aesthetics and database narratives; new and variant forms of narrative and visual styles in television; and the speed …

Teaching Queer Cinema With Independent Media, Patricia White

Film & Media Studies Faculty Works

In lieu of an abstract, this is the article's introductory paragraph:

One of the most exciting dimensions of teaching film (and popular culture) is learning what students already know and then generating an informed and critical epistemology from the familiar. Teaching LGBT (lesbian, gay, bisexual, and transgender) representation in film and media presents rich opportunities to build on student familiarity — with such mainstream breakthroughs as Ang Lee’s Brokeback Mountain (2006) and Queer Eye for the Straight Guy (2003-07) — and to formalize the knowledge and challenge the assumptions that students have about LGBT history, lives, and struggles for representation. …