Film and Media Studies Commons^™

Vampirism, And The Visual Medium: The Role Of Gender Within Pop Culture’S Latest Slew Of Vampires, Kristopher Broyles

Journal of Dracula Studies

No abstract provided.

Cine, Producción Audiovisual Y Participación Politica En Centroamérica, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Si el cine y la fotografía son lenguajes altamente dependientes por su constitución tecnológica y su asociación a procesos industriales y de producción de mercancías, la historia de su desarrollo en Latinoamérica, y en especial en Centroamérica, confirma la enorme flexibilidad intrínseca a estos lenguajes, que les ha permitido ser reapropiados y reinventados de modo multifacético en la región. La presente Sección Especial de Istmo no. 20 presenta a las/los lectoras/es los trabajos de siete investigadores académicas/os expertas/os en estudios de cine, producción audiovisual y participación política en Centroamérica.

Estos trabajos basan su discusión en el reconocimiento de que la …

The Fear Of Castration And Male Dread Of Female Sexuality: The Theme Of The “Vagina Dentata” In Dracula, Laura Linneman

Journal of Dracula Studies

Bram Stoker’s Dracula reflects the Victorian fear of reverse colonization by the “Other” or the encroachment of the outsider on the British Empire as well as the repression of sexuality in Victorian England; however, there is one facet of the text that has never been fully explored: the inherent male fear of castration and feminine sexuality as well as its relationship to the “vagina dentata” motif. Furthermore, this dread of female sexuality has not been adequately explored in light of the novel’s historical context. Written during the rise of the New Woman, Stoker crafts a response to the increasing independence …

All In The Family: A Retrospective Diagnosis Of R.M. Renfield In Bram Stoker’S Dracula, Elizabeth Winter

Journal of Dracula Studies

No abstract provided.

True Blood: The Vampire As A Multiracial Critique On Post-Race Ideology, Nicole Rabin

Journal of Dracula Studies

No abstract provided.

Vamping Up Sex: Audience, Age, & Portrayals Of Sexuality In Vampire Narratives, Melissa Ames

Journal of Dracula Studies

No abstract provided.

Our Lady Of The Telegraph: Mina As Medieval Cyborg In Bram Stoker’S Dracula, Eric Brownell

Journal of Dracula Studies

No abstract provided.

Review Of Teaching Graphic Novels, By Katie Monnin, Susan Spangler

SANE journal: Sequential Art Narrative in Education

No abstract provided.

Rationale For Magneto: Testament, Brian Kelley

SANE journal: Sequential Art Narrative in Education

A rationale for teaching the graphic novel Magneto:Testament in secondary schools.

Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity, Yanjie Wang

Asian and Asian American Studies Faculty Works

This paper investigates the ways in which Ang Lee provides new insights into subject formation in his film Lust, Caution (Se Jie, 2007). In the paradigm of structuralism, the subject is defined, as well as confined, by the symbolic order or the dominant ideology. The puzzle therefore rests on how to explain the subject’s negotiation with its normative identity, its denial thereof, or even its subversion of said identity. In a close reading of the female protagonist’s subject formation in Lust, Caution, this paper acknowledges the power of ideology, specifically the power of its interpellative operation, in constructing a subject. …

Beyond Netflix And Tivo: Rethinking Hbo Through The Archive, Shayne Pepper

Communication, Media and Theatre Faculty Publications

As you read this, someone out there is writing an essay about HBO. We hear them every year at SCMS and NCA, and our inboxes continually receive the CFPs for edited collections on the series of the moment. Though this work is often important and insightful, it is true that as HBO approaches its forty-year anniversary much of this work has focused on the last ten years of programming – all but ignoring the first thirty. As we continually try to keep up with new content, we must not ignore the crucial history of HBO’s early years and all that …

Joanna Newsom Covers In The Blogosphere, Shayne Pepper

Communication, Media and Theatre Faculty Publications

Joanna Newsom’s 2004 album, The Milk-Eyed Mender, was released at a time when music blogs were reaching new levels of popularity within certain sections of music and online communities. During this time, songs from nearly every high profile indie rock release seemed to find their way onto music blogs (often, to the chagrin of the music industry, far before slated release dates). Newsom’s songs were no exception – she was often something of a hot topic on blogs like Stereogum, My Old Kentucky Blog, Brooklyn Vegan, Gorilla vs. Bear, and numerous others. Over a relatively short time these music blogs …

Towards An Ontology Of Bob Dylan, William J. Richardson

Research Resources

No abstract provided.

Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’, June-Ann Greeley

Philosophy, Theology and Religious Studies Faculty Publications

Memory is a journey of infinite possibility, a continuous passage through time and sense that offers each person an opportunity not merely to recall and to reflect on former occasions and previous experiences, but to reconsider and to reexamine the past as a guide, as instruction, for healthy individuation. Memory, then, can be understood to be the aggregate of experiential and emotional recollection that frames the essential ground in forming and realizing individual identity. Both Alexander Pope in his poem “Eloisa to Abelard” and Michel Gondry/Charlie Kaufman in the film “Eternal Sunshine of the Spotless Mind” offer portraits of individuals …

Se7en: Medieval Justice, Modern Justice, Valerie Allen

Publications and Research

No abstract provided.

A Study Of The Effect Of Economic Policies On The Domestic Film Market, Gyeoreh Lee

MPA/MPP/MPFM Capstone Projects

These days, the U.S. films’ market share in the world is almost 70 percent and many countries have devised various means, including import quota, screen quota, subsidy, and tax concessions to protect the domestic film industry by preserving local film’s market share against U.S. film domination. Retaining these policies has important symbolic reasons because market share of the domestic film is related to preserving each country’s cultural sovereignty. However, the effectiveness of the economic policies is murky. If the policies do not bring any advantageous effect to the domestic film industry, there is no rational justification for sticking with them. …

Tune In, Turn On: The Novel, The Family, And The Plug-In Drug, Kathleen Fitzpatrick

Pomona Faculty Publications and Research

This article, forthcoming (January 2010) in an online casebook from Dalkey Archive Press on Curtis White’s Memories of My Father Watching TV, explores the peculiar relationship between the novel and its representations of television, arguing that this novel significantly complicates the anxious representations that I explored in The Anxiety of Obsolescence, by focusing on the subversive potential that television presents within the family.

It's My Passion, That's My Mission To Decide, I'M Going Worldwide: The Cosmopolitanism Of Global Fans Of Japanese Popular Culture, Jinni Pradhan

Masters Theses 1911 - February 2014

This study examines the academic concept of pop cosmopolitanism—an interest in global popular culture that leads to start of a global perspective and provides an escape route out of the parochialism of local community/culture—as posited by Henry Jenkins in its lived, experienced context. The online English-speaking overseas fandom of the Japanese male pop idol talent agency, Johnny & Associates, framed as a community of pop cosmopolitans, serves a case study to evaluate this concept. These global fans demonstrate through their engagement with and investment in a form of Japanese popular culture that they are able to obtain a competency …

12 Eylül'Ü Konu Alan Filmlerde Karşı Anlatı Olarak Ses Ve Hafıza, Pelin Basci

World Languages and Literatures Faculty Publications and Presentations

During the last three decades, the 1980 military coup has acquired increased visibility in Turkish cinema. Films that treat the 1980 coup record two aspects of it as parts of a cinematographic narrative: some films explore the socio-political reasons behind the coup by capturing the period preceding the takeover, while others explore the human impact of the coup by capturing the period following it. Films in both groups interrupt the silence maintained by the official narrative about the coup, critique the justifications for military intervention, and expose the violence that was perpetrated in the name of the state.

The Warrior Women Of Transnational Cinema: Gender And Race In Hollywood And Hong Kong Action Movies, Lisa Funnell

Theses and Dissertations (Comprehensive)

In The Warrior Women of Transnational Cinema, I consider the significance of transnational Asian action women in the post-1997 Hong Kong cinema; more specifically, I explore how Pan-Asian (e.g. Michelle Yeoh, Pei Pei Cheng, Ziyi Zhang), Asian American (Lucy Liu, Maggie Q, Marsha Yuen), and Asian Canadian (e.g. Francoise Yip, Charlene Choi, Kristy Yang) warrior women function as a source of transnational female identity for local, Pan-Asian (i.e. East and Southeast Asian), and diasporic Asian audiences. I argue that the post-1997 Hong Kong cinema—and not Hollywood—has offered space for the development of Pan-Asian and Asian North American screen identities …