Film and Media Studies Commons^™

Nightmare Alley, Emily Jane Pascoe

Journal of Religion & Film

This is a film review of Nightmare Alley (2021), directed by Guillermo del Toro.

Bombay Cinema’S Islamicate Histories, Amanda Lanzillo

Journal of Religion & Film

This is a book review of Ira Bhaskar and Richard Allen, eds., Bombay Cinema’s Islamicate Histories (Intellect Ltd, 2022).

Biblical Boogeymen, Holy Ghosts, And The New Demonology: A Review Of Three Recent Books On Religion And Horror, Brian Collins

Journal of Religion & Film

This is a book review essay on three books: Brandon R. Grafius, Reading the Bible with Horror (Rowman & Littlefield, 2019); Brandon R. Grafius and John Morehead, eds., Theology and Horror: Explorations of the Dark Religious Imagination (Fortress Academic/Lexington, 2021); and Steve A. Wiggins, Nightmares with the Bible: The Good Book and Cinematic Demons (Fortress Academic/Lexington, 2020).

Madhuri Dixit, Abir Bazaz

Journal of Religion & Film

This is a book review of Nandana Bose, Madhuri Dixit (Bloomsbury, 2019).

Religious Hegemony And "Muslim" Horror Movies, Shaheed N. Mohammed

Journal of Religion & Film

The present paper examines horror films originating in Muslim contexts and available on U.S. streaming services. Using Gramsci's concept of hegemony, the paper examines how such films negotiate and articulate with the dominant Hollywood mainstream horror genre with particular attention to the hegemonic power of the mainstream with its Christian iconography and assumptions.

Employing A Chinese Ghost Story To Teach The Syncretism Of Chinese Religions, Gloria I-Ling Chien

Journal of Religion & Film

Upon its release in 1987, the Hong Kong blockbuster A Chinese Ghost Story resulted in sequels, adaptations, and two remakes in 2011 and 2020. Despite its popularity, only a few critics have noticed its eclectic representations of Chinese religions, nor has there been any evaluation of its pedagogical potential. This article details how the author employs this 1987 work to teach the syncretism of Chinese religions in an undergraduate course “Asian Religions in Film.” By decoding the embedded concepts, the meanings and history behind “the Jade Garland talisman,” the inclusion of the Diamond Sutra for exorcistic efficacy, and the portrayal …

Life In The Multiverse: Bringing Chaos Out Of Order?, John C. Lyden

Journal of Religion & Film

This paper was given as the opening keynote address at the International Conference on Religion and Film at Vrije Universiteit, Amsterdam, the Netherlands, on June 8, 2022, and is here presented in that form.

My thanks go to those who organized the conference for Vrije Universiteit, notably Professor Johan Roeland and Miranda van Holland.

The Textual Gutter: How Gene Luen Yang Redefines The Gutter In Boxers & Saints To Tell A Transnational Tale, David Lucas Jr

SANE journal: Sequential Art Narrative in Education

This paper attempts to provide a new understanding of the gutter and how it is used to significant effect in Gene Luen Yang's, Boxers & Saints. This research draws upon the work of Scott McCloud to establish a framework for the theoretical applications of the gutter. Most prior research focuses on the gutter within the page. This article demonstrates how Yang pushes the concept of the gutter further by creating a new type of gutter that moves beyond the pages and across texts. Then the research attempts to demonstrate how the idea of the textual gutter heightens the transnational elements …

The Digital Extreme: Cinema's Reality Crisis In A Nostalgic Age, Lucas J. Dvorsky

Electronic Thesis and Dissertation Repository

This thesis examines the trajectory and legacy of two streams of filmmaking born in the 1990s: extreme film and the digital film, which eventually fuse into the digital extreme film, a watershed moment of postmodern filmmaking. I analyze the rise of the digital extreme, probing its disturbing aesthetic, its grainy, blurry glitches, dark, mundane reality and connections to fear, surveillance and nostalgia. Looking at filmmakers as disparate as pop-culture mainstays like Martin Scorsese, breakout directors like Jane Schoenbrun, avant-garde artists like Michael Snow, and arthouse auteurs such as Catherine Breillat and Olivier Assayas, I consider what the moment of …

The Great Resignation Among Restaurant Workers: A Content Analysis Of News Sources’ Portrayals Of The Covid-19 Labor Shortage, Mackenzie M. Williams

The Cardinal Edge

When workers left the labor market in large numbers during the COVID-19 pandemic, proclamations of a labor shortage emerged extensively throughout the news. In this study, I analyze the coverage of the worker shortage among three news sources with different political orientations. Several themes emerged from analyzing a total of 75 articles. The findings showed that the perspective shown in the article, the cause of the labor shortage, restaurant worker portrayal, support of solutions, and opinion of the labor shortage all differed based on the political identity of the news source. This research supports previous findings that show there is …

Unearthing Montreal’S Past In Hochelaga, Terre Des Âmes, Marla Epp

Green Humanities: A Journal of Ecological Thought in Literature, Philosophy & the Arts

[First paragraph] In his 2017 film, Hochelaga, terre des âmes (Hochelaga, Land of Souls), Québécois filmmaker François Girard delves into the complex history of Montreal. When a sinkhole appears in a football stadium, the site becomes an archaeological dig, led by a Mohawk graduate student at the Université de Montréal. The film tracks the progress of the dig, unearthing layers of history and revealing the stories of the generations of people who lived on the land, including the Indigenous peoples who lived there first.1

Finding Your Inner Drag: How Drag Culture Helped Form Freedom Of Expression For The Lgbtq Community, Sylvia Zobel De Ayala

Pop Culture Intersections

This research paper discusses the history of the LGBTQ community, the effects of the drag community and the comparison to the behaviors and attitudes from the past to the present. This article goes in depth to different scholarly articles that help understand the history of the LGBTQ community. This article will also discuss personal stories and experiences that describe the emotional aspect of the moments of history mentioned. The three main topics discussed in this paper are the Stonewall Riot, the AIDS epidemic and the uprising of the transgender community. After understanding the history and the present attitudes, they will …

Popular Culture’S Grip On The Lgbtq Community, Connor Grogan

Pop Culture Intersections

The purpose of this research is to identify the causes and consequences of forming groups within this cultural sphere, specifically focusing on the LGBTQ community. I would contend that the inclusion and exclusion of this marginalized group which exists within a larger community can be promoted or amplified by hegemonic forces through the use of popular culture and mass media. Firstly, with regards to this paper, I will identify what hegemonic power dynamics are within the context of the thesis, as well as what it means to be a marginalized group without much force within a power dynamic. Secondly, I …

How It's Made: The Crime And Kombucha Podcast, Melissa Nemeth

Journalism

The goal of this senior project is to write, produce, edit and market a podcast through the application of skills acquired throughout the culmination of a Cal Poly journalism degree. The podcast created in conjunction with this senior project is called Crime and Kombucha. Crime and Kombucha is a true crime and pop culture podcast hosted by two bubbly best friends, Marcela Cabral and Melissa Nemeth. It explores the relationship between true crime and pop culture, both of which cannot exist without the other in modern internet culture, using one genre to understand the other. In fact, the “Kombucha” …

It Always Ends In A Fight: How A Vietnam Veteran Is Allegorized By Marvel’S “Winter Soldier”, Eirian Waldron

Summer Community of Scholars Posters (RCEU and HCR Combined Programs)

No abstract provided.

Influencer Engagement Pods And The Struggle Over Measure In Instagram Platform Labour, Victoria J. O'Meara

Electronic Thesis and Dissertation Repository

This dissertation examines the phenomenon of Instagram influencer engagement pods to explore the dynamics of antagonism, resistance, and struggle unique to the structuring conditions and valorization processes of platform capitalism. I argue that beneath the seemingly frictionless data-driven accumulation strategies of social media platforms like Instagram lies a familiar struggle between the subjects of labour and capital, the “struggle over measure” (de Angelis & Harvie, 2009).

Instagram influencers are native-to-online, professional content producers who have amassed an online following that they monetize in various ways. These digital producers are the unique progeny of platform capitalism; they operate as independent “entrepreneurs-of-the-self,” …

Cold Turkey: A Mass Smoking Cessation Event Induced By A Film, Elsie E. Sheppard

Undergraduate Student Research Internships Conference

Popular culture can influence how people act in real life. The film Cold Turkey, directed by Norman Lear, provides an example of how people can take inspiration from a film's plot and recreate it to an extent. The people of Greenfield, Iowa, where Cold Turkey was filmed, decided to quit smoking for 30 days, similar to the movie's events. As a result, tobacco companies, such as Philip Morris International, became interested in how and why these people quit smoking for a prolonged period.

My project aimed to compile documents, interviews, and other content about Cold Turkey, Norman Lear, and the …

Community-Engaged Learning: The National Response Within Institutions, Sarena Akhter

Undergraduate Student Research Internships Conference

Community-engaged learning (CEL) has become a relevant part of the current experiential and community culture, with more than 30 universities in Canada (and likely more) partaking in some form of CEL at their institution. However, how does each institution implement CEL, and how accessible are digital media and resources for students and communities who want to learn more about CEL at these institutions? Our research primarily focuses on data collection from digital media (e.g., websites, articles, Google searches) and draws conclusions based on our findings. Our team focuses on rating the overall culture of CEL in Canada based on the …

Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya

CLCWeb: Comparative Literature and Culture

This review essay reads literary-critical works of what is broadly understood as ‘postcolonial disasters’. It outlines how literary critics in the last decades have drawn upon cultural-geographical and anthropological readings of disasters to develop critical frameworks around how literary writers have used style, form, and aesthetics to represent postcolonial catastrophes. It then offers a detailed review of Pallavi Rastogi’s 2020 monograph, Postcolonial Disasters: Narrating Catastrophe in the Twenty-First Century. Through an engaged and critical reading, the essay attends to Rastogi’s insightful theorizing of the topic of ‘Disaster Unconscious’ and her wide-ranging interrogation of fiction from South Asia and Southern …

Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry

CLCWeb: Comparative Literature and Culture

In her article, “Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures,” Treasa De Loughry focuses on different visual responses to e-waste in West Africa, from eco-documentary film and photography responses to the infamous Agbogbloshie e-waste yard in Ghana; to techno-utopian visions of e-waste bricoleurs, and e-waste as a signifier and artefact of the neocolonial nature of the capitalist world-ecology. The first half of this article focuses on Florian Weigensamer and Christian Krönes’ documentary film, Welcome to Sodom (2018), grounding it in critiques of the transmedial influence of the documentary form, while attending to the film’s pyrotechnical “optical regime” (Schoonover). …