Other Film and Media Studies Commons^™

A Cross-Cultural Approach To Brokeback Mountain, Jono Van Belle

CLCWeb: Comparative Literature and Culture

In her article "A Cross-Cultural Approach to Brokeback Mountain" Jono Van Belle draws on insights from film theory and cultural narratology in order to analyse Annie Proulx's short story "Brokeback Mountain" and its filmic adaptation by Ang Lee. Van Belle's analysis is about how culturally different worldviews play a role in the construction of meaning by audience and she links the different narrative levels of semantics, genre typology, and worldviews in the short story and the film to the scholarship of the story. Further, Van Belle argues that worldviews and the problematics of gayness represented in "Brokeback Mountain" and …

The Hitchhikers Guide To The Galaxy: A Metaphorical Look At Life, The Universe, And Everything, Thomas David Thompson

Communication Studies

A look at the integral use of metaphor as a heuristic in the process of human learning.

Reflections On Teaching With Films In British Secondary Education, Antony Mullen

Journal of Research Initiatives

Little research has been done into the effectiveness of using film as a teaching tool. This article reports on a three month research project which examined the ‘how’ and ‘why’ of student learning outcomes of students between the ages of 14-16 years of age, in a British secondary school. The report aligned the findings with Bloom’s Taxonomy and Kolb’s Learning Cycle to explain the empirical observations of colleagues in the English teaching profession. While the report does not fill the void in the film pedagogy research entirely, it does offer an in-depth look at three intended learning outcomes for a …

Public And Relational Communication Ethics In Political Communication: Integrity, Secrecy, And Dialogue In ‘The Contender’, Jon A. Hess, Joy Piazza

Jonathan A. Hess

There is no denying the omnipresence of media in the twenty-first century. One form of media that is particularly influential is film. Unlike print forms of entertainment, in which age and reading ability dictate accessibility, movies are accessible to virtually everyone. And, regardless of the producer's purpose for making the film, all movies provide an insight into our culture and the individuals who reside within it. Some movies are produced solely for entertainment value, but others seek to convey some type of message or to stimulate thought on the part of the viewer (Good & Dillon 2002; Kupfer 1999; Lipkin …

Everything, Nothing, Harvey Keitel: A Review, Sarah Geis

RadioDoc Review

Although producer Pejk Malinowski is originally from Denmark, and Everything, Nothing, Harvey Keitel is a project of London-based Falling Tree Productions, its premise seems cringingly American: our narrator goes to a self-help class, has an encounter with a celebrity. Which is to say, the risk of self-indulgence is high. To make it worse: the documentary takes place almost entirely within Malinovski’s mind. But these factors make it only more astonishing to hear how – through his singular voice, playful sense of humour, and impeccable sound design – Malinovski tells a story that makes the listener laugh, feel, and consider …

Confirmation Of Prophecy By Proxy: Audience Anticipation And Reception Of The 2014 Movie Left Behind And Its Relevance To The Dispensational Premillennialist Worldview, Andrew R. Burns

University of New Orleans Theses and Dissertations

Media has the potential to legitimize or spread a belief system to the general public. The 2014 movie Left Behind is an example of a deliberate attempt at promoting the belief system referred to as dispensational premillennialism (DPM), or belief in the imminent rapture of Christians. Producers of Left Behind (2014) sought to promote DPM to the general public, hoping for a mass conversion. Online discussion and interviews were gathered and interpreted qualitatively. Content analysis of audience anticipation and reception show believers were as concerned with the conversion of the general public via this movie than the movie itself. Differences …

The Geography Of Reception: Why Do Egyptians Watch Turkish Soap Operas?, Necati Anaz

Necati Anaz

No abstract provided.

1st Place Research Paper: Moviegoers And The Moon In 1953, Hannah E. Gary

Kevin and Tam Ross Undergraduate Research Prize

"By analyzing the complicated production of the sexually-provocative The Moon is Blue in the early 1950s, this essay seeks to isolate the perspectives of censorship groups, artistic authorities, governmental legislatures, and the Production Code Administration (PCA) in their respective appraisals of the Hollywood industry’s movie-going public. Referencing communications between studio personnel and the PCA, as well as court documents and scholarly research, this paper highlights how the various organizations’ differing conceptions are relevant with regards to their Cold War context. This period inspired containment ideology in narratives celebrating 'universal ideals and patriotic or sacred causes' through the awareness of a …

Occupy The Future: A Rhetorical Analysis Of Dystopian Film And The Occupy Movement, Justin J. Grandinetti

Masters Theses, 2010-2019

The anarchic Occupy Wall Street protests, which began in 2011, had an immediate impact on politics and the global lexicon. By introducing the terms “the one percent” and “the 99%” into the public sphere, Occupy was able to draw attention to growing global income inequality. This revolutionary spirit was not lost on popular culture, as a number of films that followed the protests were linked to Occupy. The Hunger Games (2012), The Dark Knight Rises (2012), and Elysium (2013) represent films that were not only extremely successful in the box office, but were also connected to the Occupy Movement because …

Valkyries Handbook: Representations Of Women In Comics, Alexandra C. Weston

Alexandra C Weston

This thesis delves into the surprisingly uniform treatment of the female character in comic storytelling, across all media, and will examine how this has evolved over time. It further explores what these changes represent for the stories, the characters, the creators, and the readers. The focus of the production aspects of this project is on the curation and development of a feminist perspective on comic books, their narrative and the industry that forms them. Looking at specific examples from historical and modern comics, as well as creative

I Am With You: The Red Hot Chili Peppers, The Fans, And The Harmful Effects Of Californication, Alexander Macphail-Fausey

English Seminar Capstone Research Papers

This is my capstone paper from English Seminar and my English degree. The paper is an analysis of the Red Hot Chili Peppers album Californication and its relation to the fan base of the band. It explores the influences on the creation of the album within a postmodern context, using the theories of Katherine Hayles, Jean Baudrillard, and Michel Foucault. Through these theories, the paper explores the postmodern impact on the Cult of Celebrity and the American Dream and how those affected the lives of Anthony Kiedis and John Frusciante from the Peppers. Finally, the paper shows how the album …

Intersectionality In Jane Eyre And Its Adaptations, Laurel Loh

Graduate Theses and Dissertations

During the almost 170 years since Jane Eyre was published, there have been numerous adaptations in many different mediums and genres, such as plays, films, musicals, graphic novels, spin-off novels, and parodies. The novel has been read in many different critical traditions: liberal humanist, historicist, feminist, and postcolonial approaches dealing with topics such as the problem of female authorship and consciousness. In addition, it has been read in terms of an ideological struggle based on race, class, and gender; xenophobia and imperialism; female labor politics; and genre issues, to just name a few. As literary critics have explored numerous themes …

From God Terms To Gaga: The Bad Romance Between Motherhood And Female Suffragists In American Film, Mary Ellis Glymph

Masters Theses

Ninety-five years ago, the Nineteenth Amendment was passed by Congress, and women across America were given the right to vote. Nearly a century later, the long-gone figure of the female suffragist continues to subtly permeate American film, a reoccurrence that is not easily justified. Why would viewers in the English-speaking world continue an interest in a historically-contextualized feminist that seems, at first, to have little to do with what a “modern-day feminist” portrays?

Although the woman that history calls the suffragette hasn’t existed in America since 1920, representations of her in film and visual media have reminded viewers that this …

The Role Of Women In Film: Supporting The Men -- An Analysis Of How Culture Influences The Changing Discourse On Gender Representations In Film, Jocelyn Nichole Murphy

Journalism Undergraduate Honors Theses

Women are underrepresented in film. Racial minorities are underrepresented in film. White men are vastly overrepresented in film. How do these facts affect audiences that are so demographically different from what is portrayed onscreen? This study serves to examine how character representations in film relate to the demographics of the audience viewing them, and how these portrayals have changed over a 20-year span. Considering the depictions of women in the context of social gender movements of the last two decades will provide a deeper understanding of the attitudes toward female characters, as well as factors that shape the themes and …

(Re)Animating The Horror Genre: Explorations In Children's Animated Horror Films, Megan Estelle Troutman

Graduate Theses and Dissertations

This project seeks to define the subgenre of children's animated horror film by examining its classification within the children's film genre and its use of generic conventions of horror. While this project does not aim to conflate children's film as a genre and animation as a medium, the scope of this project will be limited to children's animated horror films from 1993 - present day. In order to explore the subgenre of children's animated horror films from 1993-present, I will focus specifically on the following films: Tim Burton's The Nightmare Before Christmas (1993), Wallace and Gromit: Curse of the Were …

Rendering And Compositing For Visual Effects, Jensen Abler

Undergraduate Honors Theses

The methods used to create visual effects for feature film production are quickly evolving. Cutting edge techniques are constantly being improved upon, and the capability to solve unique problems is paramount in real world production. I present a creative project which utilizes novel applications of common techniques, such as projection mapping, multi-tile UV workflows, procedural texture generation, normal mapping, and image based lighting.

Anime: Fortress Of Solitude Or Kryptonite?, Oscar King Iv

Honors Thesis

Anime is a complex medium that is expanding at a rapid rate on a global scale. It inspires fandoms, some of which unbelievably tenacious. My research explored scholarship concerning anime fans and asked the question: Why does anime in particular seem to create hyper-obsessed fans? I consulted fandom studies, pop culture scholarship, and sources regarding the anime medium as a whole.

The results of my study suggested that anime, at its extremes, functions in some capacity as a modern fairy tale genre. It allows a viewer to vicariously experience life through the screen, engaging with the animated characters in a …

Beyond Constructing And Capturing: An Aesthetic Analysis Of 1968 Film, Chandler Warren

Department of English: Dissertations, Theses, and Student Research

This study revisits conversations surrounding the global moment of 1968 and the forms of radical filmmaking that occurred during that time. Focusing on the Newsreel collective and the Dziga Vertov Group from the United States and France respectively—groups that utilized very distinct filmmaking methodologies and produced disparate aesthetics—the study argues that traditional leftist film critique must be rethought by acknowledging the revolutionary opportunities afforded to filmmakers through aesthetic elements like voiceovers or intentionally manipulated relationships between image and sound of specific shots. Instead of judging radical films within a spectrum of revolutionary efficacy, the reflexivity afforded to the filmmaker by …

Green Berets And Gay Deceivers: The New Left, The Vietnam Draft And American Masculinity, Anna L. Zuschlag

Electronic Thesis and Dissertation Repository

When masculinity is predicated on violence and military service is a man’s civic duty, then draft resistance becomes a doubly radical act. Men who refuse to take up arms for their nation threaten, at least potentially, both its political and gender order. This dissertation explores American masculinity during and after the Vietnam War, by analyzing cultural representations of, and responses to, the U.S. Selective Service System. At a time when mainstream Hollywood would not touch the Vietnam War, a generation of independent filmmakers, artists and agitators produced a number of remarkable films and documents dealing with the war, the draft …

“Shining” With The Marginalized: Self-Reflection And Empathy In Stanley Kubrick’S The Shining, Bethany Miller

English Seminar Capstone Research Papers

This paper examines Stanley Kubrick's 1980 horror masterpiece The Shining and how it references the history of violence against the marginalized in America.