Other Film and Media Studies Commons^™

Illness, Disability, And Ethical Life Writing, G Thomas Couser

CLCWeb: Comparative Literature and Culture

In his article “Illness, Disability, and Ethical Life Writing,” G. Thomas Couser discusses illness and disability as related to ethical Life Writing. Since the issues came to his attention in the early 1990s, narratives of illness and disability have continued to proliferate in the US. And today, even as psychiatry moves away from narrative therapy toward drug therapy, narrative competence is being emphasized in the treatment of non-mental illness. Whether inside or outside the clinic, narratives of illness and disability can be in and of themselves restorative, if not healing. And yet, the production of such narratives is not without …

Introduction To Voices Of Life, Illness And Disabilities In Life Writing And Medical Narratives, I-Chun Wang, Jonathan Locke Hart

CLCWeb: Comparative Literature and Culture

Life writing is a narrative and discourse on the self from social, psychological and biographical perspectives. This special issue includes eleven essays addressing recurrent themes in life writing such as migration, medical narratives and cultural memories. Through voices of life, illness, suffering, disabilities and death, the authors not only question a traditional sense of self but also provoke further debates on human values and facets of identity formation.

Selected Bibliography For The Study Of Belief In Contemporary Global Capitalism, Fu-Jen Chen, Su-Lin Yu

CLCWeb: Comparative Literature and Culture

No abstract provided.

A Sinful Reaction To Capitalist Ethics In No Quiero Quedarme Sola Y Vacía (2006), Celina Bortolotto

CLCWeb: Comparative Literature and Culture

In her article “A Sinful Reaction to Capitalist Ethics in No quiero quedarme sola y vacía (2006)” Celina Bortolotto analyzes how Lozada’s characterization of the main character, La Loca, questions the ideals of free agency offered by consumerist capitalism and the urban gay male ideal under the promise of a liberating gay lifestyle in a social context defined by identity politics. The novel is a fictionalized autobiographical account of Puerto Rican author Angel Lozada’s misadventures in the early 2000s gay scene in New York. This essay plays with the punitive sense of the word “capital” in the seven capital sins …

Introduction To Belief In Contemporary Global Capitalism, Fu-Jen Chen

CLCWeb: Comparative Literature and Culture

This special issue addresses the broad and complex nexus among three topics: belief, subjectivity, and contemporary global capitalism. It explores the intersection of material practices, ideational dimensions, and the subjective dynamics of global capitalism. The interdisciplinary contributions in this special issue come from authors in Australia, New Zealand, Taiwan, South Korea, Turkey, and the United States. And the articles gathered in this issue are to explore a wide range of topics, varying from entrepreneurship and digital capitalism to neoliberalism and postfeminism; from fundamentalism and terrorism to Protestantism and contemporary homosexual identity; from body and ableism to mind and New Age …

Neo-Gnosticism At The Movies, Michael Kaler

Journal of Religion & Film

A number of American films released in the mid/late 1990s drew on, or have been discussed in the context of, gnosticism—a loose, imprecise umbrella term usually applied to a number of heterodox early Christian literary traditions. The Matrix is the most famous of this group of films, which also includes such films as Pleasantville, Dark City, The Truman Show, and Thirteenth Floor. This curious trend would not have been possible had it not been for the emergence of gnosticism in mainstream culture generally; as well, gnosticism’s emphasis on the spectacular, constructed and ultimately illusory nature of apparent reality became especially …

Telling The Good News, Allyson R. Escobar

Capstones

In light of recent clergy abuse scandals, cover-ups and leadership shake-downs, it is a divided time in the Catholic Church: but this isn’t the whole story. My final capstone project is a critical essay of how Catholicism (and religion overall) is represented in mainstream media--particularly in secular news publications and entertainment (horror films) in the United States. By examining the coverage and how conversations differ within members of the Catholic Church--from journalists and critics to active Catholics, religious men and women--this project calls for greater accountability, fairness, faith representation in all media, and the overall claim that there are Catholic …

Rhetoric In Film: Three Explorations Of Influence In Documentaries And Digital Stories, Emily Knapp

Masters Theses, 2010-2019

This thesis is made up of three distinct articles, two written with the intention of publication while the third consists of a digital story and subsequent reflection on the process of creation. The first article serves to answer the question “Do documentary films inspire activism?” by analyzing data gained after surveying 266 members of the James Madison University community. The results suggest that viewers are moved to emotion when witnessing struggle but that they are moved to action when said action directly impacts their own life. The second article is a rhetorical analysis of the 2013 documentary film Blackfish. …

Personal Geography, Floating Identities And Inter-Asian Migration In Stories By Migrant Workers In Taiwan, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Personal Geography, floating Identities and Inter-Asian Migration in Stories by Migrant Workers in Taiwan," I-Chun Wang discusses narratives by migrant workers with the purpose of looking into their personal geographies, their possibilities of integration, their floating identities and their dreams of settlement and possible success. This paper stresses the stories of migration show not only common human values, shared across cultures and creolization, but also sad stories of human-rights violations, injustices, discrimination, and even human trafficking. In these fictional stories or witness literature, cross-cultural conflicts, cultural in-betweenness and cultural hybridity are intertwined with the migrants’ ways to …

Free Views To Pay Per Views, Andrew York

Honors Thesis

The purpose of this research was to analyze three different narrative web series that were adapted into traditional television formats within the past ten years. Delving into how the creators marketed themselves, created the content, and distributed the content allows the reader to notice strategies that worked in the past to sell stories to production companies.

Zombie Culture In Past And Modern Mythologies, Lehua Johnson

Student Scholar Symposium Abstracts and Posters

In modern media the notion of a zombie brings to mind the images of rotting flesh, a desire for flesh, and surviving in a desolate post-apocalyptic world. While zombies have certainly evolved into a niche genre separate from horror and science fiction, it is imperative that the origins of this modern-day phenomenon are explored and analyzed in an academic context. From the empty threats of the goddess Ishtar in ancient Mesopotamia to urban legends of former Haitian slaves, the foundation of zombie culture provides strong insight to humanity’s fear of losing itself to mere corporeal forms. Zombie culture is the …

The Representation Of Asians In Hollywood, Michelle Li

Publications and Research

Hollywood has a long history of failing to represent America's diversity. This is especially pronounced in its lack of representation of Asian Americans. According to The Hollywood Reporter, in 2017, only 4.8 percent of the 4454 speaking characters were Asian. The industry works in biased and prejudiced ways towards Asians, restricting them from truly revealing their true selves instead of how they are portrayed by stereotypes.

Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright

MSU Graduate Theses

Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …

Immortal Melancholia: A Psychoanalytical Study Of Byronic Heroes, Kathryn Frazell

Dissertations, Masters Theses, Capstones, and Culminating Projects

This culminating project examines Byronic heroes using psychoanalytic theory across four case studies in media, including classic literature, theater, film, and television. The Byronic hero is a literary archetype inspired by the poet George Gordon, Lord Byron (1788-1824). Typical characteristics include angst, arrogance, cunning intelligence, criminality, desire, passion, dominance, and otherness. The characters I have chosen to study include Mr. Rochester from Jane Eyre (1847), the Phantom from the 2004 film The Phantom of the Opera, James Bond from the 2012 film Skyfall, and Damon Salvatore from the hit television series The Vampire Diaries (2009-2017). Through examining the …

Denial: David Irving, And The Complexities Of Representing A Holocaust Denier, Kirril Shields, Ted Nannicelli, Henry Theriault

Genocide Studies and Prevention: An International Journal

Mick Jackson’s 2016 film Denial, based on the libel case brought against Deborah Lipstatd’s publisher by David Irving, was discussed as a panel event at the 13^th International Association of Genocide Scholars conference, held at the University of Queensland on the evening of July 12, 2017. Dr. Kirril Shields presented on the difficulty of representation, addressing the film’s portrayal of David Irving. Dr. Ted Nannicelli followed with a discussion centered on the film’s use of cinematic rhetoric as positioned in various examples throughout Denial. Dr. Henry Theriault gave the final paper, examining the philosophy of the act of …

Chinese Government’S Inability To Use Film – One Of The Most Powerful Cultural Tools Of Soft Power Expansion – To Achieve Its Soft Power Expansion Goals: Lessons For China To Tackle Its Soft Power-Deficit Problem, Kyungin Kim

International Political Economy Theses

Many scholars of Chinese soft power commonly believe that despite the fact that China has been working hard to achieve successful soft power expansion, one of the biggest factors that leads to Chinese soft power deficit or failure of the Chinese government to effectively trump “China threat” is its inability to use its cultural industries as a tool to fulfill its soft power expansion goals. This is a major obstacle to China in achieving its goal of successful Chinese soft power expansion, as it is said that culture is the most traditional and powerful source of soft power expansion. This …

In Another Person’S Skin: Adaptations Of To Kill A Mockingbird And The Characterization Of Scout Finch, Eric A. Pitz

Conspectus Borealis

No abstract provided.

Die Bedeutung Der Defa Film Library Im Ostdeutschen Erinnerungsdiskurs, Konstanze Schiller

Masters Theses

The relation between memory and identity is significant, particularly if an identity-establishing entity such as a state has vanished. In the context of GDR memory, this pertains to the type of memory discourse: what is remembered, how, and by whom? What are the differences in the discourse about East German memory between the US and Germany?

Based on approaches of the Aleida Assmann’s approaches to individual, collective, and cultural memory this thesis seeks to examine the notion and impact of archives in collective memory processes and to analyze the extent to which the medium of film as a concrete and …

Psychoanalysis And Star Wars: The Force Awakens: What The Film Says About Gender Ideology, Brooke Dochnahl

Access*: Interdisciplinary Journal of Student Research and Scholarship

Star Wars is a major film franchise and has been part of United States’ pop culture for decades. This paper will look at the first film in the newest Skywalker trilogy. This paper defines psychoanalysis as a method for studying the media text, Star Wars: The Force Awakens. It then defines the substructures of psychoanalysis, including Freud’s id, ego, and superego, and their relation to the film, as well as Jung’s archetypes of the hero, sidekick, and shadow element. It then gives a brief discussion of the characters Kylo Ren, Rey, and Finn, including defining characteristics such as personality …

An Old Film In A New Light: Lighting As The Key To Johannine Identity In "Ordet", Richard V. Goodwin

Journal of Religion & Film

In his essay on Carl Theodor Dreyer’s Ordet, P. Adams Sitney draws a parallel between the protagonist, Johannes, and John the Evangelist, author of the fourth gospel. He suggests that the delusional Johannes’s sanity returns upon the recovery of his own name, turning on the invocation of his biblical namesake, John the Evangelist. Compelling as Sitney’s is, however, I argue that we arrive at a more helpful interpretation by attending to an aspect that has been largely overlooked in critical discussion of the film: lighting. Careful analysis of the lighting yields a perspective in which Johannes is understood to …