English Language and Literature Commons^™

The Commercialization And Imposed Voices Of Femininity In The Summer I Turned Pretty, Danielle Mcclelland

Theses, Dissertations and Culminating Projects

This essay seeks to explore and analyze the novel The Summer I Turned Pretty by Jenny Han. The novel’s ability to maintain relevance as a piece of popular YA literature despite its release over ten years ago makes it an interesting title to study because it demonstrates the concept of a “formulaic text,” which is defined as having, “...simple syntax, frequent repetition, and explicit authorial interpretations” (Smith 31). Additionally, Han’s novel displays the commercialization of femininity and enforces the common heteronormative relationship narrative displayed in this strain of romantic fiction. This essay aims to explore these social phenomena and how …

How To Fight Evil: Lessons For The Church On Spiritual Warfare From Bram Stoker’S Dracula, Bronwyn M. Gray

Eleutheria

Dracula by Bram Stoker is an amazing piece of writing that is often misrepresented. Some Christians dismiss it because of the skewed belief that to enjoy life and literature is somehow less holy, and Dracula is also dismissed because of the judgment that books with blood, horror, and monsters cannot possibly grow us in holiness or teach us anything good. Not only is it forgotten that God created us to enjoy beauty, but also, to the second reason, the Bible itself contains blood, horror, and monsters; indeed, the Bible contains much more! Another unfortunate reality is that in the Western …

Silent Horror: The Complexity, Monstrosity, And Ubiquity Of Evil In Faulkner’S Sanctuary, Bronwyn M. Gray

Eleutheria

In a culture of moral relativism, Faulkner's novel Sanctuary shocks us with an ancient perspective on the nature of man. Not only is the villain Popeye evil, the "good guy" is infected as well, and this is seen through Faulkner's comparison of our hero Horace with Popeye, parallels drawn between Horace's festering desire for his stepdaughter and Popeye's lust for his rape victim Temple Drake. But it is not only the adult men who are at fault. Temple Drake herself is shown to be in the throes between childlike innocence (temple) and evil desire (drake, meaning dragon or serpent). Perhaps …

Code-Switching In Jordanian Stand-Up Comedy A Humor Tool And A Means To Reflect Social Diversity, Ghaida Al-Quran

Journal of the Arab American University مجلة الجامعة العربية الامريكية للبحوث

This article discusses the function of code-switching in Jordanian stand-up comedy. Drawing on Hoffman (1991) and Troike (1982), analysis of twenty performances presented by Jordanian stand-up comedians revealed that the alternation between colloquial Jordanian Arabic, the dialect these performances are mainly delivered in, Standard Arabic, and sometimes English does not only emphasize the humorous role of this genre, but also reflects the social diversity among Jordanians and helps in building rapport with them regardless of their different backgrounds.

The Syntax Of Answers To Positive Polar Questions In Jordanian Arabic, Osama Omari, Hadeel Mohammad, Aziz Jaber, Mujdey Abudalbuh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Responses to a polar question have recently received much attention in the syntactic literature (e.g., Yaisomanag, 2012 on Thi; Wu, 2016 on Taiwanese, Servidio et al., 2018 on Italian; among others). However, the syntax of yes-no questions in Arabic has been undermined in the literature. The present study provides a syntactic analysis of answers to positive/neutral polar questions in Jordanian Arabic. Jordanian Arabic is particularly relevant here because its system allows for a variety of answer expressions. For example, an answer to a polar question could be in the form of a particle (a: ‘yes’ and laʔ ‘no’) or a …

Cesaire's Tempest Writes Back To The Empire, Sawsan Ahmad Daraiseh, Nancy Habis Al-Doghmi, Banan Ahmad Daraiseh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Aimé Césaire, who lived the experience of colonialism, wrote back to Shakespeare’s play The Tempest in a play of his own, which he called A Tempest. Unlike notions of A Tempest as a simplistic writing back, the current research reveals A Tempest as a sophisticated play in which Césaire uses his own creative methods, some of which incorporate the colonizer and others the colonized, to write back to the Empire which Shakespeare represents well and reflects. This research performs a deep analysis of A Tempest, revealing the voice of the Other as enabled; arguing with and disabling The Tempest’s deep …

The Fall Of Númenor (2022) By J.R.R. Tolkien, Edited By Brian Sibley, Douglas C. Kane

Journal of Tolkien Research

Book review, by Douglas C. Kane, of The Fall of Númenor (2022) by J.R.R. Tolkien, edited by Brian Sibley

Bureaucratic Sorceries In The Third Policeman: Anthropological Perspectives On Magic & Officialdom, Alexandra Irimia

Modern Languages and Literatures Publications

This article discusses The Third Policeman through the lens of a dialectic of enchantment and disenchantment that is firmly anchored in the history of anthropological discourse on bureaucracy (Malinowski, Lévi-Strauss, Tambiah, Herzfeld, Graeber, Jones). From this angle, Flann O’Brien’s novel is examined as an aesthetic illustration of an essentially anthropological argument: although bureaucracy has been described as an eminently rational form of social systematisation, regulation, and control (since Weber), it also functions, paradoxically, as a symbolic site for irrationality and supernatural occurrences, haunted by madness, mystery, and delusion. The novel is intriguing partly due to its nonchalant, humorous entwining of …

Bioinsecurities: Disease Interventions, Empire, And The Government Of Species By Neel Ahuja, Amrita De

Critical Humanities

In lieu of an abstract:

There is no better way to preface this review of Neel Ahuja’s rich analysis of the “government of species” in his book, Bioinsecurities: Disease interventions, Empire, and the Government of Species than to dive right into the heart of the ongoing interconnected infectious dis-ease crisis.

Introduction: Pandemic And The Global South, Puspa Damai

Critical Humanities

In lieu of abstract: Critical Humanities is a child of the coronavirus pandemic. As paradoxical as it may sound, the journal was born of our desire for community, conviviality, and survival in a world ravaged by disease, despair and death.

Biopower, Biopolitics And Pandemic Vulnerabilities: Reading The Covid Chronicles Comics, Pramod K. Nayar Ph.D.

Critical Humanities

This essay examines Covid Chronicles: A Comics Anthology from the perspective of biopower and biopolitics. It contends that, on the one hand, the comics capture individual suffering and collective trauma of the pandemic; on the other hand, these comics draw attention to the role the state plays in regulating bodies to be monitored, governed and, in some cases, deemed disposable.

Deadly Snow: Meditations On Muriel Rukeyser, Andrei Tarkovsky, And The Pandemic Era, Nicole Lawrence

Critical Humanities

The following personal essay meditates on Appalachian fatalism and its relationship to vaccine and mask hesitancy. The analogous relationship between ecological destruction and uncertainty with the exploitation and abuse of the body serves as a waypoint to explore Appalachia’s larger dismissal towards “protection” during the pandemic. Included are original art pieces that serve to intertextually converse with Rukeyser’s activism, West Virginia’s aesthetic schism between industrial catastrophe and symbols of prosperity, and Tarkovsky’s imagery of desolation and hope.

“Wall Of Force”: Analyzing The Partition Of India And Pakistan In Haroun And The Sea Of The Stories, Grace Mowery

Channels: Where Disciplines Meet

Literary scholars have often interpreted Salman Rushdie’s children’s book Haroun and the Sea of Stories as a critique of censorship, but Eva König’s postcolonial analysis provides an alternate interpretation of the book. This essay builds upon König’s work and argues that the book instead critiques the damaged relationship between India and Pakistan following the 1947 partition. König’s inclusion of Edward Said’s views of othering in her analysis strengthens her argument, but she does not account for Rushdie’s context. Contextualizing the book within the history of the partition and accounting for Rushdie’s condemnation of it allows scholars to compare the fictionalized …

Vol. 37 No. 6 - Whole No. 219, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 5 - Whole No. 218, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 4 - Whole No. 217, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 3 - Whole No. 216, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 2 - Whole No. 215, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 1 - Whole No. 214, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …