Audio Arts and Acoustics Commons^™

Don't Forget Me, I Can't Hide It, Thomas H. Morrill

Theses and Dissertations

Memory, technology, and space are the metaphorical and material players in my work. The video represents an emerging consciousness stuck in a nostalgia-laced, self-referential, emotive loop. It weighs the probability of its experience of life as solipsism. The walls are facsimiles of walls.

Balloon Pops, Convolution Reverb, And You!, Brandon Lucia

Capstone Projects and Master's Theses

Balloon Pops and You! The Audio essence of CSUMB This project involves convolution reverb. I'm sure you’ve used reverb before when making music. Scientifically a reverb is a self-contained echo. Most reverbs are digital, either logorhymic or algorthymic. Convolution Reverb is different from regular reverb. A convolution reverb attempts to capture the essence of a physical space. The can be done with a few different methods such as sine sweep or transients. If you have ever seen the wave form of a snare drum, you will notice it will have a steep attack with a short decay, the high point …

Memory Management For Game Audio Development, Rahmin Tehrani

Capstone Projects and Master's Theses

Research in managing memory for video game audio development. Interactive music and audio implementation are explored with a strong focus on how to manage data while developing game sound. Some concepts that are important include the multi-use of one sound, file conversion, and randomization in music and audio using technology. Additionally, audio middleware such as Wwise is referenced and strongly used to showcase the previously described concepts. The end of this research project explores the future in video game audio with information relative to the next generation of consoles, video game streaming, physical memory limitations and expansions, and the future …

Analog Versus Digital Guitar Pedals, Shaping Guitar Tones And Sparking Debates, Cameron Karren

Capstone Projects and Master's Theses

This paper goes into the history of guitar effects, what exactly they are, how they have evolved, and what they are like today. It also presents the results of an experiment that compares perceptions of differences between analog and digital guitar pedals.

Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, Theo Farnum

Capstone Projects and Master's Theses

The psychedelic rock movement of the 1960s dominated popular music and culture of the decade. The movement was heavily shaped by the consumption of LSD, a mind-altering hallucinogenic drug. Songwriting and lyrics often reflected the drug and the states of mind that it induced, and unique cutting-edge production techniques were used to imitate the effects of LSD use. Artists such as The Beatles used new effects, such as phasing, artificial double tracking, tape loops, and reverse recording.

In the 21st century, music has again been described as psychedelic rock, though the music under that term is much more diverse. Bands …

Investigating Early Bluegrass Recording Techniques, Lincoln Hensley

Undergraduate Honors Theses

This paper is about my investigation of early bluegrass recording techniques and the processes they used. After doing some extensive research, and compiling a database of black and white photographs from the time period, I felt I had enough information to assemble a team to try and produce the sounds, tonal qualities, and energy those recordings have. So John Kornhauser, Joshua Gooding, Hunter Berry, Sarah Griffin, along with myself, went to BigTone studios and tracked for two four hour sessions. BigTone studios has all of the vintage microphones, tape recorders, echo chambers, and out board equipment I need to replicate …

Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana

Publications and Research

Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.

Finding Music In Chaos: Designing And Composing With Virtual Instruments Inspired By Chaotic Equations, Landon P. Viator

LSU Doctoral Dissertations

Using chaos theory to design novel audio synthesis engines has been explored little in computer music. This could be because of the difficulty of obtaining harmonic tones or the likelihood of chaos-based synthesis engines to explode, which then requires re-instantiating of the engine to proceed with sound production. This process is not desirable when composing because of the time wasted fixing the synthesis engine instead of the composer being able to focus completely on the creative aspects of composition. One way to remedy these issues is to connect chaotic equations to individual parts of the synthesis engine instead of relying …

Surrogate Memories In Animation And Sound, Jared Duesterhaus

Theses and Dissertations

A document in support of my exploration into memory in relation to the mediums of animation, sound, and theater. A reflection on remembering as a creative act.

Can You See It?: Providing Visual Arts Access To Audiences With Visual Impairment And Blindness, Rowan A. Puig Davis

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.

Parts Of Sound: Possibilities Of Listening Historically To Collection, Broadcast, And Exhibition, Noah Henry Fry Nickerson

Senior Projects Spring 2020

Senior Project submitted to The Division of Social Studies of Bard College.

Editorial: Subjectivity And Objectivity In Storytelling Podcasts, Siobhan Mchugh

RadioDoc Review

In this issue, storytelling podcasts and audio works from the US, UK, Australia and Canada receive in-depth critiques from expert reviewers in Latin America, Australia and the UK. The subjectivity-objectivity spectrum is one focus, along with ethics and aesthetics.

Consent: Objectivity And The Aesthetics Of Re-Enactment In Locative Audio Journalism About A Sexual Assault Trial, Jeanti St Clair

RadioDoc Review

Consent – walk the walk, a geo-locative audio documentary walk in St. John’s, Canada, explores a 2017 sexual assault trial that led to days of protests in the Newfoundland city: an on-duty police officer is charged with sexually assaulting an intoxicated woman he drove home from the town’s nightclub precinct. Producers Chris Brookes and Emily Deming’s work of ‘landscape journalism’ was designed to highlight the tension between popular and legal understandings of the term ‘consent’ in sexual assaults. While the audio walk is a compelling place-based listening experience, Consent raises issues around the impact of dramatised re-enactment in the …

Radio Revolten: 30 Days Of Radio Art - Book Review, Colin Black

RadioDoc Review

Radio Revolten: 30 Days of Radio Art documents the Radio Revolten international radio art festival that took place took place during October 2016 in Halle, Germany. It is a densely rich book that explores aspects of radio beyond the format, beyond time schedules and beyond podcast ratings, while still aiming to build a sense of community. It is reviewed by internationally acclaimed Australian sound artist Colin Black.

Skywriting – Making Radio Waves By Robyn Ravlich: Book Review, Mike Ladd

RadioDoc Review

Robyn Ravlich’s Skywriting - making radio waves is partly an extended dissertation on feature-making and radio art, and partly an autobiography of this acclaimed Australian audio feature maker from the Australian Broadcasting Corporation (ABC). It is reviewed by Mike Ladd, poet, audio producer and an erstwhile ABC colleague.

Video Game Audio Techniques Applied To Board Game Companion Applications, Jaydon Osborn

Capstone Projects and Master's Theses

Video games have been one of the most popular forms of entertainment since the turn of the 20th century. Starting in pinball machines that developed into arcade games and now lovingly into virtual reality, console, and handheld gaming systems, video games have become a normal factor in people's lives. It is no mystery why they are so popular; games not only give us a sense of accomplishment beyond what our physical and mental limits could achieve, but also evoke our imaginations by drawing us into a new world that is magical or something we would never have seen before. Think …

"Choir" By Pope.L At The Whitney, Matthew Sage

Faculty Research and Creative Activities Symposium

Pope.L is an acclaimed Chicago-based artist whose work with painting, performance, and installations has received much praise and increased attention. This October he installed Choir at the prestigious Whitney Museum in New York City; this new installation focuses on his continued exploration of water in gallery spaces. For Choir, a 1,000-gallon water tank that acts as a public fountain was installed at the gallery. The tank fills and drains over a roughly 40- minute span of time. NEIU part-time faculty member Matthew Sage (CMT department) was asked to create, design, and collaborate on sound components to accompany this installation. Sage …

In The Dark – Pushing The Boundaries Of True Crime, Sharon Davis

RadioDoc Review

True crime podcasts are a burgeoning genre. As journalists and storytellers, how do we balance the pursuit of justice and our responsibility to the victims with the demand to tell a gripping tale? As listeners, are we using the pain of others for our own entertainment? In the Dark podcast (Seasons 1 and 2) takes us beyond a vicarious fascination with true crime stories into a forensic and essential look at deep-rooted biases, corruption and systemic failures that prevent justice from being served.

The first season (2016) investigates the 1989 kidnapping, sexual assault and murder of 11-year-old Jacob Wetterling In …

The Feelings Frontier: A Review Of No Feeling Is Final, Britta Jorgensen

RadioDoc Review

No Feeling is Final faces a two-fold “feelings frontier” in an age of extreme podcast intimacy and empathy: navigating (1) how to convey the kind of deeply personal “big feelings” that are still often seen as off-limits and (2) how to maintain a hyper-awareness about the listener’s feelings. Taking place almost entirely within her mind, No Feeling is Final is a six-part memoir show about host Honor Eastly’s experiences struggling with mental health and what one mental health professional diagnoses as “too many feelings – about four times as many as the average person”. The ongoing tension between creating resonance …

Have You Heard George’S Podcast (It's A True Original), Hugh Levinson

RadioDoc Review

The podcast, Have You Heard George’s Podcast, is a true original. Made by George Mpanga, who goes by the stage name of George the Poet, it won five awards at the 2018 British Podcast Awards – in fiction and non-fiction categories. The son of Ugandan immigrants, George went to an elite state school in north London before taking a degree at Cambridge.

The podcast takes on big themes - empowering George’s community, self-belief, crime, drugs, racism, inequality and international politics. Stylistically, the eight-part series is a mash-up: poetry, sketches, interviews, archive, music, performance and sometimes off-mike chat with his …