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Music For Mercer's: The Mercer's Hospital Music Collection And Charity Music In Eighteenth-Century Dublin., Tríona O'Hanlon 2012 Technological University Dublin

Music For Mercer's: The Mercer's Hospital Music Collection And Charity Music In Eighteenth-Century Dublin., Tríona O'Hanlon

Dissertations

This thesis examines and analyses the contents of the Mercer’s Hospital Music Collection. The collection includes fifty manuscript and seven printed volumes of
music containing works by Handel, Greene, Boyce, Purcell, Corelli, Humfrey, Avison, Barsanti, Stanley and Festing. Selected works were performed at the Mercer’s Hospital benefit concerts, established in April 1736 to provide important financial support to the
hospital, which opened on Stephen Street, Dublin in 1734. Mercer’s was the first voluntary Dublin hospital to initiate a series of benefit concerts. The Mercer’s benefit concerts attracted the participation of a wide range of Dublin-based performers, both singers and instrumentalists. …


Care And Handling Of Historic Sound Recordings, Robert J. Hodge, James Meade 2012 Syracuse University

Care And Handling Of Historic Sound Recordings, Robert J. Hodge, James Meade

Treatment Manuals

Manual on the care and handling, and cleaning of historic sound recordings as practiced at the Belfer Audio Archive. Covers cylinders and discs (78s, LPs, ...). Document contains links to videos demonstrating these techniques.


Orange Matters, Tom Raynor, Jay Cox, Eileen T. Jevis, Christine Yackel, Susan Parks 2012 Syracuse University

Orange Matters, Tom Raynor, Jay Cox, Eileen T. Jevis, Christine Yackel, Susan Parks

Syracuse University Magazine

No abstract provided.


Music In Alternative Spaces, Seán Mac Erlaine 2011 Dublin Institute of Technology

Music In Alternative Spaces, Seán Mac Erlaine

Books/Book Chapters

Chapter from Dublin’s Future: New Visions for Ireland’s Capital City, Dr. Lorcan Sirr (ed.), (Dublin: The Liffey Press, 2011).

Dublin’s Future is a collection of essays, which, for the first time, recognises that the future of the island’s largest and most important urban conurbation is about more than the engineering of roads and the colouring of development plans.

Seán Mac Erlaine’s chapter explores the performance of music in Ireland’s capital city, documenting the currently vibrant use of alternative art spaces for niche markets of improvised, experimental and non-mainstream music practice.

Contributors are recognised authorities in their fields. They cross …


Preservation At Syracuse University Library, Peter D. Verheyen, David Stokoe, Marianne Swanberry Hanley, Robert J. Hodge 2011 Syracuse University

Preservation At Syracuse University Library, Peter D. Verheyen, David Stokoe, Marianne Swanberry Hanley, Robert J. Hodge

Libraries' and Librarians' Publications

Prepared for IST600 (Preservation), this presentation gives an overview of the activities of the Department of Preservation and Conservation including environment, disaster preparedness and salvage, circulating collections repair, rare book conservation, rehousing, audio preservation, and digitization. For more about department see http://library.syr.edu/about/departments/preservation and our resource guide at http://researchguides.library.syr.edu/preservation.


The Hearing Room: Combining Video Art And Electroacoustic Music, Aaron Michael Hynds 2011 University of Northern Iowa

The Hearing Room: Combining Video Art And Electroacoustic Music, Aaron Michael Hynds

Honors Program Theses

The Hearing Room is a multimedia project intended to give its audience a unique audiovisual experience. The project takes the form of five videos, all of which include an electroacoustic soundtrack. These videos will incorporate elements of other multimedia artists’ works, utilizing the aspects that make those works so effective. With The Hearing Room, the ultimate artistic goal is to give viewers a unique audiovisual experience, while also creating a series of works that are aesthetically pleasing and personally relevant.


Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad 2010 CUNY Hostos Community College

Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad

Publications and Research

Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.


Sustainability Initiatives In East Bayside Neighborhood Portland, Maine, Garvan Donegan, Henry Heyburn, Caitlyn Horose, Matt Klebes, Jennifer Riley, Damon Yakovleff, New England Environmental Finance Center 2010 University of Southern Maine

Sustainability Initiatives In East Bayside Neighborhood Portland, Maine, Garvan Donegan, Henry Heyburn, Caitlyn Horose, Matt Klebes, Jennifer Riley, Damon Yakovleff, New England Environmental Finance Center

Planning

This is a bundle containing research on sustainability initiatives that could be implemented in the East Bayside neighborhood of Portland, ME. These six essays were prepared by the Spring, 2010 Sustainable Communities Class known as CPD 602 at the University of Southern Maine. The class is part of the core curriculum of the Community Planning and Development program of the Muskie School of Public Service at the university. The instructor for the class was Samuel Merrill, Ph. D. who is also director of the New England Environmental Finance Center at the University. These papers were prepared in conjunction with Alan …


Sound Art And The Gallery: Material, Body And Space, Bess Williams 2010 Edith Cowan University

Sound Art And The Gallery: Material, Body And Space, Bess Williams

Theses : Honours

This research project is focused on sound art, and the material qualities of sound. The aim of this project is to employ the methodology of reflexive praxis, to better understand 'sound art' and how it communicates in the gallery context. Two mutually informing streams of research have been applied; textual analysis and creative practice. Through their combined use, the relationship between 'sound art'; and the gallery can be understood in theory based analysis and discussion, and in practice. Drawing on exhibitions such as Of Art & Music and Wet Sounds, this research attempts to locate the practice of 'sound art' …


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