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Kentucky Folklife Program - Artists (Fa 743), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archive Project 743. This collection contains information relating to the various artists involved with the Kentucky Folklife Program. Many of the artists included in this collection participated in programs offered at, but not limited to, the Kentucky Folklife Festival, Made to be Played Exhibit, apprenticeship programs, and survey or fieldwork that was conducted by the Kentucky Folklife Program. Artists included musicians (gospel, blues, bluegrass, banjo, thumbpicking guitarists, and singing) to traditional artists (painting, quilting, storytelling, basketmaking, and instrument making). The collection also includes musical groups and places relating to artists and art forms. The collection …

The Intersection Of Art And Public History: Schmucker Art Gallery’S Newest Exhibit, Jeffrey L. Lauck

The Gettysburg Compiler: On the Front Lines of History

“‘Pray For the People Who Feed You’: Voices of Pauper Children in the Industrial Age” is the newest exhibit to be featured in the Schmucker Art Gallery at Gettysburg College. The exhibit was curated by Gettysburg College senior Rebecca Duffy ’16, and is the culmination of her three semester International Bridge Course (IBC) program. At its opening on Friday, October 2, Duffy discussed her experiences with the IBC program and the process she went through in putting together this unique project [excerpt].

Pursuing The Ephemeral, Painting The Enduring: Alzheimer's And The Artwork Of William Utermohlen, William Utermohlen, Jonathan Green, Mignon A. Montpetit, Joanne Diaz, Wendy Kooken, Noel Kerr, Jean M. Kerr, Mark Criley, Kent Cook, William Hudson

Pursuing the Ephemeral, Painting the Enduring: Alzheimer’s and the Artwork of William Utermohlen

This book is published in conjunction with the exhibition Pursuing the Ephemeral, Painting the Enduring: Alzheimer’s and the Artwork of William Utermohlen, Exhibition and Scholarly Reflections presented at Illinois Wesleyan University Wakeley Gallery November 6 to December 11, 2015.

The exhibition and catalogue are partially funded by a grant from the Andrew W. Mellon Foundation.

William Utermohlen’s work is represented by Chris Boïcos Fine Arts, Paris and Jennifer Norback Fine Arts, Chicago.

The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg

Schmucker Art Catalogs

The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.

Art, Attention, And Consciousness: An Experiment In Experiential Painting, Ben Drewry, Johannes Kohler

Kaleidoscope

A “transformation of perception” is investigated by looking both at the interrelationship among art, attention, and consciousness and by looking into their common origin. The role attention plays in consciousness is considered. A new model of consciousness is summarized that claims that attention is the primary factor in creating consciousness, and posits a prereflective self prior to all perceptual experience. This model is compared to states of pure consciousness described by Eastern sages, and the role attention plays in achieving those states is examined. Our experiment in experiential painting is described, and we then attempt to tie together the three …

Am Anfang Waren Die Formen, Scott Abbott, Zarko Radakovic

Scott Abbott

Serbian/German artist Nina Pops called her one-woman exhibition at the Erholungshaus in Leverkusen, Germany, CASSATA! Along with numerous images of her works, the exhibition catalogue contains a "trialogue" between Zarko Radakovic, Scott Abbott, and the artist.

Expressionist Art And Drama Before, During, And After The Weimar Republic, Shane Michael Kennedy

Dissertations and Theses

Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist.

This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressionism began much earlier than scholars believe and …

Transmutation: One Thing Becoming Another, Price Hall

Electronic Theses, Projects, and Dissertations

My art emerges from decades of the experience of building myself, sensitively aware of accumulated experience and the weight of accrued memory. Responding to this life I so deeply appreciate the longer I live, as sculptor, painter and poet, I merge these individual aesthetic observations into a layered work of many reads. Offering poetic observation as a visual sensation beyond the ears’ hearing carried on a field of color connects at some interior emotional level which is absent or very different in the uniformity of type. Time is present in my current work. “Corrugations”, not only in the poetic images …

2015 Forces, Scott Yarbrough

Forces

No abstract provided.

Dreaming In Chiapas, Eileen Smith-Cavros

Quadrivium: A Journal of Multidisciplinary Scholarship

A painting inspired by the girls of Chiapas, Mexico.

Commonthought (2015), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Landscape Painting: A Comprehensive Study Of En Plein Air And Studio Painting, Carly Brock

Summer Research

Landscape painting reflects humankind's perception of the world around it. During the 18th century, most landscapes were idealized scenes that enforced mankind's control over nature. It was not until the end of the 19th century that artists began painting landscapes more subjectively. Through summer research, I was given the opportunity to further explore my own perception of landscape, while comparing the two methods of en plein air ("in the open air") and studio painting.

A Gust Of Wind, Sean Caulfield, Karilee Fuglem, Elida Brenna Linge, Patrick Mahon, David Merritt, Tegan Moore, Francine Savard

Visual Arts eBook Collection

Catalogue of an exhibition held at the DNA artspace from from October 3 to November 14, 2015.

Moving Pictures. Pg. 2-5. By Patrick Mahon.

Fleeting Images. Pg. 5-6.

Biographies and Works in the Exhibition. Pg. 7-8.

Distilled: The Narrative Transformed (Exhibition Catalogue), Sam Yates, Pinkney Herbert, Joseph Mella, Kim Levin, Tim Rollins, T. Michael Martin

Ewing Gallery of Art & Architecture

Inspired by place and process, Pinkney Herbert's work is a spirited exploration in color and line derived from the sights, sounds, and energies of the two principal cities – Memphis and New York – in which this body of work was created. Graffiti-like gestures scrawl atop digital prints, which are collaged and integrated into his paintings. In this 30-year survey, we follow Pinkney Herbert on his transformative journey from the narrative into abstraction.

Breaking Wind, Todd William Pentico

Graduate Theses and Dissertations

Breaking Wind is a research project and thesis exhibition composed of a series of ceramic objects in conjunction with paintings that explore the systems that dictate belief, the motives that drive curiosity, and biological connection to our surroundings. The work uses the context of the gallery and devices used in museums such as plinths, shelves, and wall text to reinforce the idealized and fictive into something believable.

In the work, Breaking Wind refers to a clumsy breakdown and rethinking of the seemingly simple natural phenomenon, wind. Wind is understood as a natural occurrence that has no origin or any innate …

Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2015 Kentucky Folk Art Center exhibition catalog of artist Minnie Adkins.

‘Fuchsia Lipstick’: The Domestication Of Lee Krasner In Post-War Criticism, Aleisha E. Barton

Richard A. Harrison Symposium

After the Second World War, the art world shifted from Europe to New York and a new form of painting that defined itself as distinctly American demanded attention from the public. This style, abstract expressionism, created an inability to survey clear subject matter allowed critics to imply gendered metaphorical resonances within works, as meanings were fluid and inconclusive to the viewer. Coupled with instability in the social sphere, artistic abstraction served as motivation for critics to seek out gendered aspects within an artwork, identifying and constructing difference to preserve order and control in a society that had dramatically changed from …

A Place Called Home: Frank Lundahl And The Quad Cities, Augustana College, Rock Island Illinois

2015-2016

Frank Lundahl (1858-1932) was a Swedish-American artist born in Rock Island. A painter of interior murals by trade, his works in Augustana’s collections focus on the world around him, calling our attention to the everyday beauty of our region, this place we call home.

Path To Phd, Muthanna Yaqoob

The Hilltop Review

This painting depicts two young couples flying in the garden of life on paths of their dreams to reach their goal seen as a bright light in the top right corner of the painting. The couple here resembles myself as a graduate student following my aspirations to graduate and take my PhD resembled in the bright light along with my wife that is my supporter and soulmate.

How To Trace An Erased De Kooning, Ian Gonsher

Scholarly Research

This essay describes a series of paintings made in the early 2000s that investigate art history as a process of sous-rature (under erasure); signified by what is both present and absent in the work.