Painting Commons^™

The Mercury 2016

The Mercury

No abstract provided.

The Jump, Zoe C. Yeoh

The Mercury

No abstract provided.

Summer Impressions: Coneflower, Zoe C. Yeoh

The Mercury

No abstract provided.

Perspectives, Beatrice Modisett

Theses and Dissertations

My paintings are linked to a thirst for exploring new landscapes and perspectives, my interest in the extremes and subtleties of geological phenomenon and a desire to create, chase after, and teeter on a brink. Here I will discuss these topics and work to unpack my interest in avoiding comfort, my relationship to control and the creation and function of my paintings. To extract myself from my tactile and visual world of process and paint and enter the world of written language presents very different challenges than the ones fostered in the studio. The goal in both is to reveal …

Producing Archival Works With Late Medieval/Early Renaissance Methods And Material, Alexandra Vernier

Conspectus Borealis

No abstract provided.

Understanding Postcolonial South Asian Communities Through Bollywood, Noor A. Asif

Scripps Senior Theses

Inspired by my personal experience as a South Asian-American, I chose to create a series of paintings that seek to analyze the relationship between South Asians and a Western environment. I was further influenced by Bollywood painted posters, which I argue encapsulate postcolonial aesthetics in the form of fair skin, colored eyes, and exoticism. Moreover, I believe that Bollywood has continued to disseminate these aesthetics to the South Asian collective community. Bollywood and its implicit fascination with the West, in addition to its inherently South Asian identity, embody the struggle that many South Asians face. This struggle, which I as …

L'Art Et L'Amour À Travers Un Amour De Swann De Marcel Proust, Sarah M. Robertson

Scripps Senior Theses

The esteemed French author, Marcel Proust, revolutionized the way that literature fuses with visual art. Through the detail of his novella Un Amour de Swann, Proust creates a world in which the idolatry of a painting destines one man to a life void of fulfillment in love. This thesis explores the intrinsic connection of painting and literature to love through Proust’s treatment of the Botticelli fresco, Les Épreuves de Moïse, and the carefully crafted lesson that Proust teaches to integrate art into the fabric of life. Proust’s advice reaches far beyond the constraints of his own words, and …

Macro Self-Portraiture And The Feminine Grotesque, Emily C. Wages

Scripps Senior Theses

According to the Mirriam-Webster online dictionary, “grotesque” is defined as “a style of decorative art characterized by fanciful or fantastic human and animal forms often interwoven with foliage or similar figures that may distort the natural into absurdity, ugliness, or caricature.” Originating from the Old Italian grottesca, cave painting, feminine of grottesco of a cave, from the time of its conception, the grotesque has been inexorably linked to art and the female. The work of other female artists that explore themes of the feminine grotesque are discussed, including Katheryn Wakeman, Jenny Saville, and Maria Lassnig. In my current work, I …

Towards Romantic Syncretism: Liminal And Transitory Women In The Work Of Dante Gabriel Rossetti, Michelle Bunton

2016 Undergraduate Awards

Throughout his career, Dante Gabriel Rossetti struggled with a poetic and visual synthesis of the ideal with the sensual, exploring and attempting to resolve the complex paradox of Victorian sexuality, a feat not easily achieved during an era of such fervent morality. Developing his own Romantic Syncretism, Rossetti presents a synthesis of multifaceted symbolism and allegory in his work, combining pagan and Christian themes to create a liminal space in which the divided natures of his female subjects, their object versus subject-hood, are unified. His approach to Christian symbology, via a fleshy and aesthetic representation of the female form, retains …

Jasmine Greenwaldt: Continuum, Jasmine Elise Greenwaldt

All Graduate Theses, Dissertations, and Other Capstone Projects

I create in order to explore. I welcome the unexpected, not only in my art but in my life as well. The process of creation and exploration have just as much importance as the finished product itself. I seek to express emotion in my work, whether that be through color, brush strokes or simply the movement of paint. My thesis reflects all of the exploration I have done not only throughout graduate school but during my life. It has become a written book of my journey, demonstrated through the use of paint.

Recognizing The Parallels Between Fashion And Art: The Designs Of Elsa Schiaparelli, Yves Saint Laurent And Rei Kawakubo, Alexa S. Runsdorf

Senior Projects Spring 2016

My project explores the parallels and overlaps between the worlds of fashion and art through surveying the designs of Elsa Schiaparelli, Yves Saint Laurent and Rei Kawakubo.

Childhood Home, Kira Marie Buckel

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

A Looking Of Another, Grace Anne Caiazza

Senior Projects Spring 2016

A woman walks from one portrait to another. Meditations on grief, portraiture, and the female body.

Unspinning And A Constant Whirring, Laura Marina Salgarolo

Senior Projects Spring 2016

My senior thesis project is a living workspace and reading environment, housing a library of books and ephemera. This collection includes a series of books I made by hand, the foremost of which is a picture book I have written and illustrated. The books are “guarded” by several small librarian characters I invented and sculpted, and are shelved alongside classified and labeled ephemera and found objects. My aim has been to construct an environment for this library with a lamp-lit reading space and a work desk covered in process work and sketches. The exhibit will represent the merging and hybridization …

Mapped: Intersections Of Cartography And Painting, Brian Robert Neils Strigel

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

Mapped: Intersections of Cartography and Painting explores the role of representation in art and how we, as people, communicate through visual language. More fundamentally, my paintings ask at what point does an abstract painting become a map, and what structures and conventions do we use in cartography that appear in abstract painting? Is a map a painting or is it a functional object? The map is a fundamentally flat, abstract object to which we assign practical meaning. Details are only considered if they are necessary for travel or displaying …

Creating Color: Unearthing The Chemistry Of Ceramic Glazes, Jessica Mariah Hargis

Honors Theses

There is something magical about taking lumps of cold clay and turning them into a functional form. The transofrmation process is what first peaked my interest in ceramics. I turned this visual art form my junior year of college after being completely overwhelmed by my chemistry major. Not only did Ceramics 1 teach me basic hand building and surface design techniques, but it allowed me to literally pound out my stress. I've gained a strong adoration for ceramics because it relieves my stress and gives me the opportunity to express myself.

After taking Ceramics 1, enrolling in Ceramics 2 was …

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

Please Read, Joseph W. Anthony-Brown

Theses and Dissertations

This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.

Kentucky Folklife Program - Artists (Fa 743), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archive Project 743. This collection contains information relating to the various artists involved with the Kentucky Folklife Program. Many of the artists included in this collection participated in programs offered at, but not limited to, the Kentucky Folklife Festival, Made to be Played Exhibit, apprenticeship programs, and survey or fieldwork that was conducted by the Kentucky Folklife Program. Artists included musicians (gospel, blues, bluegrass, banjo, thumbpicking guitarists, and singing) to traditional artists (painting, quilting, storytelling, basketmaking, and instrument making). The collection also includes musical groups and places relating to artists and art forms. The collection …