Painting Commons^™

The Virtues Of Mama Mary

Stander Symposium Projects

Visual Arts majors in the Department of Art and Design will present research and analysis of their individual journey culminating in creative self-directed artistic projects. Each student project is unique and reflects their selected vocations in the visual arts determined by a review of professional practices, standards and activities across related disciplines.

As The Bridegroom Rejoices Over The Bride, So Shall Your God Rejoice Over You (Isaiah 62:5), K. Hope Mayo

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

She Opens Her Mouth With Wisdom, And The Teaching Of Kindness Is On Her Tongue (Prov. 31:26), K. Hope Mayo

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

A Thinking Man, Gilbert Hu

Forces

No abstract provided.

Solitaire, Lydia A. Pyla

Forces

No abstract provided.

Penny For Your Thoughts, Gilbert Hu

Forces

No abstract provided.

See Vo Blow Troubles Away, Gilbert Hu

Forces

No abstract provided.

Deception, Lydia A. Pyla

Forces

No abstract provided.

Glam Girl, Christina Vasquez

Forces

No abstract provided.

New Myths And My Religion, Pallas Lane Umbra

Belmont University Research Symposium (BURS)

New Myths and My Religion
Pallas Lane Umbra
Faculty Advisor: Katie Mitchell

As every civilization has had its myth and legends, this creative thesis project introduces a new mythology. This world is born of our own, shaped by the experience of growing up queer in the Appalachian South. There is a specific exploration of love, rage, and spirituality. Inspired by Greco-Roman mythology while also reflecting on personal experience, this body of work shares a visual, symbolic language that is interpretable; one myth can tell many stories. Along with this new iconography, the work strips the viewer of ease and comfort …

The Ghosts Shed Tears, Sarah Jentsch

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.

Many of my formative experiences I came to understand through animals. My family home, cradled …

Quilted Archives, Rebecca M. Gallandt

Art and Art History Honors Projects

Memory and identity are rooted in the experience of being in material spaces and the process of remembering is often prompted by associative places. Quilted Archives is a series of four collages that combine the mediums of printmaking and oil painting in the pursuit of exploring nostalgia. In each work I use brightly colored intaglio aquatint prints, sepia intaglio etchings, patterned linocut prints, and oil paint to embed memories of childhood play and pretend in the flora of the landscapes where each memory takes place. The flora is collaged in a colorful geometric style to reference quilting and is used …

Selvage, Sandra Reed

Art & Design Faculty Research

The abstract works in this exhibition are inspired by memories or terms referencing geographic or architectural structures. The exhibition notably features a 30” x 120” triptych, Selvage, and several of its preliminary works, among the twenty-four exhibited works.

A Place To Call Our Own, Todd Jones

Art + Design Masters Theses

A Place To Call Our Own explores residual cultural memory through the detritus of the ever decreasing life cycle of our identity-driven attention economy. Through processes of archaeological curation, accretion, and excavation, I create new objects that query the values of our current socio-political positions and examine implications for sustainability.

Discarded and mistint house paints are manifestations of culture as they are forgotten in basements, garages, closets, and left behind by previous owners. Mistint house paints are orphaned in hardware stores by customers who are not satisfied with their original color choices or when the store fails to create the …

In My Skin, Her Skin: An Artistic Exploration Of The Intersection Of Queer Femininity And Body Image, Stephanie Allen

Senior Theses

This project aims to visually record the feeling of being seen and queer women and non-binary people’s developing knowledge of their identity. Using interview questions that focused on body satisfaction, body selectiveness in partners, queer identity, and one’s relationship with femininity, a series of “floating collages” was created to record and juxtapose the appearance of the body with one’s internal relationship to the body. By realistically showing a variety of different body types that all relate to queerness and femininity in some way, one may expand their presupposed notions about the body enforcing identity. Additionally, despite these varying appearances of …

S Is For Sza, Justin A. Paduganan Mr

Toyon: Multilingual Literary Magazine

N/A

Idylls, Madison Aunger

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

An “Idyll” is defined as a happy, peaceful, or picturesque scene. The term references poetry that describes a small intimate world, and scenes from everyday life.

This exhibition, Idylls, showcases the little world of my home here in Lincoln, Nebraska. The paintings mirror my experience of the domestic spaces in my life, and the peaceful moments I encounter. In Idylls you are encouraged to be idle. We do ourselves a disservice when we don’t take the time to slow down.

My work begins as an excitement about a specific formal quality, a shape of light, a hint of color, repetition …

Larry Martin Prints: Finding Aid, Bethany Latham

Finding Aids

This collection contains framed prints created by local artist Larry K. Martin. Martin is a native of Alabama and holds a Ph.D. from Tulane University. He pursued a career in tropical medicine, having researched at Walter Reed National Medical Center in Bethesda, Maryland, and in the field in the Amazon rainforests of Colombia and Brazil. He eventually began to work in wildlife conservation, and was the curator of the Anniston Museum of Natural History. He began painting circa 1976, primarily using soft acrylics. He sells his paintings and prints of said paintings through the Wren’s Nest Gallery located at 100 …

Water Bearer, Whitney Harris

Theses and Dissertations

My work explores fantasy and mythological archetypes. The exhibition features works on paper depicting mermaids, and a fountain featuring two figures submerged in water, one spitting into the other's mouth. I use black ink and glazes to create variegated surfaces. In these works, I reimagine ideas about power and intimacy.

Theater And Spectacle Of The Inside, Dante G. Cannatella

Theses and Dissertations

Dante Cannatella’s work is about when the landscape reclaims the city, when the lines between inside and outside are blurred, and how lives play out against the truth of uncertainty and impermanence. His gestural paintings reflect growing up amidst the destruction and rebuilding of New Orleans. Set against a backdrop of acid yellows, muddy pinks and greys, the figures are caught in the powerful forces of nature, commerce, and mass thought that shape both their inner worlds and outer realities.