Painting Commons^™

Tomorrow Is The Worst Day Since Yesterday, Matthew Carlson

School of Art, Art History, and Design: Theses and Student Creative Work

Susan Sontag wrote: “Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other space”.

This work addresses aspects of that citizenship. I used my experiences as a person living with a disability and as a parent to a son with Autism to explore the dichotomy of this dual citizenship. The …

Short Stories, Tall Tales, Chance Lure Allen

School of Art, Art History, and Design: Theses and Student Creative Work

It is often said that the truth should never get in the way of a good story. I use painting and drawing to override truth, open a door to imagined lives, reflect on the past from a new perspective, and look to the future from my current perspective. Thedrawings and paintings in this exhibitioncombine elements of personal history, historical art references, popular culture, and music, drawing heavily from American iconography. I use the format of the still life to create idiosyncratic parings of objects and images documenting memories of growing up in Missouri. Some of the images are short stories. …

Under The Microscope: Painting From Histology, Meg Smith

Senior Theses and Projects

My goal as an artist is to create paintings which explore the intersections of biology, philosophy, aesthetics, and personal experience. I want to challenge the viewer to engage with their own anatomy and physiology on a microscopic scale. I also aspire to communicate my sense of awe and wonder at the structures and mechanisms of life on every scale, from the cellular to the cosmic.

I am deeply interested in how physiological processes generate the human experience

—I became a neuroscience major because I was interested in the mechanisms of sensation and perception. My love of histology—the study of the …

A Studio Manifesto, Macy West Zimmer

Honors Theses

No abstract provided.

Abstract Temptation: Vanessa Bell’S Artistic Journey Amidst Temptations Of Her Own, Maggie Perry

Student Research

My research paper, “Abstract Temptation: Vanessa Bell’s Artistic Journey Amidst Temptations of Her Own,” provides a study into four of her most influential and thought-provoking paintings with links to the theme of temptation and legacies. While analyzing the ethical consequences of temptations, I suggest that temptations are not always bad. They can lead to unethical, and selfish decisions that can harm our legacies; however, if we choose to fight temptation and make the best decisions ethically, the world and our legacies will benefit. The paintings I chose to analyze––Iceland Poppies, Studland Beach, Nude with Poppies, and Interior with a …

Création Artistique Et « Folie », Elsa Ghossoub

Dirassat

Madness and artistic creativity have always been related to each other. Both Plato and Aristotle dwelt on this issue. This relation has been demonstrated in the case of many poets, thinkers and philosophers. Most of the outstanding artists suffered from some sort of psychic trouble and melancholy. This article analyses the paintings of renowned painters who were either mad or trying to represent madness in their work of art to exteriorize discomfort. Thus madness has become in the field of art a refuge for Man to let go.

Study Of Native Colombian Tribes: Art As A Means Of Inspiration, Sofia Fernandez

Honors Theses

Study of Native Colombian Tribes: Art as a Means of Inspiration, examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project considers two Colombian tribes: Wayuu and Okaina. It emphasizes these tribes’ ancestry, history, purpose, and traditions, with the objective of giving them a voice in a community where they are underrepresented and unknown. This thesis provides a critical look into the tribe’s traditions and artistic techniques through the creation of a variety paintings, drawings, and prints. This body of work concentrates on textiles and patterns from …

Things Change, Julia Leggent

School of Art, Art History, and Design: Theses and Student Creative Work

The paintings in Things Change are pieces of my life; they follow my routines, thoughts, and worries, but these topics are experienced by many. The images of flesh, knobs, and pills are painted at life scale and are meant to be widely relatable. With each of my works, I hope to bring awareness to social, political, and feminine themes while drawing the viewer in and inciting interest in the ever-changing visual aspects of everyday life.

Examining routine, ritual, and time is always fascinating to me; I work to show this through my paintings. Practices change throughout the years. Strangely, you …

Carlos Riobó. Caught Between The Lines: Captives, Frontiers, And National Identity In Argentine Literature And Art. U Of Nebraska P, 2019., Manuela Borzone

Studies in 20th & 21st Century Literature

Review of Carlos Riobó. Caught between the Lines: Captives, Frontiers, and National Identity in Argentine Literature and Art. U of Nebraska P, 2019. xii +180 pp.

Death And The Transformation Of Women’S Roles Surrounding Death: An Analysis Of Jacques-Louis David’S History Paintings, Miranda Boljat

Bound Away: The Liberty Journal of History

Jacques-Louis David is remembered today for his contributions to the world of Neoclassical art before the French Revolution, during the Revolution, and during the reign of Napoleon Bonaparte. His body of work represents an impressive journey from his Rococo roots to his Neoclassical political works to his many different portraits of Napoleon. In comparing his pieces, an observer can track the development of a variety of themes. Specifically, it is possible to see the different ways David portrayed the event of death in his history paintings. From there, a researcher can clearly tie the different views of death to the …

The Passing Show, Kathryn Fanelli

Masters Theses

The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.

Creating A New Normal Through Engagement In Meaningful Occupation, Jennifer K. Fortuna Phd, Otr/L

The Open Journal of Occupational Therapy

Katie Edick, an occupational therapist and artist based in Portland, Michigan, provided the cover art for the Winter 2021 edition of The Open Journal of Occupational Therapy (OJOT). “Katie Bird” is a 4” x 6” watercolor painting. After receiving a diagnosis of metastatic breast cancer (MBC), Katie set out to find a new purpose and leave a legacy. She made the decision to live with intention and choose life experiences that create joy. Through engagement in meaningful occupations, such as painting and patient advocacy, Katie is creating a new normal.

Color Compliments, Jennifer Hansen Rolli

The STEAM Journal

A discussion of the range of use of complimentary colors

Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev

Theses and Dissertations

This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.

The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,

Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became a major …

From Here And Now: Monuments Of Today And Everyday, Adam Shaw

Theses and Dissertations

The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.

Membranes And Frames, Nurya Chana

Theses and Dissertations

Nurya Chana (b.1988, Bronx, NY) paints, sculpts, and performs to grapple with discontinuities between self and other, the inner and outer self, physicality and feeling. Her practice aims to expose the non-mental voices of the body, reconciling life sciences with the complexity, enormity, and potency of livingness.

Bernice Lee Bing’S Art And Spiritual Practice, Lin Ma

Theses and Dissertations

Living and working in northern California between the late 1950s and 1990s, abstract painter Bernice Lee Bing practiced Zen, Nichiren, and Nyingma Buddhism. This thesis studies what the visual and conceptual impact of these spiritual practices had on her abstract and visionary paintings.

Enduring Covid-19 As Nyc Subway Riders, Ruben Cuevas

Theses

My thesis paper describes my master art project of paintings about the New York City Subway riders commuting routine prior and during the Coronavirus. As a regular subway rider myself I am closely connected with this particular art project because I witnessed the subway riders endure the most contagious viral pandemic of the 21st century. My thesis recounts how from a few sketches and photo shots of people in the subway this art project developed into a collection of paintings carefully completed on large linen canvas and acrylic medium. The initial set of my paintings narrate typical NYC subway rider …

2021 Mfa Thesis Exhibitions, The University Of Tennessee, Knoxville, School Of Art

Ewing Gallery of Art & Architecture

MFA class of 2021: K. Clark, Mary Climes, Nyasha Madamombe, Conor McGrann, Jake R. Miller, Quynh Nguyen, Lilly Saywitz, Gina Stucchio, Lauren Terry, Alissa Walls, Erin Wohletz.

Professional Practices: Faculty Of The University Of Tennessee School Of Art (Exhibition Catalogue), School Of Art

Ewing Gallery of Art & Architecture

This exhibition featured the work of current professors in the University of Tennessee School of Art.

Exhibiting faculty were: Joshua Bienko, Emily Bivens, Sally Brogden, Jason S. Brown, Rubens Ghenov, Paul Harrill, John Kelley, Mary Laube, Paul Lee, Beauvais Lyons, Frank Martin, Christopher McNulty, Althea Murphy-Price, John Powers, Elaine McMillion Sheldon, Jered Sprecher, and Koichi Yamamoto.

Also included in the catalogue are art history faculty members: Mary Campbell, Timothy W. Hiles, Kelli Wood, and Suzanne Wright.