What Is Nanotechnology?,
2012
University of South Carolina - Columbia
What Is Nanotechnology?, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Choosing An Instrument,
2012
University of South Carolina - Columbia
Choosing An Instrument, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
The Immaculate Condemnation,
2012
University of Central Florida
The Immaculate Condemnation, Corey Robertson
Electronic Theses and Dissertations
My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally …
Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue),
2012
The University of Tennessee, Knoxville
Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue), Sam Yates, Creighton Michael, Barbara Macadam
Ewing Gallery of Art & Architecture
In Pencil Pushed, the word pencil functions simply as a metaphor or symbol for drawing and its activity. The selected artists are known for their drawing or drawing activity as their primary means of expression and have either pushed the material, process, or boundary of conventional drawing. Media included video, sculpture, animation, installation, and of course, works on paper. This exhibition is neither a survey nor the definitive grouping of mark-making artists. It is more a conversation about artists who have and continue to explore these regions in drawing.
Featured artists in Pencil Pushed are: William Anastasi, William Pittman Andrews, …
Quadrivium (Exhibition Catalogue),
2012
The University of Tennessee, Knoxville
Quadrivium (Exhibition Catalogue), Sam Yates, Marissa Landis
Ewing Gallery of Art & Architecture
Quadrivium is Latin for "the fourways" or the "place where the four roads meet." It's use here describes Knoxville and the School of Art as the place where artistic roads and artists have met. Quadrivium features the work of the four most recent additions to the faculty of the School of Art: Joshua Bienko, Evan Meaney, Althea Murphy-Price, and Karla Wozniak.
Design And Production Aspects Of An Electroluminescent Segment Display,
2012
California Polytechnic State University - San Luis Obispo
Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon
Graphic Communication
The purpose of this study was to get a better understanding of the different ways printed circuits could be constructed and then implemented into creative, visual designs for printed electroluminescent displays. A variety of circuit design variables, such as area and length, were tested that will help create solutions for printed electronics.
This study tested different variables of circuit design, such as length of silver traces and the size of the image area, to help optimize ways to build a printed circuit. Then, findings were implemented into a segmented graphic display in order to analyze innovative ways to utilize multiple …
The Relationship Between Two Dimensional And Three Dimensional Art,
2012
University of Puget Sound
The Relationship Between Two Dimensional And Three Dimensional Art, Erin Wheary
Summer Research
I examined the relationship between the two dimensional and three dimensional art. I observed a relationship in content in the prints and sculptures of artists such as Joel Shapiro and Richard Serra. I wondered if I could create a similar relationship in my own practice. Additionally, I wondered how the art would change when I translated the formal elements or process from the two dimensional plane into a sculptural work, and visa versa.
Through an experimental process and extensive trial and error, I discovered how to create a relationship between the two dimensional and three dimensional. Moving from one medium …
Stitching As Knowing: Mapping Nebraska With Textiles And Thread,
2012
University of Nebraska-Lincoln
Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham
Faculty Publications and Creative Activity, School of Art, Art History and Design
Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:
- A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
- Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
- Surveys, or on-the-ground …
The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field,
2012
University of Massachusetts Amherst
The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez
Masters Theses 1911 - February 2014
This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …
Adenine Uracil Guanine: An Exploration Of Certainty In Science,
2012
Scripps College
Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix
Scripps Senior Theses
Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …
Articulations Of Irish Language Poetry As Multimodal Texts,
2012
Technological University Dublin
Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan
Conference Papers
Abstract
In October of last year, visual communication students at Technological University Dublin took part in an exhibition of Irish language literature texts that were imaginatively extended, exploring an array of new literacies. Taking the Irish language texts as a starting point for this project, students creatively explored print, visual, digital and material modes to extend the meaning of the poetry.
This paper explores, from a social semiotic perspective the creative potential this multimodal work offers design pedagogy in how we frame and articulate meaning across both print and digital media design education. With an emphasis on an ensemble of …
Fact Or Fiction?,
2012
University of South Carolina - Columbia
Fact Or Fiction?, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Nanotechnology In Everyday Life,
2012
University of South Carolina - Columbia
Nanotechnology In Everyday Life, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
The Mechanical Bride,
2011
Occidental College
"Soft Stuff": Community, Identity, And Contemporary Craft In Education,
2011
Adelphi University
"Soft Stuff": Community, Identity, And Contemporary Craft In Education, Courtney Weida
Courtney Lee Weida
This chapter explores cognitive, sensory, and emotional dimensions of contemporary craft education. I have often overheard ceramics and craft teachers lament not only adolescent students’ inability to model clay, knit, and/or crochet – but also express concern for adult students who have scarcely ever worked with their hands in a direct engagement with tactile art media. Learners who encounter warm, soft, and time-honored materials of craft can engage not only with craft histories and hand-made sensibilities, but can also “get in touch with” a sense of their own development and the embodiment of internal transformations. This chapter juxtaposes historical voices …
Women In Theatre - A Research Report And Action Plan For The Australia Council For The Arts,
2011
University of Wollongong
Women In Theatre - A Research Report And Action Plan For The Australia Council For The Arts, Sarah B. Miller, Elaine Lally
Sarah Miller
No abstract provided.
Media Art: Mediality And Art Generally,
2011
University of Wollongong
Counterculture, Craftsmanship, And Cyberspace Connectivity: Considerations Of Contemporary Feminist Zines In/As/Of Feminist Art Education,
2011
Adelphi University
Counterculture, Craftsmanship, And Cyberspace Connectivity: Considerations Of Contemporary Feminist Zines In/As/Of Feminist Art Education, Courtney Lee Weida
Courtney Lee Weida
This chapter examines the cyberspace presences and digital interplays of contemporary feminist zines in the contexts of art and art education. Although the peak of zine creations as works on paper may be traced to the 1990s, this form of feminist counterculture has evolved into cyberspace forums and expressions. Zines often include not only email addresses alongside “snail mail” addresses, but also links to pdfs and related web resources. Connecting the handmade craftsmanship and hand-drawn and written techniques of zines with the grassroots connectivity enabled by the web, blogs and other online forums relating to zines or containing zines constitute …
Building An Interdisciplinary Production Program,
2011
Dyson College of Arts & Science, Pace University
Building An Interdisciplinary Production Program, Ruth D. Johnston
Cornerstone 3 Reports : Interdisciplinary Informatics
No abstract provided.
Endless Yarns: Interdisciplinary Creative Work In Text And Textile,
2011
University of Connecticut - Storrs
Endless Yarns: Interdisciplinary Creative Work In Text And Textile, Louisa Owen Sonstroem
Honors Scholar Theses
In this thesis I explore the relationship between text and textile. What is it that connects them? I engage this question from an aesthetic perspective, through process as much as through theory. The thesis project consists of three components: creative text pieces, creative textile pieces, and an essay that attempts to deal with the questions which arose during my creative process.