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Interdisciplinary Arts and Media Commons

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What Is Nanotechnology?, Allison Marsh 2012 University of South Carolina - Columbia

What Is Nanotechnology?, Allison Marsh

Section 5: Imaging at the Nano Scale

No abstract provided.


Choosing An Instrument, Allison Marsh 2012 University of South Carolina - Columbia

Choosing An Instrument, Allison Marsh

Section 5: Imaging at the Nano Scale

No abstract provided.


The Immaculate Condemnation, Corey Robertson 2012 University of Central Florida

The Immaculate Condemnation, Corey Robertson

Electronic Theses and Dissertations

My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally …


Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue), Sam Yates, Creighton Michael, Barbara MacAdam 2012 The University of Tennessee, Knoxville

Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue), Sam Yates, Creighton Michael, Barbara Macadam

Ewing Gallery of Art & Architecture

In Pencil Pushed, the word pencil functions simply as a metaphor or symbol for drawing and its activity. The selected artists are known for their drawing or drawing activity as their primary means of expression and have either pushed the material, process, or boundary of conventional drawing. Media included video, sculpture, animation, installation, and of course, works on paper. This exhibition is neither a survey nor the definitive grouping of mark-making artists. It is more a conversation about artists who have and continue to explore these regions in drawing.

Featured artists in Pencil Pushed are: William Anastasi, William Pittman Andrews, …


Quadrivium (Exhibition Catalogue), Sam Yates, Marissa Landis 2012 The University of Tennessee, Knoxville

Quadrivium (Exhibition Catalogue), Sam Yates, Marissa Landis

Ewing Gallery of Art & Architecture

Quadrivium is Latin for "the fourways" or the "place where the four roads meet." It's use here describes Knoxville and the School of Art as the place where artistic roads and artists have met. Quadrivium features the work of the four most recent additions to the faculty of the School of Art: Joshua Bienko, Evan Meaney, Althea Murphy-Price, and Karla Wozniak.


Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon 2012 California Polytechnic State University - San Luis Obispo

Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon

Graphic Communication

The purpose of this study was to get a better understanding of the different ways printed circuits could be constructed and then implemented into creative, visual designs for printed electroluminescent displays. A variety of circuit design variables, such as area and length, were tested that will help create solutions for printed electronics.

This study tested different variables of circuit design, such as length of silver traces and the size of the image area, to help optimize ways to build a printed circuit. Then, findings were implemented into a segmented graphic display in order to analyze innovative ways to utilize multiple …


The Relationship Between Two Dimensional And Three Dimensional Art, Erin Wheary 2012 University of Puget Sound

The Relationship Between Two Dimensional And Three Dimensional Art, Erin Wheary

Summer Research

I examined the relationship between the two dimensional and three dimensional art. I observed a relationship in content in the prints and sculptures of artists such as Joel Shapiro and Richard Serra. I wondered if I could create a similar relationship in my own practice. Additionally, I wondered how the art would change when I translated the formal elements or process from the two dimensional plane into a sculptural work, and visa versa.

Through an experimental process and extensive trial and error, I discovered how to create a relationship between the two dimensional and three dimensional. Moving from one medium …


Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham 2012 University of Nebraska-Lincoln

Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham

Faculty Publications and Creative Activity, School of Art, Art History and Design

Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:

  • A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
  • Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
  • Surveys, or on-the-ground …


The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez 2012 University of Massachusetts Amherst

The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez

Masters Theses 1911 - February 2014

This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …


Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix 2012 Scripps College

Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix

Scripps Senior Theses

Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …


Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan 2012 Technological University Dublin

Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan

Conference Papers

Abstract

In October of last year, visual communication students at Technological University Dublin took part in an exhibition of Irish language literature texts that were imaginatively extended, exploring an array of new literacies. Taking the Irish language texts as a starting point for this project, students creatively explored print, visual, digital and material modes to extend the meaning of the poetry.

This paper explores, from a social semiotic perspective the creative potential this multimodal work offers design pedagogy in how we frame and articulate meaning across both print and digital media design education. With an emphasis on an ensemble of …


Fact Or Fiction?, Allison Marsh 2012 University of South Carolina - Columbia

Fact Or Fiction?, Allison Marsh

Section 5: Imaging at the Nano Scale

No abstract provided.


Nanotechnology In Everyday Life, Allison Marsh 2012 University of South Carolina - Columbia

Nanotechnology In Everyday Life, Allison Marsh

Section 5: Imaging at the Nano Scale

No abstract provided.


The Mechanical Bride, Allison De Fren 2011 Occidental College

The Mechanical Bride, Allison De Fren

Allison De Fren

No abstract provided.


"Soft Stuff": Community, Identity, And Contemporary Craft In Education, Courtney Weida 2011 Adelphi University

"Soft Stuff": Community, Identity, And Contemporary Craft In Education, Courtney Weida

Courtney Lee Weida

This chapter explores cognitive, sensory, and emotional dimensions of contemporary craft education. I have often overheard ceramics and craft teachers lament not only adolescent students’ inability to model clay, knit, and/or crochet – but also express concern for adult students who have scarcely ever worked with their hands in a direct engagement with tactile art media. Learners who encounter warm, soft, and time-honored materials of craft can engage not only with craft histories and hand-made sensibilities, but can also “get in touch with” a sense of their own development and the embodiment of internal transformations. This chapter juxtaposes historical voices …


Women In Theatre - A Research Report And Action Plan For The Australia Council For The Arts, Sarah B. Miller, Elaine Lally 2011 University of Wollongong

Women In Theatre - A Research Report And Action Plan For The Australia Council For The Arts, Sarah B. Miller, Elaine Lally

Sarah Miller

No abstract provided.


Media Art: Mediality And Art Generally, Brogan Bunt 2011 University of Wollongong

Media Art: Mediality And Art Generally, Brogan Bunt

Brogan Bunt

No abstract provided.


Counterculture, Craftsmanship, And Cyberspace Connectivity: Considerations Of Contemporary Feminist Zines In/As/Of Feminist Art Education, Courtney Lee Weida 2011 Adelphi University

Counterculture, Craftsmanship, And Cyberspace Connectivity: Considerations Of Contemporary Feminist Zines In/As/Of Feminist Art Education, Courtney Lee Weida

Courtney Lee Weida

This chapter examines the cyberspace presences and digital interplays of contemporary feminist zines in the contexts of art and art education. Although the peak of zine creations as works on paper may be traced to the 1990s, this form of feminist counterculture has evolved into cyberspace forums and expressions. Zines often include not only email addresses alongside “snail mail” addresses, but also links to pdfs and related web resources. Connecting the handmade craftsmanship and hand-drawn and written techniques of zines with the grassroots connectivity enabled by the web, blogs and other online forums relating to zines or containing zines constitute …


Building An Interdisciplinary Production Program, Ruth D. Johnston 2011 Dyson College of Arts & Science, Pace University

Building An Interdisciplinary Production Program, Ruth D. Johnston

Cornerstone 3 Reports : Interdisciplinary Informatics

No abstract provided.


Endless Yarns: Interdisciplinary Creative Work In Text And Textile, Louisa Owen Sonstroem 2011 University of Connecticut - Storrs

Endless Yarns: Interdisciplinary Creative Work In Text And Textile, Louisa Owen Sonstroem

Honors Scholar Theses

In this thesis I explore the relationship between text and textile. What is it that connects them? I engage this question from an aesthetic perspective, through process as much as through theory. The thesis project consists of three components: creative text pieces, creative textile pieces, and an essay that attempts to deal with the questions which arose during my creative process.


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