Art Versus Image,
2012
University of South Carolina - Columbia
Art Versus Image, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Fact Or Fiction?,
2012
University of South Carolina - Columbia
Fact Or Fiction?, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Usc's Nanocenter,
2012
University of South Carolina - Columbia
Usc's Nanocenter, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Nanotechnology In Everyday Life,
2012
University of South Carolina - Columbia
Nanotechnology In Everyday Life, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Study Guide For United In Anger: A History Of Act Up,
2012
CUNY College of Staten Island
Study Guide For United In Anger: A History Of Act Up, Matt Brim
Open Educational Resources
The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.
Animation Project 2012,
2012
Dyson College of Arts and Sciences
Animation Project 2012, Linda Herritt
Cornerstone 2 Reports : Community Outreach and Empowerment Through Service Learning and Volunteerism
No abstract provided.
Spotlight On Usc: Department Of Art,
2012
University of South Carolina - Columbia
Spotlight On Usc: Department Of Art, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Nano Imaging,
2012
University of South Carolina - Columbia
Nano Imaging, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
What Is Nanotechnology?,
2012
University of South Carolina - Columbia
What Is Nanotechnology?, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Choosing An Instrument,
2012
University of South Carolina - Columbia
Choosing An Instrument, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
The Immaculate Condemnation,
2012
University of Central Florida
The Immaculate Condemnation, Corey Robertson
Electronic Theses and Dissertations
My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally …
The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field,
2012
University of Massachusetts Amherst
The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez
Masters Theses 1911 - February 2014
This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …
The Relationship Between Two Dimensional And Three Dimensional Art,
2012
University of Puget Sound
The Relationship Between Two Dimensional And Three Dimensional Art, Erin Wheary
Summer Research
I examined the relationship between the two dimensional and three dimensional art. I observed a relationship in content in the prints and sculptures of artists such as Joel Shapiro and Richard Serra. I wondered if I could create a similar relationship in my own practice. Additionally, I wondered how the art would change when I translated the formal elements or process from the two dimensional plane into a sculptural work, and visa versa.
Through an experimental process and extensive trial and error, I discovered how to create a relationship between the two dimensional and three dimensional. Moving from one medium …
Articulations Of Irish Language Poetry As Multimodal Texts,
2012
Technological University Dublin
Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan
Conference Papers
Abstract
In October of last year, visual communication students at Technological University Dublin took part in an exhibition of Irish language literature texts that were imaginatively extended, exploring an array of new literacies. Taking the Irish language texts as a starting point for this project, students creatively explored print, visual, digital and material modes to extend the meaning of the poetry.
This paper explores, from a social semiotic perspective the creative potential this multimodal work offers design pedagogy in how we frame and articulate meaning across both print and digital media design education. With an emphasis on an ensemble of …
Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue),
2012
The University of Tennessee, Knoxville
Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue), Sam Yates, Creighton Michael, Barbara Macadam
Ewing Gallery of Art & Architecture
In Pencil Pushed, the word pencil functions simply as a metaphor or symbol for drawing and its activity. The selected artists are known for their drawing or drawing activity as their primary means of expression and have either pushed the material, process, or boundary of conventional drawing. Media included video, sculpture, animation, installation, and of course, works on paper. This exhibition is neither a survey nor the definitive grouping of mark-making artists. It is more a conversation about artists who have and continue to explore these regions in drawing.
Featured artists in Pencil Pushed are: William Anastasi, William Pittman Andrews, …
Quadrivium (Exhibition Catalogue),
2012
The University of Tennessee, Knoxville
Quadrivium (Exhibition Catalogue), Sam Yates, Marissa Landis
Ewing Gallery of Art & Architecture
Quadrivium is Latin for "the fourways" or the "place where the four roads meet." It's use here describes Knoxville and the School of Art as the place where artistic roads and artists have met. Quadrivium features the work of the four most recent additions to the faculty of the School of Art: Joshua Bienko, Evan Meaney, Althea Murphy-Price, and Karla Wozniak.
Stitching As Knowing: Mapping Nebraska With Textiles And Thread,
2012
University of Nebraska-Lincoln
Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham
Faculty Publications and Creative Activity, School of Art, Art History and Design
Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:
- A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
- Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
- Surveys, or on-the-ground …
Adenine Uracil Guanine: An Exploration Of Certainty In Science,
2012
Scripps College
Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix
Scripps Senior Theses
Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …
Design And Production Aspects Of An Electroluminescent Segment Display,
2012
California Polytechnic State University - San Luis Obispo
Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon
Graphic Communication
The purpose of this study was to get a better understanding of the different ways printed circuits could be constructed and then implemented into creative, visual designs for printed electroluminescent displays. A variety of circuit design variables, such as area and length, were tested that will help create solutions for printed electronics.
This study tested different variables of circuit design, such as length of silver traces and the size of the image area, to help optimize ways to build a printed circuit. Then, findings were implemented into a segmented graphic display in order to analyze innovative ways to utilize multiple …
The Mechanical Bride,
2011
Occidental College