Africana Studies Commons^™

The City-Child's Quest: Spatiality And Sociality In Paule Marshall's The Fisher King, Daphne Lamothe

Africana Studies: Faculty Publications

In The Fisher King, Paule Marshall depicts urban spatial and social relations that resonate with the psychic and social ruptures of the African Diaspora. The novel’s central characters comprise a blended family with Southern African American and Caribbean roots. They reckon with problems of social marginalization, alienation, and fragmentation, engendered by their various experiences of dislocation. While mindful of the diverse histories, values, and worldviews within black America’s heterogeneous collectivity, Marshall ultimately privileges black women’s perspectives on the limits and possibilities of traversing geographic and social spaces. Hattie Carmichael, the “City child” who occupies the moral center of the novel, …

Conference Conversations: Monique Charles On Corbyn And Grime, Florence Sutcliffe-Braithwaite, Monique Charles

Sociology Faculty Articles and Research

Yesterday Renewal co-hosted an event with The Corbyn Effect at Momentum’s conference, The World Transformed, in Brighton. One of the speakers, Monique Charles, recently completed a PhD on grime music. In The Corbyn Effect she looks at the phenomenon of Grime for Corbyn, and we had coffee with her to talk about her work, Jeremy Corbyn, and the Labour Party.

“Bein Alive & Bein A Woman & Bein Colored”:The Metaphysical Dilemma In Ntozake Shange, Sherley Anne Williams, And Toni Morrison | “Beinalive & Beinawoman & Bein Colored”: Odilemametafísico Em Ntozake Shange, Sherley Anne Williams E Toni Morrison, Flávia Santos De Araújo

Africana Studies: Faculty Publications

This essay is an analysis of three literary works by black women writers from the U.S.: Ntozake Shange’s For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, Sherley Ann Williams’ novel Dessa Rose, and Toni Morrison’s novel Beloved. In my analysis, I use Shange’s trope of the “methaphysical dilemma” to consider the intersections of gender, race, and sexuality in these writers’ textual representations of black women’s bodies. Writing against a historical legacy of colonialism and domination that defined black bodies as “primitive” or “unbridled” (bell hooks 1991), I argue that these works illustrate some …

Grime Launches A Revolution In Youth Politics, Monique Charles

Sociology Faculty Articles and Research

"The relationship between grime and politics has been an interesting and evolving one. Grime is a genre of music that emerged at the turn of the 21st century in London’s inner boroughs. Early on, its sound was most closely likened to US hip hop and rap. But those in the know appreciate grime’s deep connections to its UK predecessors, which include music from the British underground scene such as garage and jungle, in addition to Jamaican dancehall, electronic/experimental music, and British punk. The grime 'sound' developed as it grew, eventually being acknowledged as its own genre at the MOBOs in …

Fauve Masks: Rethinking Modern 'Primitivist' Uses Of African And Oceanic Art, 1905-8, Joshua I. Cohen

Publications and Research

Fauve painters “discovered” African and Oceanic sculpture beginning in 1905. From that time, Vlaminck first collected African art; Derain studied Oceanic works at the British Museum in spring 1906; and Matisse struggled to paint a Kongo-Vili statuette he purchased in fall 1906. Fauve interests in shallow-relief, relatively naturalistic, and surface-ornamented sculptural works suggest conformity with turn-of-the-century artistic and scientific ideas conflating heterogeneous strains of so-called “primitive” material culture. Nevertheless, the dominant conceptual framework of “primitivism” has tended to limit art-historical understandings of external formal influences on modernism, which can be gleaned here by investigating the particular objects the Fauves appropriated.

Sacrificial Women: The Unlikely Heroes Of Uwem Akpan's Stories, Mary L. Bauer

English Faculty Publications

This paper examines whether the female characters in Fr. Uwem Akpan’s short story collection Say You’re One of Them accurately portray the challenges that African women face in the post-colonial era, particularly when faced with challenges of poverty and violence that threaten the lives of their loved ones. It investigates how these women use the limited devices available to them -- including transactional sex, voluntary starvation, and giving their own lives to protect others – to carry out the traditional role of African women in caring for dependents, including younger siblings. It highlights the impact of societal norms, such as …

“The Blood Remember Don’T It?”: The Ethnocultural Dramatic Structure Of Katori Hall’S The Blood Quilt, Artisia Green

Arts & Sciences Articles

The Yorùbá influenced Ethnocultural Dramatic Structure of Katori Hall’s The Blood Quilt is an example of the enduring philosophical permanence of African aesthetics within the tradition of Black Theatre. Within The Blood Quilt is the manifestation of a Yorùbá traditional divination system and body of orature, the Odù Ifá. Hall acknowledges exploring Yorùbá cultural expressions, yet she refutes any dramaturgical intention to locate the play within the Odù Ifá. Thus, the incarnation of verses of Ifá in the text evidences her belief that a playwright’s consciousness and her work are often phenomenologically informed. This analysis argues that recognizing, understanding, and …

Almsgiving As Patronage: The Role Of Patroness In Third Century North African Christianity, Charles A. Bobertz

Theology Faculty Publications

In the social world of the third century Roman Empire the most important determinant of political and social status and advancement was the giving and receiving of patronage. By means of a close study of two of Cyprian of Carthage’s well known treatises, De opere et eleemosynis (On Almsgiving) and De habitu virginum (On the Dress of Virgins) within the context of the larger social reality of the Roman patronage system, this study seeks to explore the level of status and authority that women benefactors (patronesses) may have enjoyed within parts of the early Christian Church and ultimately how such …

Dollar Diplomacy By Force: Nation-Building And Resistance In The Dominican Republic, Richard L. Turits

Arts & Sciences Articles

"Ellen Tillman has produced a major monograph on the U.S. military occupation of the Dominican Republic between 1916 and 1924. In it she offers a novel account of the powerful national army that the occupying forces created there. Prior to the U.S. invasion, a centralized Dominican military existed only nominally. In the eyes of many U.S. policy makers, this created vulnerabilities for U.S. capital and strategic interests. Drawing heavily on Dominican as well as U.S. archival sources, Tillman demonstrates that remedying this with an effective national army shaped by, and loyal to, the U.S. government was the occupation’s most fundamental …

Reclaiming The Streets: Black Urban Insurgency And Antisocial Security In Twenty-First-Century Philadelphia, Jeff Maskovsky

Publications and Research

This article focuses on the emergence of a new pattern of black urban insurgency emerging in major US metropolitan areas such as Philadelphia. I locate this pattern in the context of a new securitization regime that I call “antisocial security.” This regime works by establishing a decentered system of high-tech forms of surveillance and monitory techniques. I highlight the dialectic between the extension of antisocial security apparatuses and techniques into new political and social domains on the one hand and the adoption of these same techniques by those contesting racialized exclusions from urban public space on the other. I end …

Derrick Bell, Brown, And The Continuing Significance Of The Interest-Convergence Principle, Jamel K. Donnor

School of Education Book Chapters

Although he spent his career as a lawyer and law school professor, Derrick Bell had a profound impact on the field of education in the area of educational equity. Among many accomplishments, Bell was the first African American to earn tenure at the Harvard Law School; he also established a new course in civil rights law and produced what has become a famous casebook: Race, Racism, and American Law. The man who could rightly be called, «The Father of Critical Race Theory,» Bell was an innovator who did things with the law that others had not thought possible. This …

The 1994 Rwandan Genocide: The Religion/Genocide Nexus, Sexual Violence, And The Future Of Genocide Studies, Kate E. Temoney

Department of Religion Faculty Scholarship and Creative Works

In recent genocides and other conflicts—for example, the Sudan, Burma, and now Iraq—sexual violence and religion have received increasing but modest systematic treatment in genocide studies. This essay contributes to the nascent scholarship on the religious and sexual dimensions of genocide by providing a model for investigating the intersections among religion, genocide, and sexual violence. I treat the Rwandan genocide as a case study using secondary and primary sources and proffer the reinforcing typologies of “othering,” justification, and authorization as an investigatory tool. I further nuance the influences of religion on forms of sexual violation by arguing that religion …

Beyond The Flesh: Contemporary Representations Of The Black Female Body In Afro-Brazilian Literature, Flávia Santos De Araújo

Africana Studies: Faculty Publications

This essay takes an intersectional and transnational approach to analyze how selected poetic texts by contemporary Afro-Brazilian writers Conceição Evaristo, Esmeralda Ribeiro Cristiane Sobral, Miriam Alves, and Elisa Lucinda (re)design portrayals of Afro-descendant/black female bodies. As cultural artifacts, I argue that these poetic/political constructs give evidence of Afro- Brazilian female bodies as historical: on one hand, they represent the embodiment of “otherness” as they historically differ from the standards of (white) “normalcy;” on the other hand, they carry both the silenced histories of racial and sexual exploitation and the appeal of hyper-sexualized and exoticized stereotypes. I am also interested in …

“Ni De Aquí, Ni De Allá”: Garífuna Subjectivities And The Politics Of Diasporic Belonging, Paul Joseph López Oro

Africana Studies: Faculty Publications

López Oro analyzes two census campaigns—one in New York City and one in Honduras—geared toward Garifuna populations in order to interrogate larger questions about how Garifuna populations are included, or not, within dominant discourses of Honduran multiculturalism and US Latinidad. He argues that Garifuna are a quintessentially diasporic population who disrupt common assumptions about what it means to be Honduran, Latino, and/or Black in the Americas.

Macdonald-Miller Correspondence, Norman Miller, Duncan Macdonald Md

Dartmouth Scholarship

This file is an exchange of letters, e-mails, and documents between Norman Miller and Duncan MacDonald, MD, including a four-volume collection of MacDonald’s writings, over a 30-year period, all on witchcraft, some 600 pages extracted from the original 1100. As such, the following material is unfinished, presenting sketches of ideas, concepts, and arguments.

Duncan MacDonald served as a physician in Zambia and Kenya, including a period as a "Flying Doctor". He later served as a provincial psychiatrist in Cornwall, UK. His parallel interests in economic development and international witchcraft issues led to long-term research on these issues, the witchcraft concerns …

Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye

Présence Francophone: Revue internationale de langue et de littérature

This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …

Writing At The Williamsburg Bray School?, Terry L. Meyers

Arts & Sciences Articles

"I’ve become interested recently in whether writing was taught to the pupils in the Williamsburg Bray School. I had assumed all along that it was, and that the discovery of 40 some slate pencils at the Bray School Dig was confirmation of that.

I’d not been alone in my assumption about the teaching of writing, for the great majority of those interested in the Bray School have affirmed that the curriculum included writing..."

Regina Taylor's Crowns: The Overflow Of "Memories Cupped Under The Brim", Artisia Green

Arts & Sciences Articles

In crossing the cultural border between the North and the South, Yolanda, the main character in Regina Taylor’s Crowns, is sent on both a physical and metaphysical journey that symbolizes the ideology of the Kongo Cosmogram. South Carolina, Yolanda’s landing point and the play’s geographical context, bears multiple implications for the dramaturgy of Crowns. The land is saturated with memories of the African presence due to slave importation patterns within the coastal Sea Islands and low-country post–Civil War settlement by formerly enslaved people of West Africa and the Caribbean. As such Yorùbá aesthetics and theoretical ideas of the self …

Bessie [Film Review], Judith E. Smith

American Studies Faculty Publication Series

Bessie opens with an arresting shot of Queen Latifah as singer Bessie Smith, dressed in the white costume familiarized by a widely reproduced photograph, with blue tones emphasizing both interiority (her eyes are closed, and the music viewers hear is playing in her head), and the blues genre associated with her. When the shift to every day colors returns viewers to the movie’s present (1927), an unsmiling Bessie walks through an adoring backstage crowd, press cameras flashing, into a waiting car. Rachel Portman’s score suggests foreboding; the next long shot shows Bessie framed in a doorway as she calls out …

Sonic Jihad — Muslim Hip Hop In The Age Of Mass Incarceration, Spearit

Articles

This essay examines hip hop music as a form of legal criticism. It focuses on the music as critical resistance and “new terrain” for understanding the law, and more specifically, focuses on what prisons mean to Muslim hip hop artists. Losing friends, family, and loved ones to the proverbial belly of the beast has inspired criticism of criminal justice from the earliest days of hip hop culture. In the music, prisons are known by a host of names like “pen,” “bing,” and “clink,” terms that are invoked throughout the lyrics. The most extreme expressions offer violent fantasies of revolution and …